coryn boel (13 risultati)

Fine impression, large outer margins. Verso (back) of print with old mounting tape remnants at top corners, no affect to recto (front), bottom right corner rounded, no affect. Large wide margins, excellent example overall of a rare piece. Signed A. da Corregio in lower left, and Q. Boel in lower right. Magical scene with a half-naked witch with sagging breasts seated at center, and looking up at Cupid in top left corner, a soldier asleep at right, magical instruments and inscriptions on the floor in foreground, and a book of spells in right corner. A sorceress evoking love. Most likely from Teniers Gallery, published in Amsterdam in mid 18th century. From a series of etchings as a part of Theatre of Paintings (Theatrum Pictorum) published by David Teniers the Younger in the 1660s for his employer at the time, Archduke Leopold Wilhelm of Austria. It was a catalog of numerous paintings and painters in the Archduke?s collection. Teniers prepared the engravings of the paintings for the book. See British Museum for more on earlier print, c.1660. BM: 1837,0408.386 Citations: Hollstein 1-29 (c1656-1660). Mussini 1995 664 (c1656-1660). BM: 1983, U. 320 (our reference for other citations and earlier dates).The Met: 459068 (original painting). Etching: 7 x 9 inches. Overall with margins: 9.25 x 13.75 inches.

Ca. 24,5 x 31,5 cm. Mit schmalem, umgehenden Rändchen um die Einfassungslinie, etwas nachgedunkelt, leichte Knitterspuren im Mittelfalz, verso mit sauber hinterlegtem Einriß in der Mittelfalte (ca. 2 cm) und wenigen winzigen, kaum sichtbaren Löchlein. Rückseitig mit älterem Sammlerstempel (Initiale 'CD'). An beiden oberen Ecken auf Trägerkarton gefalzt. Schöner, gratiger Abzug. Le Blanc 52; Hollstein 42. Papier mit WZ Schellenkappe. - Wie alle Radierungen von Coryn Boel und besonders jene, die in der Zusammenarbeit mit Tenier entstanden, sehr selten! Darstellungen von Barbieren, Zahnbrechern (von Zahn-Ärzten mag man nicht nur aus der komfortablen Position des Nachgeborenen kaum reden) und Alchimisten in Affengestalt waren im 17. Jahrhundert besonders populär, galten diese der Bevölkerung doch zumeist als Scharlatane. Teniers bediente dieses Genre mit vielen, detailreichen Bildern und gilt zu Recht als einer der herausragendsten Künstler des Genres. Le Blanc 52; Hollstein 42. Papier mit WZ Schellenkappe. - Wie alle Radierungen von Coryn Boel und besonders jene, die in der Zusammenarbeit mit Tenier entstanden, sehr selten! Darstellungen von Barbieren, Zahnbrechern (von Zahn-Ärzten mag man nicht nur aus der komfortablen Position des Nachgeborenen kaum reden) und Alchimisten in Affengestalt waren im 17. Jahrhundert besonders populär, galten diese der Bevölkerung doch zumeist als Scharlatane. Teniers bediente dieses Genre mit vielen, detailreichen Bildern und gilt zu Recht als einer der herausragendsten Künstler des Genres. 1001 g.

No Binding. Condizione: Fair. Portrait of Jacobus Boonen. Born 11 October 1573 in Antwerp, Belgium. Died 30 June 1655 in Brussels, Belgium. Copper engraving by Coryn Boel the Younger (1620-1668), c. 1740. Reasonable condition. Paper a bit browned, with faint spotting. Some very faint offsetting of book text. Some minor creasing. Two very small holes in the lower margin (not affecting the image). Verso: blank. Note: a later impression, c. 1740. Note: dimensions reflect the plate mark. Dimensions: 178 x 128 mm. Jacobus Boonen was Jurist, Bishop, Roman Catholic priest, Archbishop, Prelate, Bishop of Ghent, and Archbishop of Mechelen. c. 1740. Print.

