Cissy stewart lale (25 risultati)

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

1st thus. A reprint of the 1953 edition published by the University of Oklahoma Press, illustrated. Fine paperback book in decorative wrappers (trade paperback book).

Paperback. Condizione: Very Good. Forth Worth, Texas, U.S.A.: Texas Christian Univ Pr, 1990. Published 1990. Softcover, 309 pages. Minor edgewear, small crease to far upper corner of front cover, some light smudging to foredge, internally fine with no names or other markings. Looks and feels unread. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall. …

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. dj: as new. book: as new. inscribed by author. Inscribed by Author(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. Signed by Cissy Stewart Lale on half title page. Hard cover published by TCU Press in 1999. Light gray covers with gilt lettering. Covers are slightly bowed. Side edges of pages are slightly wavy. Book is in very good minus condition. Dust jacket has a small red stain at bottom back corner, and is in very good minus condition. Large 8vo, 75 pages, 1.1 lb. ; Large 8vo 9" - 10" tall; 75 pages; Signed by Author.…

Soft cover. Condizione: Near Fine. In a Very Good+ Slipcase [xviii], [310]pp --- Signed by Cissy Stewart Lale, author of the essay on the Twentieth Century ---- [one name highlighted, on page 245 and in the index, Howard M. Fender, with and explanatory note laid in] Size: 8vo - over 7¾" - 9¾" tall. B&w illustrations (illustratore). Signed by Author(s). Book. …

Condizione: As New. Unread book in perfect condition.

Hard Cover. Condizione: Like New. Condizione sovraccoperta: Very Good. Presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today with text elucidates each painting, explaining details and their historical significance. Sweetie Ladd (illustratore). Signed by Author. …

hardcover. Condizione: New.

Condizione: New.

Condizione: New. Brand New.

Softcover. Condizione: Very Good+. Signed by Cissy Stewart Lale (author of the foreword, an Essay on the Twentieth Century) on half title page. Soft cover with slipcase published by TCU Press in 1990. Covers curl up some along side edges and tips of covers are bumped some. Book is in very good plus condition. Slipcase has some fading along front edges, and is in very good condition. Large 8vo, 309 pages, 1.6 lb.; Chisholm Trail Series; Large 8vo 9" - 10" tall; 309 pages.…

Hardcover. Condizione: new. Hardcover. Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history. Presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today with text elucidates each painting, explaining details and their historical significance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

hardcover with dustjacket. Condizione: As New. Condizione sovraccoperta: As New. First Edition; First Printing. First Edition. 38 paintings of historic structures in Fort Worth, many that no longer are standing. Also 10 paintings titled the "Cries of Fort Worth" which depict early old-time peddlers such as the iceman, the scissors man, and the tamale man. 75 pages. No names, writing, or marks. Dust jacket and book are in Fine, as new, condition. ; 8 1/2 in. x 9 3/4 in.; 75 pages.…

Condizione: New.

Hardcover. Condizione: Brand New. illustrated edition. 75 pages. 10.00x9.00x0.50 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Buch. Condizione: Neu. Neuware - Sweetie Ladd was Fort Worth's own 'Grandma' Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. 'Just paint poorly, dear,' she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the 'Cries of Fort Worth' series based on Wheatley's 'Cries of London.' These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. 'The Day Fort Worth Burned' shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in 'The Breadman'; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in 'Extra--Extra,' one of the 'Cries' series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history.…

Condizione: New. Presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today with text elucidates each painting, explaining details and their historical significance.Klappentext.

Condizione: New. Satisfaction Guaranteed or your money back.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: new. Hardcover. Sweetie Ladd was Fort Worth's own "Grandma" Moses, a folk artist who captured the city's history in watercolor and lithograph. In her sixties when she began painting, Ladd once told a fellow artist she didn't know how she achieved her distinctive style. "Just paint poorly, dear," she advised. In truth, she had attended painting workshops in Paris, Spain, and Mexico and studied under Fort Worth artist Bror Utter. After she took a class on perspective, her teacher advised her to discontinue formal training and paint what came naturally. Sweetie Ladd's Historic Fort Worth presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today: the T&P Station, Lake Como Pavilion, the Nine-Mile Bridge Casino, the Worth Hotel, the lobby of the Majestic Theater, Goat Island, and the Lake Erie Interurban. The book also contains the "Cries of Fort Worth" series based on Wheatley's "Cries of London." These ten paintings portray such old-time peddlars as the ice man, the scissor man, the bottleman, and the tamale seller. Ladd didn't simply draw the buildings or landmarks. She put them in an action setting. "The Day Fort Worth Burned" shows several young children watching the flames from a field. Two of the children are Sweetie Ladd and her sister, who were in that very field that day. Two young boys also watching could have been the Monnig brothers, Otto and Oscar. She remembered they were there that day. Other pictures include names longtime Fort Worth residents will find familiar: the horse-drawn Ballard Ice Cream Truck passes in front of the Scott home, now known as Thistle Hill; Mrs. Baird's Bread is the sign on a horse-drawn carriage in "The Breadman"; a Stripling's delivery cart is in front of the J. E. Moore home (now part of the Woman's Club); a horse-drawn funeral procession passes in front of the old Washer Brothers building; and Fuqua's Grocery sits next to Anderson Drugs in "Extra--Extra," one of the "Cries" series in which a young boy passes out the Fort Worth Star-Telegram. Sweetie Ladd's paintings were shown at the Woman's Club of Fort Worth and accepted in juried shows of the University of Texas at Arlington, the Fort Worth Art Museum, and the Texas Fine Arts Association. These historical paintings are now owned by the Fort Worth Public Library and have been reproduced with their cooperation. Cissy Stewart Lale's text elucidates each painting, explaining details and their historical significance. The book begins with brief essays on Mrs. Ladd and Fort Worth history. Presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today with text elucidates each painting, explaining details and their historical significance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…