cleene michiel (29 risultati)

Paperback. Condizione: new. Paperback. And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguousat times obscuredecisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS** is the story of an architects ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. Its our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. **** Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. ** THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019s facade. *** Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke and Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. That's when things began to move, for real. That's when we realized-artists, architects, designers and the like-we had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, that's how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere.

Paperback. Condizione: Brand New. 01 edition. 304 pages. 11.77x8.31x0.67 inches. In Stock.

Soft cover. Condizione: Very Good. 1st Edition. As New; shrink wrapped, Ships from Berlin Bookshop Bxn.

Pocket Book. Condizione: New.

Pocket Book. Condizione: Brand New. 1st edition. 128 pages. 11.85x8.54x1.54 inches. In Stock.

Paperback. Condizione: new. Paperback. And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguousat times obscuredecisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS** is the story of an architects ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. Its our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. **** Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. ** THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019s facade. *** Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New.

paperback. Condizione: New. **PAPERBACK**.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Neuware - And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguous-at times obscure-decisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS\*\* is the story of an architect's ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition\*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. It's our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. \*\*\*\* Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. \*\* THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019's facade. \*\*\* Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest.

Taschenbuch. Condizione: Neu. The Situation As It Is | Michiel Cleene (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | APE | EAN 9789493146983 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

paperback. Condizione: New. Prima edizione (First Edition). Ricerca e fotografie di Michiel De Cleene e Arnout De Cleene. Realizzato con il supporto di HOGENT Arts Research Fund, Ghent . Cm 30,5x24. pp. 160. . Nuovo (New). . Prima edizione (First Edition). . Nell'aprile del 1872 il Vesuvio eruttò con un violento cataclisma. È considerata la prima eruzione vulcanica mai fotografata. Da allora si sono susseguite grandi eruzioni, con la prossima che incombe pericolosamente. Ogni eruzione porta al cataclisma successivo, ogni periodo di quiescenza all'oblio e al compiacimento. Amidst the fire, I am not burnt (In mezzo al fuoco, non sono bruciato) è una lettura superficiale del paesaggio iconico plasmato dal Vesuvio. Il libro indaga le diverse temporalità, gli approcci scientifici e popolari, le rappresentazioni fotografiche storiche e attuali e le storie inscritte in questo paesaggio ciclico. Book.

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: New.

Condizione: New. In.

Paperback. Condizione: New. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke and Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. That's when things began to move, for real. That's when we realized-artists, architects, designers and the like-we had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, that's how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere.

Paperback. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 01 edition. 324 pages. French language. 9.92x7.80x0.94 inches. In Stock.

Paperback. Condizione: Brand New. 01 edition. 324 pages. French language. 9.92x7.80x0.94 inches. In Stock.

Condizione: New. The Flanders Architectural Review No.14 presents striking architecture from Flanders and Brussels. It assembles a broad range of recently completed architectural projects and situates them in the evolution of the socio-cultural domain in which they arose.

Paperback. Condizione: New.

Paperback. Condizione: New.

paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: gut. Flanders Architectural Review N°14. When Attitudes Take Form. Public interest in architecture and spatial issues has never been so high. The Flanders Architectural Review No.14 presents striking architecture from Flanders and Brussels. It assembles a broad range of recently completed architectural projects and situates them in the evolution of the socio-cultural domain in which they arose. In deutscher Sprache. pages.