Cooper tarnya bolland charlotte (13 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. THE ENCOUNTER DRAWINGS FROM LEONARDO TO REMBRANDT COPPER & BOLLAND 2017 SOFT 1ST. Quoting from the flap of the dust jacket (yes this is a soft cover book, but it has a dust jacket): This book explores the creative encounter between artist and sitter through fifty Renaissance and Baroque portrait drawings ranging from mid-fifteenth century figure studies to the bravura portraits of the seventeenth century. Like so many of these many art and art-related books I have been listing of late it is hard to do justice to the usually lavish illustrations they include; this one is no exception. I am pleased to offer: The Encounter- Drawings from Leonardo to Rembrandt by Tarnya Cooper and Charlotte Bolland. This large soft cover book (9 x 11 ½ inches 192 pages) was published by the National Portrait Gallery London dated 2017 and the First Printing of the First Edition (according to my reading of the copyright codes). You will find one exquisite drawing after another throughout this book. Condition: This book is in very good condition. There has been some minor bumping to the corners and spine tips of the book. There are a few specks of brown on the inside cover of the stiff board dust jacket. Otherwise, the interior of the book and its text and plates are clean and bright from cover to cover. This book is not ex-library or a remainder. The binding is tight and sound.…

Paperback. Condizione: New. Through discussion of 50 portrait drawings by artists of the Renaissance and Baroque periods, this volume of essays, reproductions and commentaries explores the creative encounter between artist and sitter. Discussing works by artists such as Bernini, Dürer and Holbein, the authors address a number of themes, notably the reasons why artists produced portrait drawings, and the impact of developments in drawing on the practice of portraiture over a period of around 250 years. Originally accompanied a National Portrait Gallery exhibition. …

Paperback. Condizione: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Paperback. Condizione: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

paperback. Condizione: Very Good. . Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Condizione: Near Fine. Book is in near fine condition. 192pp with b/w photographs.

Soft cover. Condizione: Fine. Qto., 192 pages, colour illustrated. A Fine copy.

Softcover. Condizione: Good. Paperback, numerous illustrations in colour and b/w, 4to.

paperback. Condizione: Fine. 1st UK edition. 176pp. Colour illus. card covers. Printed on heavy paper with fine illus. throughout. No inscriptions, fading, marks or wear.

Soft cover. Condizione: New. 1st Edition. This new, seemingly unread copy is bound in illustrated card covers as issued. The contents are bright, tight, white and square. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. Who were the Tudor kings and queens and what did they really look like? Mention Henry VIII and the familiar image of the rotund, bearded fellow of Hans Holbein the Younger's portraits immediately springs to mind - reinforced, perhaps, by memories of a monochromatic Charles Laughton wielding a chicken leg in a fanciful biopic. With Elizabeth I it's frilly ruffs, white make-up and pink lips - in fact, just as she appears in a number of very well-known portraits held in the Collection of the National Portrait Gallery in London. But the familiarity of these representations has overshadowed the other images of the Tudor monarchs that were produced throughout their reigns. During the sixteenth century the market for portraits grew and so the monarchs' images multiplied as countless versions and copies of their likeness were produced to satisfy demand. Taken together, these images chart both the changing iconography of the ruler and the development of portrait painting in England. In considering the context in which these portraits were made, the motivations of the sitters and the artists who made them, the purposes to which they were put, and the physical transformations and interventions they have undergone in the intervening five centuries, the authors present a compelling and illuminating investigation into the portraiture of the Tudor monarchs. Ref Y 2.…