Composed and arranged by (40 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. Not a book but a 12-inch, 33-1/3 rpm vinyl "James Bond" motion picture soundtrack album, UAL 4132, very-good-plus "High Fidelity" (mono) vinyl in a near-mint glossy color cardboard jacket. Vinyl shows a few small scuffs and one long, hairline scratch which cannot be felt to Side Two. This was director Terence Young's third and final Sean Connery/James Bond film (he skipped "Goldfinger"); former Miss France Claudine Auger, though certainly physically fit, proved one of the less memorable Bond Girls. (Producer Cubby Broccoli's original choice was Julie Christie, though once he actually met her he was disappointed and turned his attention to Raquel Welch. Welch, however, had committed to film the unfortunate "Fantastic Voyage" that year. Meantime, Saltzman and Broccoli auditioned an extensive lineup of relatively unknown European actresses and models, including former Miss Italy Maria Grazia Buccella, Yvonne Monlaur of the Hammer horror films, and Gloria Paul. Auger was eventually cast, though her lines were dubbed in the final cut by Nikki Van Der Zyl, who had voiced several previous Bond girls. (They wouldn't have had to dub Jill St. John, then 25, would they?) The most successful Bond film, once ticket sales are adjusted for inflation; it's the one with the lengthy underwater fight scenes, as illustrated in the uncredited jacket art. Here reduced from $25.…

Soft cover. Condizione: Very Good. VG, used VINTAGE SHEET MUSIC. Brown colored text on upper; former owner's inked name on upper; slight edge wear. 9"x12".

Paperback. Condizione: Very Good. 1st. 1st printing; stapled wraps, lite chipping; 32 clean, unmarked pages. Music (illustratore).

Paperback. Condizione: Very Good. 1st. 1st printing; stapled wraps, closed tear, lite chipping; 32 clean, unmarked pages. Music (illustratore).

Hardcover. Condizione: Fair to Very Good. 255pp, [1], bound in half leather, with the binding and hinges tight, two leaves of additional tunes, laid-in. Previous ownership label, loss to upper/lower spine edges, interior in Very Good Condition.

Paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Good condition book. Ex Library Book with usual stamps and stickers.…

Hardcover. Condizione: Fair. Cloth boards have title stamped on the cover, faded, and some spotting on the boards. English and Hebrew text for the Haggadah. Jewish-German Translation of Adir Hu. 15 songs listed in the Index of Contents, music has musical notes and English text. No writing on the text, title page has browning, loose at the spine. Hinge cracked. Former owner's name inside.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Not a book but a 10-inch, 33-1/3 rpm "Long Playing" (mono) vinyl record, Capitol H-244, near-mint vinyl (purple label) in original brown paper Capitol inner sleeve a fine glossy cardboard jacket. As packaged by her husband and guitarist, Sr. Vivanco, the Inca princess with her unique four-octave range was surely the queen of 1950s Exotica. In 1946 the government of Peru formally supported her claim to be descended from Atahualpa, the last emperor of the Inca. She adopted the stage name Imma Sumack (also spelled Ymma Sumack and Ima Sumack) before she left South America for the United States. The stage name was based on her mother's name, which was derived from Ima Shumaq, Quechua for "how beautiful!" -- though in interviews the songstress reported it meant "beautiful flower" or "beautiful girl." Which means that contemporary rumors claiming she was actually a Brooklyn waitress named "Amy Camus" were mean-spirited at best. Reduced from $40. Color photography of Yma Sumac by Tom Kelley (illustratore).…

Softbound. Condizione: Very Good. Quarto, paper covers, 129 pp.

Sheet music. Condizione: Very Good. Very good, no markings. Same cover art as in the image.

Hardcover. Condizione: fine. no jacket. reprint. NOT an ex library book. Reprint edition. Book with glossy cover. 258 pages.

Stapled. Condizione: Very Good. Edition Not Stated. Playable by 2,3, or 4 Pianos or 1 Piano and Tape Recorder. Sole Selling Agent: Edward B. marks Music Corporation. Previous owner's name blacked out on front cover. Reference Copy ink stamp on front cover. Sheet muisc fine. Signed by Previous Owner.

Stapled. Condizione: Very Good. Edition Not Stated. Playable by 2,3, or 4 Pianos or 1 Piano and Tape Recorder. Sole Selling Agent: Edward B. marks Music Corporation. Previous owner's name blacked out on front cover. Reference Copy ink stamp on front cover. Sheet muisc fine. Signed by Previous Owner.

Softcover. Condizione: Good+. Disbound.

Softbound. Condizione: Very Good. Quarto, stapled paper covers, 63 pp. Mostly Yiddish songs.

Softcover. Condizione: Good. Sheet music. Stated, "The Only Correct Edition." Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album as a result the insert remains bound within the bifolium, dampstaining along the top of the front cover with corresponding dampstaining throughout, bifolium separating a bit at the top of the fold, scattered foxing and light offsetting throughout, complete but just a good only copy. For voice and piano. Plate number, 650.5.…

Soft cover. Condizione: Very Good. First Edition Thus. 1939. 13pp. Light wear to edges, light soiling to covers. A few pencil marks. Six songs - Spring - an ode, The Shepherdess, Strephon of the Hill, Celia's Complaint, A Ballad in the Modern Taste, The Way to Keep Him.