Palma Vecchio (illustratore). '188'Original antique print showing the raising of Lazarus.Made by Coryn Boel after Palma Vecchio.Etching / engraving on hand laid (verge) paper.Sheet size: 26.5 x 37 cm (10.43 x 14.57 inch). Image size: 20.3 x 29.5 cm. (7.99 x 11.61 inch).RAISING OF LAZARUS-PL. 188PCOX-E2-33BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Palma Vecchio (c. 1480 30 July 1528), born Jacopo Palma and also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paolo Veronese (illustratore). '112'Original antique print showing Saint John the Baptist sitting in a landscape, a lamb by his side.Made by Coryn Boel after Paolo Veronese.Etching / engraving on hand laid (verge) paper.Sheet size: 21 x 32.5 cm (8.27 x 12.8 inch). Image size: 10.8 x 22 cm. (4.25 x 8.66 inch).JOHN THE BAPTIST-LAMB-PL. 112PCOX-E2-27BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Paolo Cagliari (1528 19 April 1588), known as Paolo Veronese was an Italian Renaissance painter based in Venice. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Andrea Meldolla (illustratore). '235'Original antique print showing Aeneas taking leave of Dido.Made by Coryn Boel after Andrea Meldolla.Etching / engraving on hand laid (verge) paper.Sheet size: 31 x 24 cm (12.2 x 9.45 inch). Image size: 22.2 x 16 cm. (8.74 x 6.3 inch).DIDO AND AENEAS-PL. 156PCOX-E2-23BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Andrea Meldolla, also known as Andrea Schiavone or Andrea Lo Schiavone (c. 1510/151563) was an Italian Renaissance painter and etcher, Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Jacopo Bassano (illustratore). '152'Landscape with the Good Samaritan tending to a wounded man with a group of robbers in the woods in right background.Made by Coryn Boel after Jacopo Bassano.Etching / engraving on hand laid (verge) paper.Sheet size: 30.5 x 23 cm (12.01 x 9.06 inch). Image size: 24.5 x 16 cm. (9.65 x 6.3 inch).THE GOOD SAMARITAN-ROBBERS-LANDSCAPEPCOX-E2-40BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.Quirijn, or Coryn Boel the Younger (1620 1668) was a Flemish engraver. Jacopo Bassano (c. 1510 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Titian (illustratore). '69'Original antique print showing the rape of Europa, with in the left foreground Jupiter in the form of a bull leaping into the sea, carrying Europa with him, and beyond at right the young woman's three handmaidens standing on the shore with her arms raised.Made by Coryn Boel after Titian.Etching / engraving on hand laid (verge) paper.Sheet size: 37.5 x 27 cm (14.76 x 10.63 inch). Image size: 29.2 x 19.5 cm. (11.5 x 7.68 inch).RAPE OF EUROPA-JUPITER-PL. 69PCOX-E2-31BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Tiziano Vecelli or Vecellio (c.?1488/90 27 August 1576), known in English as Titian was an Italian painter during the Renaissance, considered the most important member of the 16th-century Venetian school. Condition: good, given age. Paper partly slightly browned. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Jacopo Bassano (illustratore). '151'Pastoral landscape with a shepherd resting, his sheep and a boy working at a tub.Made by Coryn Boel after Jacopo Bassano.Etching / engraving on hand laid (verge) paper.Sheet size: 30 x 23 cm (11.81 x 9.06 inch). Image size: 22.1 x 15.5 cm. (8.7 x 6.1 inch).PASTORAL LANDSCAPE-SHEPHERD-SHEEPPCOX-E2-40BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.Quirijn, or Coryn Boel the Younger (1620 1668) was a Flemish engraver. Jacopo Bassano (c. 1510 14 February 1592), known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Domenico Fetti (illustratore). '214'Original antique print showing Tobit finding a fallen Israelite.Made by Coryn Boel after Domenico Fetti.Etching / engraving on hand laid (verge) paper.Sheet size: 31 x 25 cm (12.2 x 9.84 inch). Image size: 22.8 x 17 cm. (8.98 x 6.69 inch).TOBIT-FALLEN ISRAELITE-PL. 214PCOX-E2-16BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Domenico Fetti (also spelled Feti) (c. 1589 1623) was an Italian Baroque painter who had been active mainly in Rome, Mantua and Venice. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Marco Basaiti (illustratore). '10'Original antique print showing the calling of the apostles Simon/Peter and Andrew as Jesus was walking by the Sea of Galilee.Made by Coryn Boel after Marco Basaiti.Etching / engraving on hand laid (verge) paper.Sheet size: 26.5 x 37.5 cm (10.43 x 14.76 inch). Image size: 19.5 x 29.5 cm. (7.68 x 11.61 inch).APOSTLES-JESUS-GALILEE-PL. 10PCOX-E2-32BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Marco Basaiti (c. 14701530) was a Renaissance painter who worked mainly in Venice. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Giovanni Cariani (illustratore). '166'Original antique print showing the Road to Calvary, with Veronica kneeling before Christ.Made by Coryn Boel after Giovanni Cariani.Etching / engraving on hand laid (verge) paper.Sheet size: 50 x 37 cm (19.69 x 14.57 inch). Image size: 45.8 x 28.5 cm. (18.03 x 11.22 inch).ROAD TO CALVARY-CHRIST-PL. 166PCOX-E2-28BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Giovanni Cariani (c. 14901547), also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance. Condition: good, given age. Vertical creasing and some browning. Small tear in left paper edge, not effecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

A man pulling at a band-aid on his skin, symbolizing the sense of touch. He is sitting beside a small table with a bottle and a tiny recipient. He wears a hat with a pipe in its fold.Monogrammed on the top left, in reverse, DT F.[NL] Een man trekt een pleister van zijn rechterhand. Personificatie van het voelen, de zintuigen. In de hoekrand een pijp door een lus. Antieke prent naar David Teniers. Very fine etching trimmed on or within plate mark; total: 110 x 92 mm; some traces of handling; a small hole at center, mounted on fine paper passepartout. Hollstein 8, copy, described in Dutuit as original (nr. 41).