Editore: Friends of Photography, 1976
Da: W. Lamm, Los Angeles, CA, U.S.A.
Prima edizione
Soft Cover. Condizione: Fine. First Edition; First Printing. Numerous full page plates in color and black and white. With texts by Darryl Curran, Robert Heinecken, Leland Rice, and John Upton. Published on the occasion of the exhibition organized by Friends of Photography, October 30, 1976 - January 2, 1977, and International Center of Photography, February 10 - March 13, 1977. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to.
Editore: Visual Arts Center, California State University, Fullerton, CA, 1989
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. 26 pages. Exhibition catalog for a show that ran February 4 through March 5, 1989. Features a foreword by Dextra Frankel and an essay by Judi Freeman. Includes a number of black and white images with a long gatefold in the rear. A clean near fine copy in die-cut stapled wrappers.
Editore: Art Gallery, California State University, Fullerton, 1989
Da: W. Lamm, Los Angeles, CA, U.S.A.
Prima edizione
Soft Cover. Condizione: Fine. First Edition; First Printing. As New. Profusely illustrated, including full page plates, by Eileen Cowin and Darryl Curran. With an essay by Judi Freeman. Published on the occasion of the exhibition, February 4 through March 5, 1989. ; Tight, clean and crisp. A gently browsed catalog in excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; 8vo - over 7 3/4" - 9 3/4" tall.; 28 pages.
Editore: Chaffey College, 1985
Da: Randall's Books, Cathedral City, CA, U.S.A.
Soft cover. Condizione: Fine. Chaffey College, Alta Loma, CA, 1985. Softcover, 48 pp. A show of work by California photographer Darryl Curran (born 1935). He is one of the pioneers of the Conceptualist approach to photography. This show took place at the Rex W. Wignall Museum Gallery at Chaffey Community College in Alta Loma, California, and at Grossmont College Art Gallery in El Cajon. Fine condition.
Editore: Rex W. Wignall Museum Gallery, Chaffey Community College, Alta Loma, CA, 1982
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran April 20 through May 21, 1982 at Rex W. Wignall Museum Gallery, Chaffey Community College and then September 13 through October 15, 1982 at the Grossmont College Art Gallery. Foreword by Virginia M. Eaton, Director of Rex W. Wignall Museum Gallery. Introduction by curator Ardon Alger. Features an essay by Stephen Lewis and an artist statement. Includes numerous color and black and white images, a chronology, list of previous exhibitions, list of permanent collections, a checklist, and a list of books. A very near fine copy in stapled wrappers.
Editore: Alta Loma, CA: Chaffey College., 1982
ISBN 10: 0961580151 ISBN 13: 9780961580155
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. 48 pp. Stiff, stapled wraps. Good with staining and shelve wear along wraps. Mostly black and white plates. Catalog created for exhibit by same name held at the Rex W. Wignall Museum Gallery at Chaffey Community College in Alta Loma, CA from April 20 through May 21, 1982 and at the Grossmont College Art Gallery in El Cajon, CA from September 13 through October 15, 1982.Stamp on title page: Property of SF Camerawork.
Editore: Darryl J. Curran, Publisher, Los Angeles, 1978
Da: Mare Booksellers ABAA, IOBA, Dover, NH, U.S.A.
Wraps. Condizione: Very Good. Printed wraps, side sewn. 5 ½ by 4 ¼ inches tall. Apparently signed by the artist, in pencil on the rear inside cover, and dated 1979. 18 pp. Black and white photos throughout. A collection of photos by this California based photographer, gathering photos of a variety of seemingly every day subjects and distorting them through manipulation of film or size. VERY GOOD condition. Minor toning and a few dark scuffs to the wrappers.
Editore: Los Angeles Institute of Contemporary Art Los Angeles, CA, 1974
Da: Specific Object / David Platzker, New York, NY, U.S.A.
48 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Inugural issue of The L.A.I.C.A. Journal, edited by Fidel Danieli, cover design by Ron Bergner. Essays "The Aesthetics of Flying Over Los Angeles," by Walter Gabrielson; "Dewain Valentine: An Interview," by Melinda Wortz; "L. A. Experience," by Barbara Smith; "ARTFROM," by Joni Gordon; "Evolution of the Institute," by Bob Smith; "Two Things You Can Count On - Art and Taxes," by Lowell Darling; "Dialogue of Women Artists," by Miriam Schapiro; "Tony Delap: An Interview," by Beverly O'Neill "Photography in L.A.," by Darryl Curran. Very Good. Small rubber stamp date on top right corner of recto cover. Library withdrawal stamp on page 48. Covers and content otherwise clean and unmarked.
Editore: L.A. Artists' Publication North Hollywood, CA, 1972
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[46] pp.; 28 x 21.5 cm. (pages, page size varies slightly per contributor) ; 25.3 x 33 cm. (envelope); loose leaves; printed envelope; black-and-white & color; edition size 600; unsigned and unnumbered; photocopy / xeroxed Inaugural issue of "L.A. Artists' Publication," a five volume limited series periodical of artists' communications edited by Fidel Danieli. Contributors include Betye Saar, Eleanor Antin, Fidel Danieli, Stuart Kusher, Jim Edson, Bob Haas, Greg S. Card, Darryl J. Curran, Joe Messinger, Rick Herrold, Tom Marshall, Ann A. Morris, Caroline Cochrane, Walter Gabrielson, John White, and others. "This is the first issue of a communication exchange between southern california artists and their friends. The artists, having been invited to participate by me, provided the copy or artwork, paid for their own printing or supplied the printed material, and provided the publication with a mailing list of twenty-five people each with whom they wish to share their perceptions." -- from the introduction by Fidel Danieli. Very Good. Mailed copy with mailing marks and mailing wear on envelope and significant bumping and tearing of envelope. Contents in very good condition with only light bumping of page corners. contents otherwise clean and unmarked.