Soft cover. Condizione: Fair ++. 17 large pages. Treble and bass staves. Moderately grimy beige background soft covers with some wear to covers' corners and edges. Small area of top of front cover removed. Spine taped. Pages clean although thumbed and wear to edges and page-corners, shop stamp to front cover. Ink name to top of first page. Working copy.…

Hardcover. Condizione: Very Good. Dark maroon cloth spine with papered boards. Front cover has a decorative illustrative title design and the rear cover shows the publisher's insignia. Boards have some exposed edges; rear cover has some spots of soiling. Pages are still bright, internally unmarked and generally clean. 208 pages. 7.6 x 6 inches. Exercises and songs for music training for all voices, arranged by scale and comprising studies in tune and time. Part I: For one voice. Part II: For two voices. Part III: For two Sopranos and Alto, with added notes for Bass. Part IV: For Soprano, Alto, Tenor and Bass. John Wheeler Tufts (1825-1908) was a composer, teacher, organist, and choral conductor. He studied piano and theory at the Leipzig Conservatory 1847-1848, was an organist and choral conductor in Bangor, Maine, and then moved to Boston and taught at B. F. Baker's Boston Music School 1860-1875.…

Soft cover. Condizione: Very Good. No Jacket. English, and English transliteration of the Hebrew. 34 pages. 28 x 21.5 cm.

c 1922. The score of John Gay's opera adapted by Clifford Bax. Music arranged and composed by Frederic Austin. Cream stiff wrappers with colour pictorial by C Lovat Fraser on upper cover, publishers ads on lower cover. Scattered foxing to upper cover and prelims, slight wear to covers, otherwise VG. 4to. 134pp. …

paperback. Condizione: Very Good. Part 2; no writing.

Softcover. Condizione: Good. Sheet music. Folio. Single bifolium with a single-sheet-insert. Notched and worn along the fold from once being bound within an album as a result the insert remains bound within the bifolium, dampstaining along the top of the front cover with corresponding dampstaining throughout, bifolium separating a bit at the top of the fold, and scattered foxing throughout, complete but just a good only copy. For voice and piano. Plate number, 613.…

Hardcover. Condizione: Very Good. Oxblood cloth backed, printed paper over boards, wear to extremities, some discoloration to covers, tightly bound, clean and unmarked. 208 pages. Questions welcome. Images can be made upon request.

Condizione: Very Good. . . . . 8vo, paperbound portfolio. Vg condition. Previous owner name stamping to blank obverse side to each instrumental part. Full band score: bass, trumpet, saxophones, banjo, piano, etc. Band, Big, History, Jazz, Musical, Scores.

Condizione: Very Good. . . . . 8vo, paperbound portfolio. Vg condition. Occasional notations to several parts. Full band score: bass, trumpet, saxophones, violins, etc. Band, Big, History, Jazz, Jump, Musical, Scores.

Condizione: Very Good. . . . . 8vo, paperbound portfolio. Vg condition. Occasional notations to several parts. Full band score: bass, trumpet, saxophones, violins, etc. Band, Big, History, Jazz, Jump, Musical, Scores.

Soft cover. Condizione: Very Good. 1st Edition. One of the most recognizable film themes ever written, 'The 3rd Man Theme' transformed Austrian zither player Anton Karas into an international sensation almost overnight. Featured throughout Carol Reed's noir masterpiece The Third Man, the haunting melody became an unexpected worldwide hit, reaching the top of international music charts and becoming inseparable from the film's shadowy postwar Vienna setting. This edition presents the Song Version, with lyrics by Walter Lord, adapted from Karas' original instrumental composition. The striking photographic cover features the film's principal stars Joseph Cotten, Alida Valli, and Orson Welles, together with the original movie advertising panel highlighting Graham Greene's screenplay and Carol Reed's direction, making this an especially desirable crossover collectible for both film and music enthusiasts. The film won the Grand Prix at the Cannes Film Festival, the Academy Award for Best Cinematography, and is consistently ranked among the greatest films ever produced. This example grades Very Good+. The cover retains exceptionally vibrant blue-and-black printing with only light handling wear, faint corner rubbing, and minor edge wear consistent with careful preservation. The interior music pages are bright, clean, and complete, with no writing, tears, or significant staining observed. The center fold remains secure, and the sheet displays beautifully overall, offering outstanding eye appeal for a frequently handled popular music publication. This is the original American Song Version issued in 1950, supported by the copyright statement: Copyright © 1949 & 1950 by British Lion Films Limited, London. The dual copyright reflects the original 1949 film release together with the 1950 publication of the vocal adaptation. The original 75¢ cover price, Chappell imprint, and contemporary rear advertisement for Richard Addinsell's Warsaw Concerto are all consistent with an early first American issue rather than a later reprint. Anton Karas (1906-1985) was an Austrian zither player whose career changed dramatically after director Carol Reed heard him performing in a Vienna wine tavern while scouting locations for The Third Man. Reed hired Karas to compose and perform the film's score, built almost entirely around solo zither. The resulting 'Third Man Theme' became an international bestseller, selling millions of records and forever associating Karas with one of cinema's most memorable musical themes. Walter Lord (1917-2002) was an American author and historian best known for A Night to Remember (1955), his classic account of the sinking of the RMS Titanic. Earlier in his career he occasionally contributed lyrics and adaptations for popular music, including this vocal version of 'The 3rd Man Theme.' He later became one of America's most respected narrative historians.…

Softcover. Condizione: Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album as a result the insert remains bound within the bifolium, the back cover is detaching along the fold, light dampstains at the top of the front cover with light corresponding stains throughout, and offsetting throughout, a complete but good only copy. For voice and piano with chorus. *OCLC* locates only two physical holdings of this arrangement credited to Hamilton and Gordon.…

Paperback. Condizione: VG-. About 257 x 355 mm. SHEET MUSIC. 18 pages including covers. Unstapled. Book is in very good minus condition with minor but noticeable signs of wear and/or age. Covers a bit dust marked and rubbed / chipped at corners.