daehner jens (52 risultati)

Hardcover. Condizione: Fair. 1. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: Acceptable. No dust jacket Satisfaction 100% guaranteed.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 4to 11" - 13" tall.

Hardcover. Condizione: Like New. Condizione sovraccoperta: as new. Factory sealed. A superbly illustrated and insightful exploration of the aesthetic impact of ancient art on 20th century art. Focus is on the reinventions and transformations of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. Illustrated in black-and-white and color. 164p. Measures 9x11 inches.

hardcover. Condizione: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or tears.

hardcover. Condizione: Good. Has small check mark in pen on pg. 2. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condizione: Used - Very Good. Front cover has a crease. Used copy with some wear. Great ref. copy.

Hardcover. Condizione: New. Condizione sovraccoperta: New. In stock, new.

Condizione: New.

Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. 1st. Cloth, xi, 164 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the J. Paul Getty Museum in Los Angeles, November 2, 2011 to January 16, 2012, and at the Muse e Picasso in Antibes, France, from February 16 through May 20, 2012. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "An unlikely episode in the history of European Modernism is the alliance between the avant-garde and the antique forged by artists of impeccable radical credentials. This book focuses on the reinventions and transformations of antiquity in the work of four culturally and politically diverse artists between 1905 and 1935. In distinctly different ways, classicizing creations such as de Chirico's enigmatic piazzas, Picasso's post-Cubist women, Leger's mechanized nudes, and Picabia's Transparencies reflect what the eyes and minds of these artists found so arresting in the arts of antiquity and how they made those arts modern. Classicism in the modern age has often been condemned as a conservative regression of the avant-garde in light of the totalitarian regimes that formed in Europe during this period. Yet far from being a reactionary language, the "classical" provided a range of elements that were surprisingly in tune with the "modern." Modern Antiquity draws unprecedented attention not only to the aesthetic impact ancient art had on twentieth-century artists but also to the ways in which these artists shaped our contemporary experience of antiquity. The result is a new and more nuanced appreciation of the complex role the classical past has played in western modernity." - Publisher. Size: 4to. Collectible.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. xiii, 178 pages, illustrations (some colour), colour maps; 27 cm. Tight, clean copy. Dust jacket protected in a mylar cover. *** "About 1710, three life-size marble statues of women were found near Portici on the Bay of Naples. This discovery led to further exploration of the site, which was soon identified as the ancient city of Herculaneum, one of the towns buried in the eruption of Mount Vesuvius in A.D. 79. The statues became famous throughout Europe as the 'Herculaneum Women.' First brought to Vienna, they have been in the Antiquities Collection in Dresden since 1736. This book presents for the first time in any language the comprehensive story of these famous statues, including their discovery, archaeological context, art history, interpretation, (an ongoing debate), and the impact of the Greek statuary types on representations of Roman women throughout the Mediterranean. No other models of the draped female body were used more often in Roman sculpture to carry individual portraits, including those of empresses, than the Large and Small Herculaneum Women." - Publisher. *** CONTENTS: Discovery and archaeological context, by Jens Daehner; From Herculaneum to Dresden: the modern history, by Kordelia Knoll; The large and small Herculaneum women sculptures, by Christiane Vorster; The statue types in the Roman world, by Jens Daehner; Greek origins: the Herculaneum women in the pre-Roman world, by Christiane Vorster; From the menagerie to the plaster gallery: the Herculaneum women in Dresden, by Moritz Woelk. Size: 4to. Collectible.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. Getty Publications, J. Paul Getty Museum And Staatliche Kunstsammlungen Dresden; 7.5 X 0.8 X 10.5 inches; 192 pages.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Los Angeles: J. Paul Getty Museum, 2011. First edition. Hardcover. Illustrated boards. Very Fine in a very fine dust jacket. A tight, clean, unopened copy, still in original shrink-wrap. Profusely illustrated in color and black and white. Christopher Green is the author of Picasso: Architecture and Vertigo and Art in France 1900-1940; Jens M. Daehner is Senior Curator of Antiquities at the J. Paul Getty Museum. This volume stands as a major exhibition catalogue rather than part of a numbered authorial oeuvre. Cloth, xi, 164 pages, illustrations (some color); 29 cm. Published on the occasion of an exhibition held at the J. Paul Getty Museum in Los Angeles, November 2, 2011 to January 16, 2012, and at the Muse e Picasso in Antibes, France, from February 16 through May 20, 2012.

Hardcover with dustjacket, 164 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: Fine Condition. 176 pages color illustrations throughout. Published on the occasion of the exhibition from the J. Paul Getty Museum, Los Angeles CA November 2, 2011-January 16, 2012. Bibliography. Exhibition Object List. Book.

hardcover. Condizione: Very Good. Former owner's id on front liner page, otherwise in Fine condition. U.S. orders are shipped from N.Y. state.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Size: 9.5x11.5 inches 368pp., illus. Near new condition, covers bright, text clean and binding tight.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Softcover. Condizione: VG+. Quarto. Softcover. Glued wraps with color illustrations on cover. (8) 9-367 pp. Features color illustrations. "For the general public and specialists alike, the Hellenistic period (323-31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction."--Publisher's description.

hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. First Edition. Publisher: J. Paul Getty Museum, Los Angeles, 2011. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Hardcover. Quarto. Hardcover. Evergreen boards; gilt lettering. Black dj with sculptural image. 367 pp. with 55 color plates and additional color and bw images/maps. Heavy at 6 pounds and will require a bit of extra postage. For the general public and specialists alike, the Hellenistic period (32331 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos was published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016. Included is a section containing the alloy compositions of select sculptures. VG. Jacket has a half inch closed tear to the front bottom right corner and some light rubbing/shelfwear. Small stamp on front end paper stating withdrawn from a research library, otherwise interior is clean and unmarked. Pictures are from a previous copy sold from our inventory.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Fine.

Softcover. Quarto. Softcover. Glued wraps with color illustrations on cover. (8) 9-367 pp. Features color illustrations. "For the general public and specialists alike, the Hellenistic period (323-31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction."--Publisher's description. VG+. Small stamp inside stating "withdrawn from an art museums library", and light touches of wear around wrapper edges, otherwise close to new. 6 page addendum featuring sculptures in this exhibition that will only be shown at The National Gallery of Art laid in front.

hardcover. Condizione: As New. slight dust jacket wear, Hardcover Book,

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

178 pp. with many illustrations, dust jacket slightly rubbed, else very good and clean, text in English, Sprache: Englisch Gewicht in Gramm: 820 original hardcover (with dust jacket),

HARDCOVER. Condizione: As New. 1st Edition. Large 4to. in colour printed thick boards, 76pp on thick art paper, colour plates, illustrations in text, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.