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Paperback. Condizione: Very Good. The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century.This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century.In 1984, three groups of artists in post-Tito Yugoslavia--the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater--came together to form the Neue Slowenische Kunst (NSK) art collective.Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that art and totalitarianism are not mutually exclusive.Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere.Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia--from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same.Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia.ContributorsEda Cufer, Goran ordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and othersExhibitionModerna galerija, Ljubljana: 12 May-17 August 2015 Van Abbemuseum, Eindhoven: March-August, 2016Garage Museum of Contemporary Art, Moscow: Fall 2016.…

paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condizione: Very Good. The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century.This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century.In 1984, three groups of artists in post-Tito Yugoslavia--the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater--came together to form the Neue Slowenische Kunst (NSK) art collective.Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that art and totalitarianism are not mutually exclusive.Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere.Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia--from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same.Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia.ContributorsEda Cufer, Goran ordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and othersExhibitionModerna galerija, Ljubljana: 12 May-17 August 2015 Van Abbemuseum, Eindhoven: March-August, 2016Garage Museum of Contemporary Art, Moscow: Fall 2016.…

paperback. Condizione: New.

Paperback. Condizione: New. New copy.

Condizione: New.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Paperback. Condizione: new. Paperback. The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century.This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century.In 1984, three groups of artists in post-Tito Yugoslavia-the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater-came together to form the Neue Slowenische Kunst (NSK) art collective.Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive."Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere.Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia-from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same.Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia.ContributorsEda Cufer, Goran Dordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and othersExhibitionModerna galerija, Ljubljana: 12 May-17 August 2015Van Abbemuseum, Eindhoven: March-August, 2016Garage Museum of Contemporary Art, Moscow: Fall 2016 The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Condizione: New. pp. 600.

Paperback. Condizione: New.

Condizione: New. pp. 600.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 19 x 25 cm, 216 pages, 19 color & 7 b/w illustrations - The Slovenian curator, art critic, writer, and theorist Igor Zabel (1958-2005) was largely responsible for promoting the visibility of the Slovenian art scene in the international arena back in the 1990s. As Senior Curator of the Moderna Galerija in Ljubljana he was engaged in establishing links between Eastern and Western Europe without loosing a critical perspective on the (still) ongoing transformations.…

Condizione: New. pp. 600.

Condizione: New. Editor(s): Badovinac, Zdenka; Cufer, Eda; Gardner, Anthony. Num Pages: 600 pages, 150 color illus., 150 b&w illus. BIC Classification: 1DVWY; 3JJPN; ACXJ. Category: (P) Professional & Vocational. Dimension: 200 x 273 x 34. Weight in Grams: 1604. . 2015. Paperback. . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New. Editor(s): Badovinac, Zdenka; Cufer, Eda; Gardner, Anthony. Num Pages: 600 pages, 150 color illus., 150 b&w illus. BIC Classification: 1DVWY; 3JJPN; ACXJ. Category: (P) Professional & Vocational. Dimension: 200 x 273 x 34. Weight in Grams: 1604. . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condizione: New.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Ungelesen. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. Condizione: Brand New. 546 pages. 10.50x7.25x1.25 inches. In Stock.

Paperback. Condizione: new. Paperback. The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century.This book is the generously illustrated, lavishly documented, critically narrated story of one of the most significant art collectives of the late twentieth century.In 1984, three groups of artists in post-Tito Yugoslavia-the music and multimedia group Laibach, the visual arts group Irwin, and the theater group Scipion Nasice Sisters Theater-came together to form the Neue Slowenische Kunst (NSK) art collective.Adopting the symbols, codes, appearances, and discourses of fascism, nationalism, state power, socialist-realist, and avant-garde art, and pushing the strategies of overidentification and subversive affirmation to their limits, NSK exposed the common foundations of various regimes, systems, and ideologies, while affirming that "art and totalitarianism are not mutually exclusive."Employing music, video, film, exhibitions, writing, graphic design, architecture, theater, and public relations to probe the aesthetic possibilities of declining socialism and proliferating capitalism, NSK introduced an idiosyncratic version of postmodernism (the Retro-Avant-Garde) into the globalizing cultural sphere.Combining primary documents, period artifacts, critical essays, and contextual notes, NSK from Kapital to Capital documents NSK's collective practice during the final decade of Yugoslavia-from the first (and banned) Laibach concert (1980) in a small proletarian mining town in Slovenia to the series of projects launched by individual NSK groups entitled Kapital (1991-92). This illuminating chronicle of NSK's work and its reception is produced in conjunction with the first major museum exhibition devoted to NSK. Designed by Novi Kolektivizem (New Collectivism), the graphic design section of NSK, the cover of each individual copy of the book is printed with a custom detail; no two covers exactly are the same.Copublished with Moderna Galerija / Museum of Modern Art, Ljubljana, Slovenia.ContributorsEda Cufer, Goran Dordevic, Slavoj Zizek, Marina Grzinic, Rastko Mocnik, Marina Grzinic, Lev Kreft, Tomaz Mastnak, Mladen Dolar, Chrissie Iles, Boris Groys, Inke Arns, Alexei Monroe, Catherine Wood, Daniel Ricardo Quiles, Anthony Gardner, Barbara Borcic, Alexei Yurchak, Dejan Krsic, and othersExhibitionModerna galerija, Ljubljana: 12 May-17 August 2015Van Abbemuseum, Eindhoven: March-August, 2016Garage Museum of Contemporary Art, Moscow: Fall 2016 The generously illustrated, lavishly documented story of NSK (Neue Slowenische Kunst), the eastern European art collective present at the last revolution of the twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Erste Auflage. 23 x 21 cm. 212 S., 2 Blatt. Illustrierter OKarton. Einbandkanten mit minimalen Bereibungen, 2 handschriftliche, ältere Preiseinträge im Innendeckel. Sonst gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Karlsruhe 18. April bis 8. August 2004. Durchgehend mit Abbildungen versehen. Montierte CD im Vorderdeckel (Presse-Material).…