curreli mario (41 risultati)

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: As New. Text clean and tight; no dust jacket; Conrad: Eastern and Western Perspectives; 8.50 X 5.75 X 1 inches; 300 pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: New.

Hardback. Condizione: New. Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel.Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

Hardback. Condizione: New. Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel.Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

Hardcover. Condizione: new. Hardcover. Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense.Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works.Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel. Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: Good. Light wear to boards with a small white marks to upper. Content is clean with a gift message to ffep. Complete DJ with some edge wear and creasing - a few tape repairs and surface handling marks.

Condizione: New. Num Pages: 300 pages. BIC Classification: 2AB; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 250 x 150 x 15. Weight in Grams: 454. . 2016. Hardcover. . . . .

Condizione: New. Num Pages: 300 pages. BIC Classification: 2AB; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 250 x 150 x 15. Weight in Grams: 454. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 336 pages. 8.50x5.75x1.00 inches. In Stock.

Hardcover. Condizione: New.

Condizione: New.

Condizione: MOLTO BUONO. Milano, Bompiani cm.14x21, pp.298, brossura. Collana I Grandi Tascabili, 391. Tra le più felici e celebrate opere di Conrad, scritta negli anni della prima guerra mondiale, La linea d'ombra rievoca la vera storia del primo comando toccato al trentenne Joseph Conrad sul vapore Vidar. Alle qualità autobiografiche e drammatiche della vicenda, si aggiunge il racconto della crisi di un uomo, la fine della sua giovinezza, riassunta nella potente immagine della linea d'ombra. Testo inglese a fronte.

Condizione: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.226, brossura con cop.fig.

Soft cover. Condizione: Near Fine. First Edition. Near fine in wrappers with fading along the top edge. 186 pages. Text in English. Ownership stamp of the lead contributor to this volume.

Condizione: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.220, br,.cop.fig. Allo stato di nuovo. Pubblicaz. Del Comune di Pisa e dell'Università degli Studi di Pisa. Interventi in lingua italiana e inglese. Pisa, Palazzo Lanfranchi, 24-26 maggio 1985. A cura di Mario Curreli e Anthony L.Johnson.

Soft cover. Condizione: Very Good. 105 pages. Eloise Knapp Hay "Conrad's Self-Portraiture" / John S Lewis "'Artless Photos': Two Previously Unknown Photographs of Joseph Conrad" / Mario Curreli "Four Unpublished Conrad Letters" / Jean-Pierre Cap "A Conrad Letter to Henri Gheon" / Wray C Herbert "Conrad's Psychic Landscape: The Mythic Element in 'Karain'" / C Ponnuthurai Sarvan "Under African Eyes" / Dwight H Purdy "Creature and Creator in 'Under Western Eyes" / Allen F Stein "Conrad's Debt to Cooper: The Sea Lions and 'The Secret Sharer'" / Daniel E Lees "Conrad's Unpublished Pen and Ink Sketches for The Secret Agent: A Drama" / Hans van Marle "Conrad's English Lodgings, 1880-1896" / James Walt "At Home with Jessie Conrad" / Roger Little "A Letter about Conrad by Saint-John Perse" / Lyman Owen "Conrad and A Safroni-Middleton". (SL#82).

Condizione: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.465, brossura con cop.fig.a col. Collana Percorsi. Dip.di Anglistica dell'Univ. Degli Studi di Pisa,10. Il volume percorre momenti essenziali della letteratura anglofona da Shakespeare e Marlowe sino alle nuove letterature postcoloniali, rappresentate da Rushdie, Mistry, Coetzee e Fay Zwicky. Il Seicento viene analizzato come affermazione della polifonia barocca (Dryden) e come epoca in cui si manifestano i primi segni della modernità. Il Settecento è ripercorso attraverso le figure di Defoe, Eliza Haywood e Blake. L'Ottocento è interpretato come l'epoca in cui le antinomie romantiche emergono nella poesia. La grande stagione del Modernismo e la crisi del primo Novecento vengono studiate attraverso testi esemplari di Conrad, Joyce, Eliot e Yeats.

Condizione: Buone. Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture bruniture Condizioni dell'interno: Discrete con Difetti, bruniture.

Condizione: NUOVO. Pisa, Ediz.ETS cm.16x24, pp.316, brossura con copertina figurata. Collana Percorsi,15.

in-8°, pp. 120 con 12 tra illustrazioni e riproduzione di documenti antichi n.t. e 6 illustrazioni a colori su tavole f.t. Bross. edit. figurata con tracce del tempo e d'uso. Timbri di biblioteca all'interno.

Soft cover. Condizione: Fine. First Edition. Quality oversize academic softcover of 465 pages, a collection of articles in English and Italian; condition Near Fine, light shelfwear to covers. Series Title: Percorsi / Dipartimento di anglistica dell'Universita` degli studi di Pisa, nuova serie, 10.

Hardback. Condizione: New. Conrad in Italy provides international students and researchers with a variety of critical approaches. Richard Ambrosini surveys Conrad's reception within the Italian academy. Franco Marenco's essay on "Heart of Darkness" outlines Conrad's centrality in English Modernism. Alessandro Serpieri deals with Conrad's impressionistic treatment of space in The Secret Agent and other texts. Giuseppe Sertoli focuses on Conrad's debt to the Comtesse de Boigne's Memoires and to James's Portrait of a Lady in the writing of Suspense. Fausto Ciompi investigates the isotopy of dream in Lord Jim and other early novels. Elio Di Piazza reads the The Mirror of the Sea as an inquiry into British and Russian empires. Maria Teresa Chialant's study of "Amy Foster" and "Tomorrow" accounts for the interest of Italian critics in Conrad's minor works. Francesco Marroni unfolds the moral structure of "The Secret Sharer". Nicoletta Vallorani tackles the theme of the double in "The Secret Sharer" from the perspective of the art of photography. Luisa Villa illuminates the complex structure of Chance in the light of Conrad's re-elaboration of the Victorian multi-plot novel.Mario Domenichelli proposes a reading of Conrad's cooperation with Ford. The Inheritors is the subject of Mario Curreli's essay on Conrad's debt to H.G. Wells, Zangwill, and Drumont, while it places the issue of fourth-dimension in the context of European colonialisms. Marialuisa Bignami's survey of Conrad's influence on Primo Levi and Marilena Saracino's intertextual analysis of "Heart of Darkness" and Luigi Guarneri's Tenebre sul Congo are two exercises in dialogic reading which confirm Conrad's well-established reception in Italian culture.

Condizione: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture bruniture Condizioni dell'interno: Discrete con Difetti, bruniture timbro.

Brossura. Condizione: new. Pisa, 2003; br., pp. 46, cm 17x24.(Percorsi. Dip. anglistica-Univ. Pisa). Il volume percorre momenti essenziali della letteratura anglofona da Shakespeare e Marlowe sino alle nuove letterature postcoloniali, rappresentate da Rushdie, Mistry, Coetzee e Fay Zwicky. Il Seicento viene analizzato come affermazione della polifonia barocca (Dryden) e come epoca in cui si manifestano i primi segni della modernità. Il Settecento è ripercorso attraverso le figure di Defoe, Eliza Haywood e Blake. L'Ottocento è interpretato come l'epoca in cui le antinomie romantiche emergono nella poesia. La grande stagione del Modernismo e la crisi del primo Novecento vengono studiate attraverso testi esemplari di Conrad, Joyce, Eliot e Yeats. Libro.