clementine deliss (123 risultati)

Paperback. Condizione: Fine. No Going Back Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book written in a conversational style, Clementine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised on how to work with contentious collections, the law from the perspective of Indigenous artists, and the concept of the prototype that defines an artists career. Deliss speaks with leading women artistsRuth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joelle Tuerlincx, and Andrea Zittel, about their moment of skin in the game, when they knew there was no going back, and that art practice would become their Hades and paradise in one. What was the prototype that defined their practice and that like a revenant returns over the course of an artists lifetime?.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 1763303740. 11/16/2025 2:35:40 PM.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. No Going Back Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book written in a conversational style, Clémentine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised on how to work with contentious collections, the law from the perspective of Indigenous artists, and the concept of the "prototype" that defines an artist's career. Deliss speaks with leading women artists-Ruth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joëlle Tuerlincx, and Andrea Zittel-, about their moment of "skin in the game," when they knew there was no going back, and that art practice would become their Hades and paradise in one. What was the prototype that defined their practice and that like a revenant returns over the course of an artist's lifetime?

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. No Going BackSkin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book written in a conversational style, Clementine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised on how to work with contentious collections, the law from the perspective of Indigenous artists, and the concept of the "prototype" that defines an artist's career. Deliss speaks with leading women artists-Ruth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joelle Tuerlincx, and Andrea Zittel-, about their moment of "skin in the game," when they knew there was no going back, and that art practice would become their Hades and paradise in one. What was the prototype that defined their practice and that like a revenant returns over the course of an artist's lifetime? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations.CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg. 128 pp. Englisch.

Paperback. Condizione: New. No Going Back Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book written in a conversational style, Clémentine Deliss expands on how artists today understand the creativity to be found in historical research collections. Questions are raised on how to work with contentious collections, the law from the perspective of Indigenous artists, and the concept of the "prototype" that defines an artist's career. Deliss speaks with leading women artists-Ruth Buchanan, Otobong Nkanga, Collier Schorr, Rosemarie Trockel, Joëlle Tuerlincx, and Andrea Zittel-, about their moment of "skin in the game," when they knew there was no going back, and that art practice would become their Hades and paradise in one. What was the prototype that defined their practice and that like a revenant returns over the course of an artist's lifetime?

Paperback. Condizione: New.

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, Clémentine Deliss expands on how artists understand risk and contention both in their work and with regard to historical collections. Through a series of compelling conversations, questions are raised on how to work on colonial collections through the concept of the 'prototype' as generative of a multiplicity of non-exclusive interpretations. The book includes interviews with leading women artists spanning two generations-Ruth Buchanan, Otobong Nkanga, Collier Schorr, Joëlle Tuerlinckx, and Andrea Zittel-in which they discuss that moment of 'skin in the game,' when each of them took the decision to become an artist, to enter the Hades of an uncertain existence and the Heaven of aesthetic experiment. What was the prototype that defined their career and their life's trajectory, that like a revenant returns over the course of an artist's lifetime CLÉMENTINE DELISS (\*1960, London) is an independent curator whose practice crosses the borders of contemporary art, critical anthropology and curatorial experimentation. She is internationally recognized for her seminal work on the Post-Ethnographic, on African modernism, and for her interventionist practices in art. She is Honorary Global Humanities Professor of History of Art at the University of Cambridge, and Associate Curator at KW Institute for Contemporary Art in Berlin. 240 pp. Englisch.

Paperback. Condizione: As New. The MIT Press; Cambridge, 2009. Trade paperback. NEW and in factory shrink-wrap. A Fine, binding firm, interior and extremities tidy, a nice, clean and unmarked copy in wraps. 8vo[octavo or approx. 6 x 9], 373pp. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.

Softcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke.

Condizione: New.

Hardcover with dustjacket, 320 pages; very good condition; except 1-inch tear to top edge of slightly scratched dj; no internal marks. Foreign shipping may be extra for this book.

Soft Cover. Condizione: Fine. First Edition; First Printing. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous full page color plates of works by Algerian French artist Kader Attia. Essays by Beate Reifenscheid; Demosthenes Davvetas; Clementine Deliss. Text in in English and German. Published on the occasion of the exhibition at the Ludwig Museum, Koblenz, Germany, November 5, 2017 - January 21, 2018.; 9.4 X 0.5 X 11.7 inches; 152 pages.

Taschenbuch. Condizione: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Una parte importante de los museos europeos ha forjado sus colecciones a partir de dinámicas coloniales y de saqueo. Nacidos para controlar cómo miramos y cómo nos relacionamos con el Otro, los museos etnográficos acumulan miles de artefactos arrancados de sus lugares de origen y de los que se ha preferido ignorar la identidad de sus creadores originales. ¿Dónde estamos ahora , ¿cómo continuar Sin duda, ha llegado el momento de volver a la casilla de salida, reconocer la historia y trabajar con ella.La historiadora cultural y comisaria Clémentine Deliss mezcla en este apasionado relato lo autobiográfico con rigurosas (y afiladas) tesis que cuestionan los discursos culturales hegemónicos. El museo metabólico narra la historia de lo que ocurre cuando se intenta transformar una de estas instituciones el Weltkulturen Museum de Fráncfort, del que Deliss fue directora para convertirlo en un organismo vivo donde pensadores y artistas contemporáneos puedan traducir, reinterpretar y aportar nuevos significados a todo aquello que atesora un museo. 126 pp. Spanisch.

Condizione: New. 2024. 1st Edition. paperback. . . . . .

Condizione: New.

Condizione: New. Brand New.

Hardback. [Author], Hatje Cantz. On the Pulse of the Museum as Institution of the Future For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clementine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLEMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg. Hardback.

Condizione: New.

Condizione: New. In.

Condizione: Brand New. 192 pages. German language. 6.73x0.67x9.09 inches. In Stock.