Crawford katelyn d (54 risultati)

Paperback. Condizione: Very Good. . . . . 4to, paperback. Vg+ condition. Small label residue to rear cover, otherwise crisp, clean, unworn, no marking or writing. Binding secure. 47 pp., illus. Alabama, History, Southern, Urban, 1934774197.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condizione: Very Good. 1st Edition. Birmingham Museum of Art, Birmingham, AL, 2000. Softcover, 47 pp. Exhibition catalog. Published in conjunction with a show of etchings and oil paintings by American artist Richard Coe (1904-1978). It took place from March 24 to June 17, 2018. In fine condition.…

Paperback. Illustrated wraps with black lettering. 47 pp. BW and color illustrations. Catalogue of an exhibition from March 24 to June 17, 2018. VG (light rubbing to edges, spine ends & corners. very tightly bound).

Hardcover. Condizione: New.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condizione: New. Hayward Oubre: Structural Integrity. Book.

Hardcover. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford. VG-, bottom right corner considerably warped with boards crinkling from damage, otherwise excellent and still in plastic.…

Condizione: New.

Paperback. Condizione: New. New oversized museum exhibition softcover in printed wraps. 4to. (11.25 x 0.25 x 9.5 inches) Clean text free of marks or underlining. Color photos and illustrations. Includes an exhibit checklist and a select bibliography. 47 pp. Fast shipping in a secure book box mailer with tracking. In the wake of the Great Depression, Birmingham experienced a remarkable transformation that helped shape the city as we know it today. Artist Richard Coe, an Alabama native, documented the city's rapidly changing urban fabric in his prints and paintings. Magic City Realism: Richard Coe's Birmingham brings together over 60 of Coe's images of the city from this decade for the first time. In 1929, the stock market crashed and the United States economy plummeted into the Great Depression. By 1933, President Franklin Roosevelt had implemented a series of New Deal programs designed to speed economic growth and recovery. Coe arrived in Birmingham in 1934. Working in his Five Points South studio, he illustrated the local impact of these initiatives with his etching needle and paint brush. In Coe's images, billowing smoke stacks signify Birmingham's burgeoning industrial economy. Shown side-by-side with the city's gleaming downtown, these images capture a flourishing metropolis. Coe also pictured developing residential neighborhoods-both elite and humble-and scenes of daily life that relate a city reshaped by industrial growth and New Deal housing initiatives. This exhibition represents the Birmingham Museum of Art's ongoing commitment to exhibiting the arts of Alabama. It is also a part of the state-wide celebration of Alabama's bicentennial, ALABAMA 200.…

Hardcover without dustjacket as issued, 184 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. This ground-breaking volume is the first book devoted to the life and work of Hayward Oubre, and brings together important examples of Oubre's sculptures, paintings, and prints to explore his career, creative process, and legacy. Best known for his wire sculptures, Hayward L. Oubre, Jr. (19162006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material-wire coat hangers-that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written. This new volume, and its accompanying exhibition, will begin to tell this story, laying the foundation for future projects on the work of Black artists in Alabama and the South. 132 colour illustrations A ground-breaking book devoted to the life and work of Hayward Oubre brings together important examples of Oubres sculptures, paintings, and prints to explore his career, creative process, and legacy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: VG+. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford. …

Condizione: New. 2024. hardcover. . . . . .

Hardback. Condizione: New. Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material-wire coat hangers-that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period.While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written. This new volume, and its accompanying exhibition, will begin to tell this story, laying the foundation for future projects on the work of Black artists in Alabama and the South.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: new.

hardcover. Condizione: New.

Hardcover. Condizione: new. Hardcover. This new publication offers a comprehensive exploration of every Black American artist represented in the Birmingham Museum of Art, Alabama's preeminent collection of art, spanning the early nineteenth century to the present day. The volume features over 250 artworks across various media, paintings, prints, photographs, sculpture, quilts, and mixed-media works, by artists living and working both in Alabama, and across the wider United States, including David Driskell, Jacob Lawrence, Romare Bearden, Robert S. Duncanson, Meta Vaux Warrick Fuller, Sister Gertrude Morgan, Jimmy Lee Sudduth, Mary Frances Whitfield, Trena Banks, Purvis Young, Glenn Ligon, Edmonia Lewis, Lorna Simpson, Chakaia Booker, Sam Gilliam, Kerry James Marshall, Joshua Johnson, Nick Cave, Elizabeth Catlett, Amalia Amaki, and Carrie Mae Weems. Publication accompanies an exhibition marking the Birmingham Museum of Art, AL's 75th Anniversary celebrations. AUTHORS: Katelyn D. Crawford is The William Cary Hulsey Curator of American Art, Birmingham Museum of Art, AL. Jade Powers is the Hugh Kaul Curator of Contemporary Art, Birmingham Museum of Art, AL. Kelli Morgan is the Founding Executive Director of the Black Artists Archive in Detroit. Imani Perry is the Henry A. Morss, Jr. and Elisabeth W. Morss Professor in African & African American Studies and the Carol K. Pforzheimer Professor at the Harvard Radcliffe Institute. Laura Woodard is librarian and archivist, Birmingham Museum of Art, AL. 290 colour illustrations This new publication offers a comprehensive exploration of every Black American artist represented in the Birmingham Museum of Art, Alabama's preeminent collection of art, spanning the early 19th century to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condizione: New. Special order direct from the distributor.

Softcover. Quarto. Softcover. Illustrated wraps. 56 pages : illustrations (some color), portraits ; 27 cm. The catalogue has been published in conjunction with the exhibition An Epic of Earth and Water: Clare Leighton and the "New England Industries" Series, organized by the Birmingham Museum of Art, Birmingham, Alabama, October 31, 2020-May 2, 2021/ Includes bibliographical references (page 56). VG. Light wear around the edges, Inside is unmarked besides a small stamp inside stating withdrawn from a research library.…

Condizione: New.

Wrappers. Condizione: Near Fine. Slim volume, 46 pages 70 illustrations. Some minor wear along the edges. Illustrated wraps. Edited by Katelyn D. Crawford, PhD. Published on the occasion of the exhibition from the Birmingham Museum of Art, Birmingham AL March 24, 2018 - June 17, 2018. Select Bibliography. Book.…

Condizione: New.