Lingua: Inglese
Editore: Penn State University Press, 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condizione: As New.
Lingua: Inglese
Editore: Pennsylvania State University Press, University Park, PA, U.S.A., 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Trade Paperback. Condizione: Very Good.
Lingua: Inglese
Editore: Pennsylvania State Univ Pr, University Park, Pennsylvania, U.S.A., 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Trade Paperback. Condizione: Very Good. light smoker's smell.
Lingua: Inglese
Editore: Penn State University Press, 1993
ISBN 10: 0271025824 ISBN 13: 9780271025827
Da: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Good. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.25", shows light shelfwear. Binding is sound. Pages 1-6 have ink underlining. Remaining pages are without markings. x/190 pages. "Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period. Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.".
Condizione: Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2013.
Condizione: New.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Pennsylvania State University Press, 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: Poverty Hill Books, Mt. Prospect, IL, U.S.A.
Paperback. Condizione: New. BRAND NEW COPY, Perfect Shape, Not a Remainder, No Black Remainder Mark, a4o6Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!
EUR 16,86
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 16,98
Quantità: 3 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Hardback. Condizione: New. Robert Rauschenberg (1925 - 2008) was one of the most prolific and innovative artists of the post-war period, whose work, ranging across a number of disciplines, has had a profound influence on avant-garde art since the 1950s. By working in what he called 'the gap between art and life', Rauschenberg aimed to bring a new scale and physicality to his paintings. Early on in his career, Rauschenberg produced groups of monochrome paintings, white, followed by black, and red. The White Paintings (1951), canvases painted with white latex house-paint, function as hypersensitive surfaces that register changes in their surroundings. This new emphasis encouraged viewers to attend to phenomena ordinarily ignored when looking at a painting, such as the play of shadows across its surface. In his Combines, works melding painting and sculpture, Rauschenberg brought elements of popular culture and everyday life into his art through the process of collage, integrating a staggering array of materials into his compositions. His first and most famous combines was titled Monogram, a 1959 work that consisted of a stuffed angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball, and paint. Rauschenberg's 'gap' became the site of more than half a century of endeavours through which he redefined not only what materials could comprise a work of art but what a work of art could be. From the Combines, Rauschenberg branched out into printmaking, silkscreen paintings, performance, works involving technology and many other activities. Widely illustrated with Rauschenberg's works and photographs of the artist in performance and in his studio, this book also examines Rauschenberg's extensive involvement in the performing arts, tracing his connections to avant-garde dance in America and addressing his own performances and work with the well-known choreographers Merce Cunningham and Trisha Brown.
EUR 24,60
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Robert Rauschenberg (1925 - 2008) was one of the most prolific and innovative artists of the post-war period, whose work, ranging across a number of disciplines, has had a profound influence on avant-garde art since the 1950s. By working in what he called 'the gap between art and life', Rauschenberg aimed to bring a new scale and physicality to his paintings. Early on in his career, Rauschenberg produced groups of monochrome paintings, white, followed by black, and red. The White Paintings (1951), canvases painted with white latex house-paint, function as hypersensitive surfaces that register changes in their surroundings. This new emphasis encouraged viewers to attend to phenomena ordinarily ignored when looking at a painting, such as the play of shadows across its surface. In his Combines, works melding painting and sculpture, Rauschenberg brought elements of popular culture and everyday life into his art through the process of collage, integrating a staggering array of materials into his compositions. His first and most famous combines was titled Monogram, a 1959 work that consisted of a stuffed angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball, and paint. Rauschenberg's 'gap' became the site of more than half a century of endeavours through which he redefined not only what materials could comprise a work of art but what a work of art could be. From the Combines, Rauschenberg branched out into printmaking, silkscreen paintings, performance, works involving technology and many other activities. Widely illustrated with Rauschenberg's works and photographs of the artist in performance and in his studio, this book also examines Rauschenberg's extensive involvement in the performing arts, tracing his connections to avant-garde dance in America and addressing his own performances and work with the well-known choreographers Merce Cunningham and Trisha Brown.
Editore: Penn State Press 1993, 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: Tacoma Book Center, Tacoma, WA, U.S.A.
ISBN 0-271-00919-5. Trade Paperback. Very Good condition. Tight, sound, unmarked copy. No statement of later printing on copyright page.
Lingua: Inglese
Editore: D.A.P./Distributed Art Publishers, 1997
ISBN 10: 3775706860 ISBN 13: 9783775706865
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condizione: new. Hardcover. The perfect introduction to the life and work of Robert Rauschenberg The perfect introduction to the life and work of Robert Rauschenberg Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: University of Texas Press, Austin, 1988
Da: Cat's Cradle Books, Archdale, NC, U.S.A.
Softcover. Sound binding. Pages clean, a bit off-white. Wrappers have light handling wear. ; Contents: Carpenter, "A bit of her flesh": circumcision and "the signification of the phallus" in Daniel Deronda. Gallagher, Embracing the absolute: the politics of the female subject in seventeenth century England. Weinberg, It's in the can: Jasper Johns and the anal society. Campbell, The oscillating embrace: subjection and interpellation in Barbara Kruger's art. Parker, Holding the fort! Instituting genders, engendering institutions. Craft, "Descend and touch and enter": Tennyson's strange manner of address. Sedgwick, Privilege of unknowing. ; 10" (25.4 cm) tall; 134 pages. Very Good in No Dust Jacket dust jacket.
EUR 20,99
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 146 Illus.
EUR 21,22
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
EUR 17,69
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2013. Hardcover. The perfect introduction to the life and work of Robert Rauschenberg. Series: Phaidon Focus. Num Pages: 144 pages. Dimension: 254 x 185 x 16. Weight in Grams: 616. . . . . .
EUR 21,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 2013. Hardcover. The perfect introduction to the life and work of Robert Rauschenberg. Series: Phaidon Focus. Num Pages: 144 pages. Dimension: 254 x 185 x 16. Weight in Grams: 616. . . . . . Books ship from the US and Ireland.
EUR 13,34
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Condizione: New.
Lingua: Inglese
Editore: Pennsylvania State University Press, 1993
ISBN 10: 0271009195 ISBN 13: 9780271009193
Da: Anybook.com, Lincoln, Regno Unito
EUR 15,30
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780271009193.
Lingua: Inglese
Editore: Delmonico Books February 2026, 2026
ISBN 10: 1636812171 ISBN 13: 9781636812175
Da: Lot 49 Books, Philadelphia, PA, U.S.A.
Hardcover. Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 18,80
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 145 pages. 10.00x7.25x0.75 inches. In Stock.
EUR 15,60
Quantità: 2 disponibili
Aggiungi al carrellohardcover. Condizione: New.