Editore: Artforum, 2002
Da: Rob Warren Books, Richmond, VA, U.S.A.
Rivista / Giornale
Soft cover. Condizione: Very Good. R. Crumb cover. Softcover art journal in bright, clean unused condition. No marks or writing in publication; no wear. Includes interview with Mike Kelley; a short prose piece by Bruce Nauman; a selection of critics reflecting on Pauline Kael, who had recently died; a feature article on Barnett Newman; a portfolio of images by James Casebere. Cover image is by R. Crumb. Robert Storr on crumb.
Da: Champ & Mabel Collectibles, San Pedro, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 191p. Cover corners bumped and lightly worn. Published on the occasion of the exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb at David Zwirner Gallery, New York, February 21 to April 13, 2019. Does not include reproductions of all works in the exhibition. B&w and color photographs. (9-7/8"x7-3/4").
Hardback. Condizione: New. R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb's unique universe, this book features a wide array of printed matter culled from the artist's five-decade career-tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco's Haight-Ashbury, Oakland, Manhattan's Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction and Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb's singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb's work and the importance of artists who take on the status quo.
EUR 39,75
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb's unique universe, this book features a wide array of printed matter culled from the artist's five-decade career-tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco's Haight-Ashbury, Oakland, Manhattan's Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction and Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb's singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb's work and the importance of artists who take on the status quo.
Hardcover without dustjacket as issued, 192 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
EUR 31,08
Quantità: 2 disponibili
Aggiungi al carrellohardcover. Condizione: New.
EUR 40,41
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 191 pages. 9.75x7.75x0.50 inches. In Stock.
EUR 49,62
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 191 pages. 9.75x7.75x0.50 inches. In Stock.
Hardback. Condizione: New. R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb's unique universe, this book features a wide array of printed matter culled from the artist's five-decade career-tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco's Haight-Ashbury, Oakland, Manhattan's Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction and Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb's singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb's work and the importance of artists who take on the status quo.
EUR 36,16
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb's unique universe, this book features a wide array of printed matter culled from the artist's five-decade career-tear sheets of drawings and comics taken directly from the publications where the works first appeared, magazine and album covers, broadsides from the 1960s and 1970s, tabloids from San Francisco's Haight-Ashbury, Oakland, Manhattan's Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction and Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb's singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb's work and the importance of artists who take on the status quo.
EUR 232,81
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very good.
Hardcover. Condizione: Fine. 1st Edition. First edition. Oversized illustrated hardcover without dust jacket as issued. A fine clean tight unmarked copy. The catalog of an extensive museum exhibition of these five American artists: Jim Nutt, Mike Kelley, Robert Crumb, Peter Saul, and H C Westermann. All text in English. Uncommon.