Clyfford still (107 risultati)

No Binding. Condizione: Good. Postcard in Good condition, with writing on reverse. Unmailed. Cards are sent in stiff mailers. Photo.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

No Binding. Condizione: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Photo.

No Binding. Condizione: Fine. Postcard in Fine condition. Unmailed. Cards are sent in stiff mailers. Photo.

No Binding. Condizione: Fine. Postcard in Fine condition. Unmailed. Cards are sent in stiff mailers. Photo.

hardcover. Condizione: Acceptable. Ex-library with typical library markings/labels. Binding is tight. No Dust Jacket. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condizione: New. Brand New.

No Binding. Condizione: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Photo.

Paperback. Condizione: new. Paperback. In late June 1936, American painter, Clyfford Still (19041980), and his Washington State College (WSC) faculty supervisor, Worth Griffin, traveled to the Colville Confederated Tribes Reservation in northeastern Washington and sketched portraits of people they met there, including several Tribal elders. They also captured in detail the nearby Grand Coulee Damthen under constructiona massive project destroying much of the Tribes traditional lifeways. Most critical was the loss of the salmon runs that gave the Nespelem community physical, spiritual, and cultural sustenance. Deeply affected by contrast between 20th-century progress and what many considered an outdated, dying culture, they proposed a summer art program on the Reservation. Established in 1937, the Nespelem Art Colony produced the first extensive visual record of the Nespelem people.While the impacts of the Nespelem Art Colony on its students, instructors, and the Washington State University community have been well documented, records of the Tribes views were scarce. Then, in 2022, the Tribe asked if Colville Reservation youth could become part of the Clyfford Still Museums future activities. The Museum team listened to and learned from Tribal leadership, local indigenous artists, teachers, and the children who eventually served as co-curators, selecting and interpreting Stills art. In his portraits they recognized relatives and loved ones; many landscape paintings represented familiar places and home. In the body of abstract paintings Still made in the decades after he left Washington state, they saw reminders of grandparents; of Indigenous textiles and artworks; and the foundation of our shared present. Their Tell Clyfford I Said Hi Exhibitiondelightfully documented in this exhibition catalog by the same nameopened in Denver in September 2025. In both, Indigenous childrens voices and perspectives are everywhere, as is the joy these students derived from engaging with Stills art and connecting to their own familial and Tribal histories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Soft cover. Condizione: Very Good. No Jacket. 69 pp. with extensive full-colour illustrations. Light edgewear with bumped upper corners. Shallow, 2" scratch at lower edge of back cover. Includes a chronology and highlights of the collection, as well as descriptions of the archives and research centre, the conservation of the collection, and the architetchure of the museum.…

hardcover. Condizione: very good(+). Condizione sovraccoperta: poor. First. With 165 illustrations, including 89 in color, some folding. 222 pages. Oblong 4to, black cloth, worn/torn and lightly soiled d.w. New York: Metropolitan Museum of Art/Abrams, (1979). A very good(+) copy in a poor dust wrapper. Records the 1979-80 exhibition at The Metropolitan Museum of Art, and is the most comprehensive book on Still's work. Still, Clyfford (illustratore).…

Hard cover. Condizione: Very good. No jacket. Cover is lightly rubbed and top corner of front cover is lightly bumped. Spine is slightly cocked, but binding is tight. Inside is clean, bright, and unmarked.

Hardcover. Condizione: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Magazine. First edition. Fine magazine with a hint of handling; newsstand copy. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The February 1995 issue of ArtNews magazine (Vol. 94, No. 2) with: the annual survey of contemporary photography with an overview by Charles Hagen and articles on John Szarkowski, Adam Fuss, and Andy Warhol's photography; features on Melvin Edwards, Clyfford Still, Fiona Rae, Spain and its political relationship to art, the role of love as an influence on work, and much more. Perfect-bound; 152 pages; color illustrations throughout; 8.25 x 10.75 inches.…

Paperback. Condizione: New. In late June 1936, American painter, Clyfford Still (1904-1980), and his Washington State College (WSC) faculty supervisor, Worth Griffin, traveled to the Colville Confederated Tribes Reservation in northeastern Washington and sketched portraits of people they met there, including several Tribal elders. They also captured in detail the nearby Grand Coulee Dam-then under construction-a massive project destroying much of the Tribes' traditional lifeways. Most critical was the loss of the salmon runs that gave the Nespelem community physical, spiritual, and cultural sustenance. Deeply affected by contrast between 20th-century progress and what many considered an outdated, dying culture, they proposed a summer art program on the Reservation. Established in 1937, the Nespelem Art Colony produced the first extensive visual record of the Nespelem people.While the impacts of the Nespelem Art Colony on its students, instructors, and the Washington State University community have been well documented, records of the Tribes' views were scarce. Then, in 2022, the Tribe asked if Colville Reservation youth could become part of the Clyfford Still Museum's future activities. The Museum team listened to and learned from Tribal leadership, local indigenous artists, teachers, and the children who eventually served as co-curators, selecting and interpreting Still's art. In his portraits they recognized relatives and loved ones; many landscape paintings represented familiar places and home. In the body of abstract paintings Still made in the decades after he left Washington state, they saw reminders of grandparents; of Indigenous textiles and artworks; and the foundation of our shared present. Their "Tell Clyfford I Said 'Hi'" Exhibition-delightfully documented in this exhibition catalog by the same name-opened in Denver in September 2025. In both, Indigenous children's voices and perspectives are everywhere, as is the joy these students derived from engaging with Still's art and connecting to their own familial and Tribal histories. …

Exhibition catalog. Hardcover, 87 pages, 9.5x12.5 inches. Condition: near fine, no jacket. **International shipping not available for oversize book**.

Vintage catalog for an exhibition held at the Institute of Contemporary Art in Philadelphia from January 14 through March 1, 1965. Very Good plus in perfect-bound wrappers.

Condizione: New. 2026. paperback. . . . . .

Hardcover with dustjacket; 222 pages, very good condition; light rubbing and edgewear to dj; no internal marks. Foreign shipping may be extra.

hardcover. Condizione: New. In shrink wrap! Looks like an interesting title.

Paperback. Condizione: Brand New. 188 pages. 9.09x0.56x11.97 inches. In Stock.

Soft cover. Condizione: New. Shrink-wrapped. New. Paperback.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 188 pages. 9.09x0.56x11.97 inches. In Stock.

First Edition. First edition. Softcover. 175 pages. Exhibition catalog for a show that ran June 21 through September 16, 2001. Features acknowledgements by and an introduction by James T. Demetriion, and essays by David Anfam, Neal Benezra, and Brooks Adams. Includes numerous illustrations, a chronology, a list of paintings in public collections, a list of previous exhibitions, and a selected bibliography. A near fine copy in wrappers.…

Hardcover. Condizione: Near Fine. No Dust Jacket. Original gilt-titled cloth. Cloth lightly dust-soiled. Tight and square. 4000 copies. Exhibition publication. ; quarto; 141 pages.

Hardcover. Condizione: Very Good. Roughly square 7" Gatefold gala invitation card on textured, stamped boards. Clean and unmarked. An attractive, sturdy invitation card promoting the gala opening of the Clyfford Still Museum in Denver, Colorado, 2011.

Soft cover. Condizione: Very Good. Catalog of a 1959 exhibit. Light wear.

Hardback. Condizione: Good.