Cobussen (187 risultati)

Condizione: New.

Paperback or Softback. Condizione: New. Engaging with Everyday Sounds. Book.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

PF. Condizione: New.

Condizione: New.

Hardback or Cased Book. Condizione: New. Engaging with Everyday Sounds. Book.

Condizione: New.

Condizione: New.

Condizione: Good. First Edition. 'Voor de muziek geldt niet minder dan voor de filosofie dat zij haar tijd tot uitdrukking brengt. In de muziek die in dit boek centraal staat, wordt de hedendaagse, postmoderne levenservaring tot klinken -gebracht. Dat Marcel Cobussen en Ruud Welten er zo voortreffelijk in slagen deze muzikale ervaring te verwoorden, is niet alleen te danken aan de erudiete inhoud van hun essays, maar vooral ook aan het feit dat deze qua vorm, stijl en sensibiliteit zo sterk harmoni?ren met de muziek die erin wordt beschreven. Het post-exclusivisme, dat volgens de auteurs de hedendaagse muziek kenmerkt, kan ook aan dit boek zelf worden toegeschreven. De auteurs combineren op een vanzelfsprekende wijze filosofische talen die voorheen vaak angstvallig werden gescheiden, en doen daarmee - zonder te vervallen in gemakzuchtig eclecticisme - recht aan het veelvormige en rijkgeschakeerde karakter van de postmoderne muziek ?n muziekbeleving. Of Dionysos in alle hedendaagse muziek tot dansen komt, valt te betwijfelen. Dat deze godheid in dit boek, bij tijd en wijle over de pagina's danst, daarover is echter geen twijfel mogelijk.'; Met krantenknipsel.…

Condizione: Good. First Edition. 'Voor de muziek geldt niet minder dan voor de filosofie dat zij haar tijd tot uitdrukking brengt. In de muziek die in dit boek centraal staat, wordt de hedendaagse, postmoderne levenservaring tot klinken -gebracht. Dat Marcel Cobussen en Ruud Welten er zo voortreffelijk in slagen deze muzikale ervaring te verwoorden, is niet alleen te danken aan de erudiete inhoud van hun essays, maar vooral ook aan het feit dat deze qua vorm, stijl en sensibiliteit zo sterk harmoni?ren met de muziek die erin wordt beschreven. Het post-exclusivisme, dat volgens de auteurs de hedendaagse muziek kenmerkt, kan ook aan dit boek zelf worden toegeschreven. De auteurs combineren op een vanzelfsprekende wijze filosofische talen die voorheen vaak angstvallig werden gescheiden, en doen daarmee - zonder te vervallen in gemakzuchtig eclecticisme - recht aan het veelvormige en rijkgeschakeerde karakter van de postmoderne muziek ?n muziekbeleving. Of Dionysos in alle hedendaagse muziek tot dansen komt, valt te betwijfelen. Dat deze godheid in dit boek, bij tijd en wijle over de pagina's danst, daarover is echter geen twijfel mogelijk.'; Gave paperback met fris en schoon binnenwerk. Bevat minieme gebruiksspoortjes rondom randen omslag, en lichte vlekjes op ondersnede. Verder in goede staat.…

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. pp. 848.

Condizione: New. pp. 848.

Paperback, in nette staat, 155 pagina's.

Paperback, i.z.g.st.(geen leesvouwen, inscripties of verkleuringen), 155 pagina's.

paperback. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Condizione: New. In English.

Condizione: New.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Near Fine. No Dust Jacket. First Edition. Standard paperback binding, with small sections of music score in text. A few pencil annotations to some margins. In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo Pärt, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called postmodernism. Joining in with ideas on spirituality as presented by Michel de Certeau and Mark C. Taylor, Cobussen deconstructs the classification of the 'spiritual dimensions' of music as described above. Thresholds presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Using the philosophy of Martin Heidegger, Georges Bataille, Jean-François Lyotard, Jacques Derrida and others, and analysing the music of John Coltrane, the mythical Sirens, Arvo Pärt, and The Eagles (to mention a few), Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts: by carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism. Thresholds opens a space in which spirituality can be connected to music that is not commonly considered in this light, thereby enriching the ways of approaching and discussing music. In order to achieve this, it is necessary to show that spirituality is not an attribute of music, not a simple adjective providing extra information or used to categorize certain types of music. Instead, the spiritual can happen through listening to music, in a more or less personalized relationship with it. This relationship might be characterized as susceptible instead of controlling, open instead of excluding, groping instead of rigid. Size: Octavo. 182 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Music; General; Music theory; ISBN: 0754664821. ISBN/EAN: 9780754664826. Dewey Code: 781.12. Inventory No: 90488.…

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good.

Condizione: As New. Unread book in perfect condition.