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    • Lingua: Inglese

      Editore: Ludion, Belgium, 2016

      9491819399 / 9789491819391

      • Rilegato
      • Prima edizione

      Da: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, U.S.A.Riverrun Books & Manuscripts, ABAA

      Venditore con 5 stelle
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      Membro dell’associazione: ABAAILAB

      Condizione: Usato

      EUR 35,52

      EUR 6,47 spedizione 
      Spedito in U.S.A.

      Quantità: 1 disponibili

      First edition. 9.5 x 6.75 inches. 112 pages. Profusely illustrated in black-and-white. Original boards; pictorial dust jacket. "This book compiles the most recent work by Luc Tuymans (born 1958), one of Belgium's most eminent painters. Accompanying a 2015 exhibition, Luc Tuymans: Birds of a Feather, it shows the artist's fascination with the Scottish Enlightenment and its thinkers, who believed in the ability of humans to shape their future rationally and whose influence extended as far as the US. Stimulated by a visit to the art collection of the University of Edinburgh, Tuymans created three small portraits of Scottish philosophers, originally painted by the 18th-century portrait artist Henry Raeburn. The theme of the Enlightenment is combined with menacing horror, such as in a monumental dark work, "The Shore," which alludes to Goya's pinturas negras, or in the portrait of the murderer and cannibal Issei Sagawa. Acclaimed British novelist Will Self provides a remarkable short story for the publication, while art critic Colin Chinnery contributes an explanatory essay" (the publisher). A clean copy; no internal markings.

    • Lingua: Inglese

      Editore: Walther König, Köln, 2009

      3865606466 / 9783865606464

      • Rilegato
      • Prima edizione

      Da: Antiquariat UEBUE, Zürich, SvizzeraAntiquariat UEBUE

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      Condizione: Usato - Ottimo

      EUR 38,06

      EUR 26,90 spedizione 
      Spedito da Svizzera a U.S.A.

      Quantità: 1 disponibili

      Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 288 Seiten/pp. with 184 color photos. - Sarah Morris' Beijing continues her series of films and paintings dealing with cities as sites of spectacle, bureaucracy and conspiracy. Morris spent several years visiting and observing Beijing in the lead up to the 2008 Olympic Games exploring the authoritarian turbo-capitalist state. This book provides an array of images captured from her film as well as her investigation of the city that inspired her paintings.