cynthia read (26 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Not Indicated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Very Good. 1st Edition. No indication of later printings. Covers clean with edges gently rubbed. Spine clean, no creases; rubbing. Binding sound. Unmarked. Size: 4to - over 9¾ - 12" tall.

Paperback. Condizione: Very Good. Unmarked. 250p. Measures 6x9 inches. This compendium includes articles on stroke, pain research, sleepwalking, autism, memory, and more. Contributors include Donald Pfaff, Judith L. Rapoport, Kevin J. Tracey, Nicholas D. Schiff, David Huron, Margaret Altemus, and others.

Paperback. Condizione: Very Good. Unmarked. 221p. Foreword by Carl Zimmer. Contributors include Anjan Chatterjee, Petr Janata, Steven Rose, Vivian Teichberg, and others. The featured articles offer thought-provoking analyses of the human brain and its untapped possibilities, touching on topics as diverse as how discoveries in brain science can help us design better the best nursing facilities for patients with Alzheimer?s disease, the risks and rewards of new drugs based on living cells, why remembering our past is essential to planning the future, and when we can and should use drugs to control our emotional lives. Measures 6x9 inches.

Paperback. Condizione: Very Good. Dover Publications January 1989 Binding: Trade Paperback.

Softcover. Condizione: Very Good. Over 100 vintage photos of busy American commercial districts (ca.1890-1915) -- from Albuquerque and El Paso to Little Rock and Baltimore.

Trade Paperback. Condizione: Fine. Cerebrum 2007 inaugurates a yearly anthology for inquisitive readers interested in how prominent neuroscientists and other thinkers present, applaud, and protest new ideas arising from discoveries about the brain. Softcover, 251 pp., photos, illus. Excellent condition.

Paperback. Condizione: Near Fine. ix, 113 pages, illustrations; 28 cm. Near fine. Firm binding, clean inside copy. Age toning. Profusely illustrated. Size: 4to.

Box. Condizione: Good. Condizione sovraccoperta: Good. Four CD's. Approx. running time: Five hours. ABRIDGED. Moderate scratching to most discs. Moderate edge wear to box. Used Book.

Soft cover. Condizione: Good. Big Soft Cover.

No Binding. Lobby card #8 / #70-179. A VG lobby card from the film "Beyond the Valley of the Dolls". Size: 11" X 14". Poster.

Condizione: Very Good. (CD-ROM - 6 hours) -- Very Good -- Box and CD-ROM show only slightestof shelf wear -- Over 1000 poems by nearly 150 poets.

Soft cover. Condizione: New. Ships from California.

Brossura, 113 pg., fotografie b/n, ottimo.

Audio Book (Cassette). Condizione: Very Good. Complete and Unabridged on 10 Audio Cassettes. 11hrs 30mins duration. Read by Nicolette McKenzie. Not library copy. (29/7).

Vintage oversize borderless reference photograph from the set of the 1970 film, showing actresses Erica Gavin and an uncredited model, with cinematographer Fred J. Koenekamp behind the camera at the far left. With the film's French 1975 release title, "Orgissimo" at the bottom right. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, "Beyond the Valley of the Dolls" proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 12 x 9.5 inches. Near Fine, with light wear to the corners. Criterion Collection 836.

Vintage studio still photograph of Edy Williams and David Gurian from the 1970 film. Based on an original story by Roger Ebert, who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band, "The Kelly Affair," stopping first to visit Kelly MacNamara's (1966 Playboy Playmate, Dolly Read) estranged aunt. Kelly's aunt introduces the band, comprised of Kelly (Read), Casey Anderson (1968 Playboy Playmate, Cynthia Myers), and Petronella Danforth (Marcia McBroom), to a flamboyant producer named Ronnie "Z-Man" Barzell (John LaZar), who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band, the girls use drugs and alcohol, attempt to maintain romantic relationships (even a lesbian tryst with Erica Gavin, director Meyer's "Vixen"), and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time, was Meyer's biggest box-office draw to date, and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" (1967), with an original screenplay by Jacqueline Susann, Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released, as part of a settlement with Susann, with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox, another being "Myra Breckenridge" (1970). Pam Grier got her start in this film, as an uncredited party attendant. Meyer regulars like Charles Napier, Lavelle Roby, and Haji, all make appearances. Set in Los Angeles. 8 x 10 inches. CONDITION. Criterion Collection 836. Meyer US.

Vintage reference photograph from the 1970 film, showing actors Cynthia Myers and Erica Gavin. Dealer label adhered to the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Near Fine. Criterion Collection 836.

Vintage oversize borderless reference photograph from the 1970 film, showing a near-nude Edy Williams. With the stamp of still photographer Willy Rizzo on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 12 inches. Near Fine. Criterion Collection 836.

Five vintage borderless reference photographs from the 1970 film. Four with printed mimeo snipes affixed to the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 9.5 x 7 inches. Near Fine. Criterion Collection 836.

Six vintage reference photographs from the 1970 film. One with a mimeo snipe on the verso. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 10 x 8 inches. Very Good plus. Criterion Collection 836.

Three vintage reference photographs taken on the set of the 1970 film, two showing director Russ Meyer with actress Phyllis Davis between takes, and one showing Meyer directing Dolly Read and Michael Blodgett. One photograph with a printed mimeo snipe affixed to the verso, and all three photographs with library stamps and provenance labels on the versos. After nearly a decade as one of America's most successful independent filmmakers, sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic and most entertaining cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." The film follows three members of an all-girl rock band called The Kelly Affair who relocate to Hollywood in search of fame and fortune. Their success comes at the price of their friendship and integrity, however, and the girls eventually succumb to a nonstop train of decadence, drugs, and betrayal. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future Blaxploitation icon Pam Grier, the film proved to be Meyer's biggest box-office success. Set and shot on location in Hollywood. 8 x 10 inches. Near Fine. Criterion Collection 836.