Countee p cullen (7 risultati)

Illustrated Wrappers. Condizione: Good. First Edition. Single Issue In Original Wrappers. Near Fine, Light Edge Wear Where Covers Overlap The Page Block, But Faint Damp Staining At Fore Edge Of Covers And Ads And Pages At Front To Page 2. No Marks. B/W Illustrations Throughout, No Color Illustrations (illustratore).…

Illustrated Wrappers. Condizione: Very Good. First Edition. Single Issue In Original Wrappers. Very Good, Slight Usage, 1/2" Tear At Bottom Of Spine Panel, Very Faint Dampstaining To Right Third Of All Leaves Adjacent To Foredge. B/W And Color Illustrations (illustratore).

Softcover. Condizione: Very Good-. First Edition; First Printing. Includes: An Article "Politician: Female" by James M. Cain. An Article "The Liberty Bell" by Henry J. Ford. A Poem "The Shroud of Color" by Countee P. Cullen. An Article "Aesthetics: A Palaver" by Lewis Mumford. Very Good Minus green wraps with red decorative border on front cover. Ships same or next business day. Book has normal edge and shelf wear, small tears along edges of covers, faded on spine and edges of covers, bumps on spine ends; overall, pages are clean and tight. ; Large 8vo 9" - 10" tall; 383 pages.…

Illustrated Wrappers. Condizione: Near Fine. First Edition. Single Issue In Original Wrappers. Slight Wear. The Still Timely Article By Davis Is Still Timely; "The Great Intelligent Electorate Leaves The Selection Of Its Rulers To Men Who Are Interested In Politics, And Politics Has Generally Ceased To Interest First-Rate Men." ".Even So, The Zeal Of The Average Politician In His Search For An Irreproachable Mediocrity Is Rather Surprising." Later, Fdr Understood That He Could Speak Loudly, Warmly And Authoritatively To Lead On Every Practical Issue, More Or Less Accounting For The Realities Behind Every Opinion And Interest, And Weighing Them Together To Distill A Commonality, Because No One Else Was Doing The Same For Any Issues. B/W Illustrations Throughout, No Color Illustrations (illustratore).…

Condizione: Good. NY 1924. In The American Mercury, Vol. III No. 11, November 1924, at pp. 306-308. Published while Cullen was a Senior at New York University, his first appearance. Included in a complete issue of this Journal. Large octavo, wraps. Good, cover moderately worn, very faint store name stamp on front cover and faint owner last name of top edge of cover. Text clean; binding secure.…

First Edition. Two copies in different binding variants (one a later issue) of the poet's second collection. Crown 8vo (190 x 127mm): xi,[1],89,[1]pp, illustrated throughout. First Printing (with "first edition" and "G-B" on copyright page): Publisher's black cloth over brown and black marbled paper-covered boards, beige paper labels printed in black to front cover and spine, top edge stained copper, fore-edge rough-trimmed; neat owner's signature dated 1927 and bookseller's ticket (Post Street Book Shop, San Francisco) to paste-downs. A handsome copy (several lines neatly underlined), tightly bound and clean throughout. Later issue (with "C-C" on copyright page): Publisher's black cloth over blue and orange marbled paper-covered boards, lime-green paper label printed in black to front cover, beige paper label printed in black to spine, top edge stained orange, fore- and bottom edges rough-trimmed; bookseller's ticket (Whaler Book Shop, New Bedford) to front paste-down. Virtually pristine. Both copies wanting the dust jacket. Perry 2. When Cullen published Color, his first collection of poetry, in 1925 at the age of twenty-two, he was already the most famous Black writer in America. While still highly praised, Copper Sun "disappointed some who found the romantic themes and conventional poetic forms that had contributed to his early fame increasingly out of step with the growing interest among black artists and intellectuals for folk forms and racially conscious subjects. It did not help Cullen's reputation then or later that he asked to be judged as a poet and not a "Negro poet", though the nuances of his argument about the relation of race to art were sometimes ignored or misunderstood." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).…

Condizione: Very good plus. First Edition. First printing of this anthology of works by Black Americans, from the 18th-century poetry of Phillis Wheatley to the 20th-century essays of Alain Locke and much in between. Charles Blockson notes that, on its publication in 1941, THE NEGRO CARAVAN was "the most important single volume of Afro-American writing ever published" (58). Its three editors assembled some of the most influential pieces by Black Americans through the 1940s, including songs, plays, narratives of enslaved people, poetry, essays, folk literature and more. Each section is accompanied by a critical introduction contextualizing the pieces in their wider genres and in Black history. THE NEGRO CARAVAN represents a major early effort at defining a canon of Black literature; this is an unusually nice copy. 8.25'' x 5.5''. Original blue cloth boards with gilt and black lettering. No dust jacket. xviii, 1082 pages, including index. Owner name in pencil to front flyleaf, "Tyler Long." Binding with mild wear, a touch of dampstaining to lower spine. Leaves with a hint of toning and occasional edgewear. Firm.…