Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 9.4 X 7.4 X 0.4 inches; 116 pages.
EUR 5,95
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Fair. Fair to good condition soft cover, some wear to cover and spine, tanning to pages, ex academic library book with all the usual markings, otherwise in a good readable condition.
Paperback. Condizione: Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 9.40 X 7.40 X 0.40 inches; 116 pages.
EUR 26,19
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. No Jacket. 1st Edition. Small,slim quarto. First Edition, 1981. Strong laminated boards; clean and complete, but with evident minor signs of wear with minor dints, bumps and creases to covers, which are nevertheless bright and attractive. Spine is clean, bright and uncreased. Neat former owner's ink name and date to front cover verso. 116pp, no further marks or inscriptions; neat and securely bound - a book that has clearly been handled, but without any grubbiness or damage. Page edges only lightly marked.FOREWORD by Dame Alicia Markova. CONTENTS titles: Dress as Hieroglyph`: Costume in the Ballet de Cour; Costume and the Nineteenth Century Dancer; Modern Ballet Design: 1909-1980;On Designing for Ballet Today: Barry Kay; On Designing for Ballet Today: Liz da Costa. Overall, a well-read but well-preserved copy with very attractive illustrated covers. (please see images). FREE p&p within the U.K. Shipping abroad at standard rates, or as agreed with buyer.
EUR 11,31
Quantità: 1 disponibili
Aggiungi al carrelloSoft Cover. Condizione: Very Good. First Paperback. 116pp, bw & col ills. Or pictorial card covers. Remnant of old price sticker on front. Page edges lightly toned, somewaht musty. A collaboration between 3 ballet historians and 2 leading British designers on the history of costume design in the ballet. Size: 4to.