Corbett david editors (15 risultati)

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Condizione: acceptable.

Paperback. Condizione: Very Good. Second. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fine. xii, 274 pages, [4] pages of plates, illustrations (some colour); 24 cm. First published, Manchester University Press, 2000. Tight, clean copy. *** "How 'modern' is the art made in England between 1860 and 1914? England in this period was a highly modernized society, but the art it produced is not 'modernist' in the sense that the word has been used to describe French art of the nineteenth and twentieth centuries. This book seeks to break the association of 'modern' art in England with French models and to describe anew the relationship between English art, England's artists, and their modern culture. The collection presents in a single volume an introduction to the variety and depth of current innovative work on English art. Through a series of essays by leading scholars, dealing with themes including the new professionalism in art, the gendered nature of institutions, the rise of Aestheticism, and the fragmentation of the art world, the book brings into focus this crucial and fascinating period by offering a series of openings for a new map of modern art in England. By identifying an array of responses to modern life and experience, the essays inaugurate a revisionist view of the period and reveal that modern English artists and art were profoundly involved with questions about the relationship between artistic tradition and the circumstances and subjects of modern life and modern art practice. / Contributors include Paul Barlow, Tim Barringer, Jane Beckett, Pamela Fletcher, Alicia Foster, Kenneth McConkey, Elizabeth Prettejohn, Andrew Stephenson, Lisa Tickner, and Janet Wolff. David Peters Corbett is senior lecturer in history of art at the University of York. Lara Perry teaches at Birbeck College, University of London." - Publisher. *** CONTENTS: Introduction, by David Peters Corbett and Lara Perry; English modernism in the cultural field, by Lisa Tickner; The modernism of Frederic Leighton, by Eilzabeth Prettejohn; Millais, Manet, modernity, by Paul Barlow; 'Not a "modern" as the world is now understood'? Byam Shaw, imperialism and the poetics of professional society, by Tim Barringer; Masculinity, money and modern art: The sentence of Death by John Collier, by Pamela M. Fletcher; A walk in the park: memory and rococo revivalism in the 1890s, by Kenneth McConkey; Looking like a woman: gender and modernity in the nineteenth-century National Portrait Gallery, by Lara Perry; Refashioning modern masculinity: Whistler, aestheticism and national identity, by Andrew Stephenson; Seeing into modernity: Walter Sickert's music-hall scenes, c. 1887-1907, by David Peters Corbett; Gwen John's Self-portrait: art, identity, and women student at the Slade School, by Alicia Foster; The 'Jewish mark' in English painting: cultural identity and modern art, by Janet Wolff; (Is)land narratives: Englishness, visuality, and vanguard culture 1914-18, by Jane Beckett. Size: 8vo.…

Soft cover. Condizione: Very Good. No Jacket. Very good copy. Includes comprehensive nature notes.

Condizione: New. pp. 168.

quarto, pictorial wrappers. First American Edition. First American Edition. quarto, pictorial wrappers. (xiv), 274pp. Rutgers University Press, A volume in the Issues in Art History Series. Essays by leading scholars dealing with themes including the new progessionalism in art, the gendered nature of institutions, the rise of Aestheticism, and the fragmentation of the art world. They inaugurate a revisionist view of the period and reveal that modern English artists and art were involved with questions about the relationship between artistic tradition and the circumstances and subjects of modern life and modern art practice. With 84 color and black and white illustrations. New.…

Condizione: New. In English.

Condizione: New. pp. 168.

Condizione: New. pp. 168.

Softcover. Condizione: Fine. First US Edition; First Printing. A Fine first Printing of the First American Edition; This book presents a comprehensive history of English art from 1860 to 1914, focusing on the work of key Modern artists. The book includes essays on the development of modern art in England, as well as examinations of the artists' individual styles and the ways in which their work reflects the sociopolitical and cultural changes of the era. The book is divided into six sections, each of which covers a different period of English art.; 8vo; 274 pages.…

Softcover. Condizione: Fine. First US Edition; First Printing. A Fine first Printing of the First American Edition; This book offers a comprehensive exploration of English art during the 1860-1914 period, focusing on modern artists and their relationships to art, society, and themselves. The editors have assembled an impressive array of essays on a wide range of topics, from the development of painting and sculpture to the role of the avant-garde in art. This book will be of interest to students of art history, cultural studies, and the history of modernity.; 8vo; 274 pages.…

Condizione: NEW.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Studies in British Art, 10] 255 x 180 mm. xix, 386 pp., illustrated throughout, some in colour. [ISBN: 978-0300094886] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper.