crimp douglas ed (24 risultati)

Softcover. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Modleski, Some functions of feminist criticism, or the scandal of the mute body. Michaud, Van Gogh, or the insufficiency of sacrifice. Hollier, French customs, literary borders. Copjec, The orthopsychic subject: film theory and the reception of Lacan. de Duv, Yves Klein, or the dead dealer. Miller, Sontag's urbanity. Weiss, A new history of the passions. ; 9.0" tall; 112 pages. Very Good in No Dust Jacket dust jacket.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. The cover has a bit of wear, with creasing, and a few small scuffs. The pages are lightly tanned and foxed. The first page has a name insciption from a previous owner. 159 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (203-228mm).

Magazine. Condizione: Very Good. [ART]. Ed. Tim Griffin. Contributors: Amy Taubin, Tauba Auerbach, Christine Mehring, Douglas Crimp, Nick Mauss, et al. "Artforum International, XLVII, No. 2, October 2008." New York: Artforum, 2008. First edition. English language. Magazine with spine and pictorial wrappers. Nonfiction art criticism with ads and full-color photos. 10 1/2 x 10 1/2 inches. 50 oz. 408 pp. Creasing on spine. Small tear at bottom of front cover. Some waviness at top of page block. Price in pencil on first page. Intact. Text clean. Very Good. No ISBN. ASIN: B004BW0RT2. "Artforum is the international art world's magazine of record. For over fifty years, Artforum has reported on the world of ideas with insight and authority. Ten times a year, our roster of distinguished critics, artists, curators, and historians surveys the latest developments in contemporary art. In addition to the visual arts, Artforum covers fashion, photography, architecture, film, and music.".

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 300 pages, 16 b/w illustrations - Edited and introduced by John C. Welchman, The "Aesthetics of Risk" is based on the third SoCCAS symposia, held at the J. Paul Getty Museum. The anthology collects 16 essays and conversations about the nature and consequences of risk in and out of the art world, beginning with the premise that the modern subject is caught up in an ever-expanding network of predictive and proactive stratagems for the management of risk. Discussion includes general issues in the relation between risk and modernity (John C. Welchman, Gerda Reith); a case study from the Occupied Territories in the Middle East (Neve Gordon and Dani Filc); Andy Warhol's films (Douglas Crimp); several arenas and strategies for activist practice (Keiko Sei and Chris Hill, Critical Art Ensemble); social and aesthetic contexts for performance art in the UK (Chrissie Iles) and the US (Jane Blocker); experimental video in Brazil in the 1970s (Elena Shtromberg), and recent work in the US (Glenn Phillips). It also features interviews with Catherine Opie, Brock Enright and Paul McCarthy; a text by Henry Flynt; discussion of Barnett Newman, Bridget Riley, and Richard Serra (Richard Shiff); of recent art in Mexico City (Gabriela Jauregui); and of the technological reconstitution of risk (Jordan Crandall).

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 14.5 x 23.5 cm, 260 pages, 66 color and 4 b/w illustrations - United by AIDS, published in conjunction with an extensive group show on the topic of loss, remembrance, activism and art in response to HIV/AIDS at Zurich s Migros Museum für Gegenwartskunst (Migros Museum for Contemporaray Art), sheds light on the multifaceted and complex interrelation between art and HIV/AIDS from the 1980s to the present. It examines the blurred boundaries between art production and HIV/AIDS activism and showcases artists who played and still play leading roles in this discourse.

Condizione: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . .

Condizione: New.

Softcover; 184 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New. How New York artists have made use of the city's run-down lofts, neglected piers, vacant lots, and deserted streets. Editor(s): Cooke, Lynne; Crimp, Douglas (Professor of Visual and Cultural Studies, University of Rochester, New York, USA). Num Pages: 303 pages, 130 color illus., 70 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 277 x 237 x 31. Weight in Grams: 1706. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Softcover art journal, 220 pages, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 556 pp., 844 ills. half cloth 24.80 x 32.60 cm - One of the most continuously influential figures of the past half century, Joan Jonas (*1936) was among the first artists to embrace the forms of video, performance and installation. This extensively illustrated and authoritative book, containing hundreds of full-color images, presents the definitive collection of Jonas' work. The first career-spanning monograph of the multimedia pioneer, it covers more than 40 years of performances, films, videos, installations, texts and video sculptures. In addition to documentation of the artist's crucial projects, In the Shadow a Shadow includes individual essays by Douglas Crimp, Barbara Clausen and Johanna Burton, a major survey text by Joan Simon, texts by Joan Jonas about several of her seminal works, as well as unpublished photographs and drawings from Jonas' archives.

Super octavo, illus light card wrappers, white lettering to spine, xxx + 307pp, illus, VG+ (light creasing to cover edges & spine, sl tanning & soiling to page edges).

Hardcover with dustjacket, 184 pages, very good condition except light rubbing to dj; tiny bit of foxing to top outer page edge; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket and protective plastic wrap; 370 pages, in English; good condition; dj has light rubbing and stains; very light spotting to outer page edges; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket; 370 pages, in English; very good condition; dj has light rubbing mostly along spine; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. 1st Edition. 4to, card covers, 143pp., b/w ills. First edition. Inscribed at the half title to film/art scholar and critic Berenice Reynaud (misspelled "Bernice"). Laid in is a 1pp. list of Jonas works available on videotape, ca. 1984. A VG copy with mild rubbing to the covers and a touch of soiling to the fore edge; sound binding; clean internals. Signed by Author(s).

Soft cover. Condizione: Near Fine. First printing. 8vo. 271 pp. + [2] pages Contributors. Illustrated in B & W. Original printed white wrappers. Contributios by Leo Bersani, Gregg Bordowitz, John Borneman, Douglas Crimp, Martha Gever, Sander L. Gillman, Jan Zita Grover, Amber Hollibaugh, et al. Very light use, near fine. An early important AIDS publication. Uncommon.