Danielle rice (24 risultati)

Paperback. Condizione: New.

Condizione: New.

Softcover, staple-bound, 12 pages, fair condition, moderate foxing to covers; no internal marks.

Paperback. Condizione: New.

Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

paperback. Condizione: Very Good.

Soft cover. Condizione: Fine. 1st Edition. Stiff color pictorial wraps, French flaps. As issued. 1st ed. xxiii,155 pp., illus. Catalog to accompany 22 Apr.-8 July 1990 juried exhibition. Size: 4to - over 9¾" - 12" tall. Book.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran November 12 through December 31 1981. Essay by Danielle Rice. Includes 5 illustrations with 1 in color. A very good copy in stapled wrappers with some minor creasing to the corners and from the Cranbrook Academy of Art Library with their stamp to the front panel. Otherwise a clean copy.…

Paperback. Condizione: As New. Softcover. Light wear. Fine binding and cover. Clean, unmarked pages. Ships daily. This is an oversized or heavy book, that requires additional postage for international delivery outside the US.

Condizione: Good. 12 pp., Paperback, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Paperback. Condizione: Fine. 12 pages, colour plates, and other illustrations in black and white. A Fine copy.

First Obl. 4to, stiff stapled wrappers. [12] pp, 5 illustrations (1 in color), exhibition list. Exhibition November 18 - December 31, 1981 Very good except for a notation in ink on the title page and light soil on the back cover.

Hardcover with dustjacket, 152 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. 4to - over 9¾" - 12" tall. Near Fine condition in Near Fine dust jacket. Clean interior. 149 pp.

Oblong Paperback. Condizione: Very Good + Minor Wear. Oblong Paperback. Very Good + Minor Wear. Avery nice copy of this uncommon catalog. Book.

Paperback. Condizione: New.

Hardcover cloth, with dustjacket. 227 pp. with many illustrations and a bibliography. (in very good condition) ISBN 9782850563713.

First Edition. hardcover, good with slight wear and old nibbling by something at edge. Inscribed by the atist to William Christenberry, with a note to Christenberry and his wife laid in. Illustrated.

Paperback. Condizione: New.

Softbound. Color illustrated wraps. 84 pp., extensively illustrated, mostly in color. Issued in conjunction with several 1999-2000 exhibitions that featured examples of the encaustic painting technique. "Perhaps one of the greatest mysteries associated with encaustic painting is why the history of this medium is so fraught with controversy," writes Danielle Rice in the opening essay. "Is it perhaps the magic of a medium whose ingredients, wax, fire and pigment, seem almost alchemical that engenders such argument? Or might it be the medium's very antiquity and the paucity of sources regarding encaustic practice?" Additional essays appear by Gail Stavitsky and Richard Frumess. Catalogue lists 78 works, almost all of them illustrated. A fantastic exhibition on an art technique seldom addressed. Scarce. VG: Slight wear to the edges. Otherwise in excellent condition, with clean pages and solid binding.…

Condizione: Good. 4to. 96 pp. Near Fine. Hard Cover. Illustrated paper covered boards. Translucent Dust Jacket. Color plates throughout.ISBN: 9781555953744.Collection from San Francisco Museum of Modern Art.

Hardcover. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Condizione: New. Wilmington-based painter Mary Page Evans works directly from nature, en plein air, seeking to capture a specific landscape, figure, tree, or sky. She is engaged by particularity, making an effort to establish the locale, the time of day, and the quality of light. Not surprisingly, her influences includethe French impressionists and post-impressionists, as well as the abstract expressionist Joan Mitchell. Evans has worked at Claude Monet?s garden in Giverny and names CÃ zanne as an inspiration. The painter Gene Davis described Evans?s paintings as ?hymns of unadulterated joy,?and her accompanying exhibition, Painted Poetry: The Art of Mary Page Evans, promises to be a gorgeous celebration of nature and the human form, as well as a retrospective coveringmore than forty years of the painter?s distinguished career. ?Art history has always played an important role in my work,? explains Evans. ?Having absorbed the structural lessons of CÃ zanne and the âpush-pull? principle of Hans Hofmann, I try to loosen the form and let color determine the structure and create the space. I strive for a visual back-and-forthin the space resulting from forms and colors reacting to each otherâ"like music.? Evans is widely collected and has works in the Delaware Art Museum, Wilmington, DE; National Museum of Women in the Arts, Washington, DC; and the State Museum of Pennsylvania, Harrisburg, PA, among others. Bill Scott is a Philadelphia-based painter and critic. Danielle Rice is the executive director of Delaware Art Museumin Wilmington, Delaware.…

[KV-lit-b] : ISBN 9783423212847 / 9783453130517 / 9783746618364 / 9783442089178 / 9783442471065 / 9783426618714 / 9783764503826 / 9783746618401 / 9783941329270 / 3548205224 ; Taschenbücher ; aufgrund des hohen Gewichts von über zwei kg wäre der Versand ins Ausland äusserst kostspielig, insbesondere in die Schweiz ; guter bis sehr guter Zustand.…