cozzolino robert (259 risultati)

Hardcover. Condizione: Fair. Steiner, Pat; Cozzolino, Sandra (illustratore). The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Good. Steiner, Pat; Cozzolino, Sandra (illustratore). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Steiner, Pat; Cozzolino, Sandra (illustratore). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. Steiner, Pat; Cozzolino, Sandra (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condizione: Very Good. Steiner, Pat; Cozzolino, Sandra (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Condizione: Very Good. Steiner, Pat; Cozzolino, Sandra (illustratore). c.60pp. Oversize hardback with glossy boards, EX-LIB, minimal markings, clear plastic tape along spine, full page with the manual alphabet, each story in B&W American Sign Language drawings and in words with color illustrations,

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Ex-library with the usual stamps, stickers, and markings. Gray cloth covered boards are slightly bumped on the bottom corners and spine. The boards are protected by the dust jacket and clear library covering. The pages are clean with many full color photographs. The bottom right page edges are soiled from handling. There is a bookplate on the front free endpaper. The spine is reenforced by brown tape on both the inside front and back endpapers. The dust jacket is protected by the clear library covering. This book was published in conjunction with the exhibition The Female Gaze: Women Artists Making Their World, presented by the Pennsylvania Academy of the Fine Arts. 335 pp. Shelf: E-5.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. May have spine damage. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Trade Paperback. Condizione: Near Fine. 1st Edition. Large paperback, scuffing to the blank inside of the front cover is the only remarkable flaw, looks new otherwise, "this vibrant and thoughtful catalogue is the first in-depth look at the influential Ojibwe artist's ouevre" ; ; 164 pages.

hardcover. Condizione: Good. Modest shelfwear to jacket, housed in protective mylar cover. Clean pages and sound binding.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous illustrations in color and black and white. Essay by Robert Cozzolino. Published on the occasion of the exhibition at the Pennsylvania Academy of the Fine Arts, September 13, 2014 - January 11, 2015.; 10.5 X 0.9 X 11 inches; 160 pages.

Condizione: New.

hardcover. Condizione: New.

Hardcover. Condizione: VG+. Hardback in Very Good+ condition without dust jacket. 11.25 X 0.5 X 9.25 inches. 115 pages. Lower corners bumped . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Condizione: new.

Hardcover. Condizione: New. New, in plastic.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: New.

Hardcover. Grey cloth with white lettering; color-illustrated dj with white lettering; 335 pp. with color and bw images throughout. In response to the poor representation of women in art galleries and museums, Philadelphia-based collector, Linda Lee Alter, decided in the 1980s to focus on art by women. The result, now at the Pehhsylvania Academy of Fine Arts, is an extraordinarily diverse and powerful collection of nearly 500 objects by some of the most influential female artists of the past 50 years, including major works by Louise Bourgeois, Elizabeth Catlett, Alice Neel, Louise Nevelson and others. Alter formed her collecitno with the intent of giving it to a public institution in order to make women artists more visible. Contributors include Glenn Adamson, Linde Lee Alter, Diane Burko, Anna Chave, Joanna Gardner-Hugget, Anna Havemann, Melanie Anne Herzog, Janine Mileaf, Mey-Yen Moriuchi, Jodi Throckmorton and Michele Wallace. Includes 12 essays, the plates, checklist of Alter's collection with biographies of each artis and, a selected bibliography. VG/VG dustjacket is in mylar. Exlibrary with small label at base of spine on mylar covering, ownership stamp at top text block, labels inside rear cover. Very clean copy overall.

