Da cunha dilip (28 risultati)
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Da: Goodwill Southern California, Los Angeles, CA, U.S.A.Goodwill Southern California
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Condizione: good. Paperback Book.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. xi + 231 Illus. (Col.), Map (Some Col.).
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. pp. xi + 231 Epilogue.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. pp. xi + 231, Map (Some Col.), Index.
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Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
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Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 104,74
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Condizione: New.
Lingua: Inglese
Editore: University of Pennsylvania Press, Pennsylvania, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface,… according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land.While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals.Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation. Featuring more than 150 illustrations, many in color, The Invention of Rivers integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted special roles in defining human habitation and everyday practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: University of Pennsylvania Press, US, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condizione: New. Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according t…o da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land. While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals. Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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hardcover. Condizione: New.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 99,33
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Condizione: New.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 101,90
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Condizione: New. In.
Lingua: Inglese
Editore: University of Pennsylvania Press, US, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according t…o da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land. While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals. Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. 2018. Hardcover. . . . . .
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: MT - University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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Condizione: NEW.
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Editore: Univ of Pennsylvania Pr, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 352 pages. 9.00x10.00x1.25 inches. In Stock.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
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Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New.
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Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Über den AutorDilip da Cunha is an architect and planner working out of Philadelphia and Bangalore and a John Simon Guggenheim Memorial Foundation Fellow. He teaches at Harvard University and Columbia University and is author with A.
Lingua: Inglese
Editore: University Of Pennsylvania Press Nov 2018, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Buch. Condizione: Neu. Neuware - Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, accor…ding to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land. While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a 'rain terrain' that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals. Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or 'the rainscape,' as an alternative starting point for imagining, understanding, and designing human habitation.
Lingua: Inglese
Editore: University of Pennsylvania Press, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
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Da: preigu, Osnabrück, Germaniapreigu
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Buch. Condizione: Neu. The Invention of Rivers | Alexander's Eye and Ganga's Descent | Dilip Da Cunha | Buch | Penn Studies in Landscape Architecture | Einband - fest (Hardcover) | Englisch | 2018 | University of Pennsylvania Press | EAN 9780812249996 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hers…feld, gpsr[at]libri[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: University of Pennsylvania Press, US, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
- Rilegato
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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EUR 113,09
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Hardback. Condizione: New. Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according t…o da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land. While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals. Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.
Lingua: Inglese
Editore: University of Pennsylvania Press, Pennsylvania, 2018
Serie: Penn Studies in Landscape Architecture, Libro 34 di 38. Libro 34 di 38 - Penn Studies in Landscape Architecture
- Rilegato
Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condizione: new. Hardcover. Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface,… according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land.While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals.Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation. Featuring more than 150 illustrations, many in color, The Invention of Rivers integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted special roles in defining human habitation and everyday practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Big River Books, Powder Springs, GA, U.S.A.Big River Books
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EUR 451,26
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Condizione: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.
