dance stanley foreword (9 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Binding is tight and pages are clean and unmarked. Dust jacket is clean and in a mylar cover.

Hard Cover. Condizione: VG. Condizione sovraccoperta: VG. Oblong, 220pp. with b/w illustrations. DJ has light edge/rub wear. Actual book for sale pictured. 26 x 21.1 x 1.9cm, wt1KG Please note the book is oversized and it may require extra postage. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Fine condition. Condizione sovraccoperta: Near Fine dust jacket. NOT a library discard (illustratore). First Printing of the First Edition. Reno, Las Vegas, London: University of Nevada Press, 1993. INSCRIBED / SIGNED twice by the AUTHOR, Bill Moody. His first signature is after the inscription on the front free endpaper. He signed a second time on the title page (his signature only, NOT personalized to anyone). SIGNED copies are SCARCE. Appears unread. NOT a library discard. Fine condition in a bright and shiny Near Fine dust jacket. The jacket has one short (half-inch) closed tear. NO chips, rubbing, creases or fading. Square and tight. Sharp corners. NOT a remainder. Pages are crisp, clean and unmarked - apparently seldom, if ever read. Illustrated with b/w photographs. 1993. First Printing of the First Edition with complete number row (987654321) on the copyright page. List of chapter notes. Bibliography. Index. Bound in the original black cloth, stamped in bright gold on the spine. From the dust jacket: "THE JAZZ EXILES chronicles the expatriate movement of American jazz musicians during the post-World War II era. While the term exile normally conjures up images of ousted Third World leaders or deposed kings, it is as much a part of the jazz vocabulary as improvisation or Birdland. Like the American writers of the 1920s who went to Europe and became Gertrude Stein's 'lost generation,' jazz musicians from the United States also made the Atlantic crossing at a steadily increasing rate until many of the major names in jazz lived or worked almost exclusively abroad. Throughout THE JAZZ EXILES, the musicians speak for themselves in describing their motivation for joining the exodus to Europe, which is now regarded as the third largest migration in jazz history. The exiles include many of the major names in jazz - Dexter Gordon, Johnny Griffin, Phil Woods, Coleman Hawkins, Louis Armstrong, Stan Getz, Benny Carter, and Bud Powell, among others. This work also assesses the impact of foreign residence on the careers of these musicians and on the history of jazz. Moody, a jazz musician himself, charts the movement of American musicians to Europe from a historical perspective and examines the exile experience from a number of sociological and economic viewpoints, all of which are factors in understanding jazz history. With stories narrated through personal interviews in the musicians' own words, THE JAZZ EXILES sheds new light on America's attitude toward its own original art form and examines the dilemma of the American artist both at home and abroad.". INSCRIBED / SIGNED by the AUTHOR. First Printing of the First Edition. Hardcover. Fine condition/Near Fine dust jacket. Illus. by NOT a library discard. 8vo. xxvi, 193pp. Great Packaging, Fast Shipping.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine first edition copy. Inscribed by Moody on the title page. Binding square and tight. Pages unmarked. Jacket also fine. No tears or creases of any kind. An insightful look at the experiences and impact of the many American jazz players who left the US for other countries in the years following World War II. Inscribed by Author(s).

Full Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. FIRST EDITION, first printing. Full red cloth with gilt lettering on the spine, previous owner's embossed seal on the front endpaper, jacket is not price clipped but is slightly age toned at the edges. Not exlibrary. Includes a discography of Charlie Barnet's works. Not exlibrary. Overall a NEAR FINE book in a NEAR FINE brodart protected dust jacket. Size: 8vo - over 7¾" - 9¾" tall. Hardcover.

8vo. Illustrated wraps by Jaxon/ paperback. Music magazine out of Neasden. pp 26. Contributors include Charles Wilford, Stanley F. Dance, Ken Brown, Charles Edward Smith. Clean, very good.

Condizione: New. Satisfaction Guaranteed or your money back.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hard Back. Condizione: Very Good. Condizione sovraccoperta: Good. Oliver, Paul - With 9 Pages of Half-tone Illustrations and Four Drawings (illustratore). First UK Edition. 139 Pages Indexed. A solid copy of the 1955 1st UK edition which preceded the American edition. This as new hard back was stored properly and the dust jacket did it's job of protection. The jacket is complete but a little soiled with light wear to the edges, and a small piece missing from the top spine area. Just below the $3.00 price on the front flap is the word 'imported' stamped. The interior text pages are original. Big Bill Broonzy does not need any introduction to the jazz world. But his story is as much for the uninitiated as for the devotee of the blues. For Big Bill is one of the last of the old Mississippi Negroes who has spent his life singing and composing blues. Hired out to work at seven years old, in the horse and buggy days of the beginning of the century, he played for the white folks around Arkansas on a fiddle made from a cigar box. He has since sung his way around the world. By the middle twenties he began to attract the record companies, and now he has cut 260 songs including the great Joe Turner Blues and a version of James P. Johnson's Backwater Blues more moving even than that of Bessie Smith. A bottle of whisky and a tape recorder brings Big Bill's story to these pages, just as he told it, letting the reminiscences of a lifetime spill into the air as they came to mind. Memories of his boyhood in the cotton fields, memories of the girls who inspired, by their faithlessness as much as their constancy, the blues which he wrote in the depths of depression or the heights of exultation. How did those haunting blues originate? What lay behind those stories told to the strumming of a guitar? Many of Big Bill's songs are given here with the incidents which inspired them. And he talks of the blues singers he has known and tells their stories too. His book is a unique piece of jazz literature. In his final words he writes his own epitaph. just write, he says, he was a happy man when he was drunk and playing with women; he was liked by all the blues singers; some would get a little jealous sometimes but Bill would buy a bottle of whisky and they would all start laughing and playing again. Big Bill - he loves his whisky, he's just a whisky-head man.