Lingua: Inglese
Editore: Sheffield Hallam University/ Site Gallery, 2004
ISBN 10: 1899926518 ISBN 13: 9781899926510
Da: Oopalba Books, Sale, MANCH, Regno Unito
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Paperback. Condizione: new. Paperback. New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: New. New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others.
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ISBN 10: 1916420087 ISBN 13: 9781916420083
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Editore: Walter de Gruyter GmbH, Berlin; Boston, 2017
ISBN 10: 3110546604 ISBN 13: 9783110546606
Da: Art-Cura Studios, Ostrhauderfehn, NI, Germania
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Aggiungi al carrelloSoft cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Condition: Fine, excellent book, all pages and cover excellent, no markings, and no tears. Collectible. "Edition Angewandte". // New methods of artistic research: This book stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing, and writing for exploring those forms of thinking-feeling-knowing produced through collaborative exchange in the slippage and deviation as different modes of practice enter into dialogue, overlap, and collide. The publication is conceived as a studio laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness ? the qualitative-procedural, aesthetic-epistemological, and ethical-empathetic dynamics ? within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between, and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others // 396 pages; format: 22,8 x 16,7 x 3,9 cm; Bookweight: 980 g.
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Paperback. Condizione: New. New methods of artistic research Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Innovative methods of experimental forms of notation With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others.