Softbound. Condizione: As New. Color Illustrated wraps. 385 pp., Profusely illustrated in color. Wow, what a collection, and what a catalogue. A remarkable collection of American drawings and watercolors from one of the leading university museums in the United States The Princeton University Art Museum's collection of American drawings and watercolors is impressive in both scope and quality, providing a comprehensive overview of the nation's artistic traditions. This lavishly illustrated book highlights seventy-seven master drawings and watercolors chosen from the museum's extensive collection. The selections, which range from the eighteenth century to the present, are by such eminent American artists as Benjamin West, Winslow Homer, Thomas Eakins, Mary Cassatt, Andrew Wyeth, Georgia O'Keeffe, Lee Bontecou, and Tom Wesselmann. A group of outstanding works by Hudson River School and Ash Can artists also distinguishes the collection. Each of the selected drawings and watercolors is reproduced in full color and is accompanied by an in-depth catalogue entry. The book also features an introduction by John Wilmerding describing Princeton's history of collecting American art, as well as an essay by Kathleen A. Foster on the historiography of American drawings and watercolors. A useful checklist of the Museum's entire collection of over 1,300 American drawings and watercolors, selectively illustrated in color, concludes the book. This beautiful and informative volume clearly demonstrates that the holdings of the Princeton University Art Museum represent an extraordinary resource for students, scholars, and those with a love of American art and art history. This book accompanies an exhibition on view at the Princeton University Art Museum (October 16, 2004, to January 9, 2005) the Musee d'Art Americain, Giverny, France (Spring 2005) and the High Museum of Art, Atlanta (Spring 2006).

Softcover. Condizione: VG. Quarto. Softcover. Dark brown & color illustrated wraps, 48 pp., color illustrations. Issued in conjunction with a 2015 exhibition of architectural paintings rendered by Massachusetts-based artist Thomas Fransioli (1906-1997). With illustrated essays by Robert Cozzolino and Arlene Katz Nichols. The exhibition checklist cites 29 pieces, and most, if not all, appear here in full color. Nice! Uncommon.

Softcover. Condizione: VG. Quarto. Softcover. Color-illustrated wraps with French flaps; 127 pp. with 125 catalogue images, mostly in color. Text in English. Catalog from the exhibition of October 2010 to January 2011 at PAFA. Essays by Sarah McEneaney, Joe Fig, Robert Cozzolino and Jonathan Frederick Walz, covering self-portraiture, the First American Avant-Garde and other timely topics. Descriptions of each work.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Elizabeth Osborne (born 1936) is a painter who responds with awe and religiosity to the grandeur, the frightening power, and the rich fluid diversity of nature. Early she painted the same landscapes -- particularly in Maine and New Mexico -- that have attracted many generations of American artists such as Frederic Church and Thomas Moran in the nineteenth century as well as Robert Henri, John Marin, Georgia O'Keeffe, Marsden Hartley, Alex Katz and others in the twentieth. Osborne's translations of nature through the methods of soaked-in, saturated pigment, ecstatic and hallucinatory chroma, and evocative brush gestures conjure the touch, taste, and scent of the landscape. This subjective, experiential exploration reveals her place in the lineage of American landscape painting as well as her compelling role in the history of postwar abstraction. Osborne made her mark with monumental, hallucinatory landscapes of the early and mid-1970s and with virtuoso, glowing realist watercolors of the late 1970s but her recent work has included boldly-painted ruminations of nature in its micro- and macrocosm. Osborne's oeuvre is full of surprises, stylistically experimental yet cohesive, hauntingly introspective and complex in its artistic and personal associations. The Color of Light brings together paintings from all periods in her career, from a provocative series of 1960s interiors, to those innovative land- and sea-scapes of the 1970s, ambitious large still-lifes of the late 1970s and early 1980s and increasingly abstract work of the past two decades. Richly illustrated, this monograph features eighty-two full-color plates, comparative material illuminating the artist's processes, and a comprehensive chronology with numerous documentary photographs. Long recognized by critics and her peers as one of the most innovative and daring Philadelphia-based artists of the last forty years, Osborne has tirelessly explored the psychologically-charged space between abstraction and realism. Osborne studied at the Pennsylvania Academy of the Fine Arts (PAFA) in the mid-1950s and has been a faculty member there since 1963. A prolific artist and frequent exhibitor in New York, Philadelphia, Washington D.C. and throughout the United States, Osborne has produced a multivalent and challenging body of work that has shifted tone and content gradually since the 1960s. Although she is well-known, there has never been a full survey of her work. This book, published on the occasion of her first painting retrospective reveals the range, depth, and importance of Osborne's art. "Published on the occasion of the exhibition Elizabeth Osborne: the color of light, held at the Pennsylvania Academy of the Fine Arts, Philadelphia, June 26-September 20, 2009." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.