Conelli maria ann (9 risultati)

Cloth. Condizione: Near Fine. Near Fine. 192 pages with 143 illustrations 137 in color.Rubbing, soiling and wear to the cover and edges. Foreword by Maria Ann Conelli. Introduction by Robert Storr. Published on the occasion of the exhibition from the Museum of American Folk Art, New York NY January 23-April 29, 2007 and the Milwaukee Art Museum, Milwaukee, WI October 6, 2007-January 6, 2008. Chronology. Checklist of the Exhibition. Bibliography. Book.…

Hardback. Condizione: Fine. Condizione sovraccoperta: Fine. In excellent condition, No writing or highlighting, book is crisp and clean. inquire for photos or more details. 100% satisfaction guarantee. --- 336 pages. Elizabeth V. Warren, with prefatory contributions by Maria Ann Conelli and Martha Stewart, presents two hundred bedcovers from the quilt collection of the American Folk Art Museum, which the museum built up from 1961 onward. Each quilt is given a full page, sometimes two, in color, along with detail enlargements of the stitching. The chapters follow quilt type: whole-cloth, chintz, signature, applique, pieced, log cabin, show, revival, Amish, African American, and contemporary quilts. The examples run from a quilt of about 1790 with a center block printed by John Hewson to work by contemporary fiber artists, and they include whitework bedcovers and a glazed-wool Harlequin Medallion quilt.…

Oversize Hardback. Condizione: Fine. Condizione sovraccoperta: Very Good. Book is in excellent condition with cream-orange heavy cloth covers, silver embossed print at cover and spine, decorated endpapers. printed on high quality paper. Book is as-new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edge wear, white sticker on back, some scuffing, no tears. Exhibition catalog for a show held at the publisher's gallery. First 68 pages is text with a few family photos, map. then half and full page full color prints of artist's work to page 178. 192 pages total. Martin Ramirez (1895-1963), the great self-taught draftsman of the twentieth century, left his native Los Altos de Jalisco, Mexico, in 1925 to find work in the United States and support his wife and children back home. Political struggles in Mexico and the economic consequences of the Great Depression left him stranded, jobless and homeless, on the streets of California in 1931. Unable to communicate in English and apparently confused, he was soon detained by the police and committed to a psychiatric hospital, where he would eventually be diagnosed as a catatonic schizophrenic. Ramirez hardly talked to anybody during those thirty-two years. Instead, he began to assemble found bits of paper--candy wrappers, greeting cards, flattened paper cups, hospital supply forms, and book pages, for example--using a self-made glue to create large surfaces for drawing. Sketched in graphite, colored pencil, or crayon, and often collaged with magazine illustrations, the artist's drawings range in size from several inches up to twelve feet. He was a master of pictorial space, using dramatic shifts in depth and scale to create a field in which multiple perspectives coexist. Ramirez's art depicts a variety of subjects, including caballeros, Madonnas, animals, trains, and tunnels. Memory and experience seep through each composition. While one strong component of Ramirez's work is the imagery of Mexico, another is an aesthetic found in the culture of mental illness. Martin Ramirez is the first book to give equal consideration to the biographical, historical, and cultural influences in Ramirez's oeuvre, its artistic quality and merit, and its standing in the context of the work of twentieth-century self-taught artists. An interdisciplinary exploration of Ramirez's life and complex, multilayered artwork, it presents a holistic examination of his drawings and collages beyond the boundaries of his diagnosed schizophrenia. Keywords: Mexican, Folk Art, Draftman, Line Drawings, Mental Institution, Tarmo Pasto, Mute, Artist, Art. Ramirez, Martin (illustratore).…

Hardback. Condizione: Fine. Condizione sovraccoperta: Fine. brand new copy, out of print hardcover with jacket, inquire for photos. --- 336 pages. Elizabeth V. Warren, with a preface by Maria Ann Conelli and a foreword by Martha Stewart, presents 200 bedcovers chosen from the American Folk Art Museum's quilt collection, which the museum built up between 1961 and 2010. Every quilt gets a full page and some get two, in color. The chapters are arranged by type: whole-cloth, chintz, signature, applique, pieced, log cabin, show, revival, Amish, African American and contemporary quilts. The cover shows a Harlequin Medallion whole-cloth quilt of glazed wool. Among the other pieces are understated whitework bedcovers and the collection's oldest quilt, from about 1790, whose center block was printed by John Hewson. The book was published alongside the museum's exhibition of the same name.…

Softcover, 76 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good.

Paperback. Condizione: New.

Leinen Leinen. Condizione: Sehr gut. mit zahlreichen Bildern, 208 Seiten Zust: Gutes Exemplar. Mit original Schutzumschlag. Das Titelblatt weist sichtbare Flecken auf. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 1500.…

Condizione: Sehr gut. Zustand: sehr gut bis neuwertig; 4°, 208 Seiten mit zahlreichen farbigen Abbildungen, Ganzleinen mit ill. Schutzumschlag, I AR 34238 3421031789 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 1500.…