darcangelo christopher (7 risultati)

Paperback. Condizione: Brand New. 192 pages. 8.50x5.50x0.44 inches. In Stock.

First Edition. First edition. Softcover. 40 pages. Exhibition catalog for a show that ran September 10 through October 16, 2011. Features texts by Dean Inkster and others. A clean near fine copy in wrappers and iwth laid in additional text sheet.

[Amsterdam], [Kunstverein Publishing] & [New York, NY], Artists Space, [2023]. 231 pp. Ills (chiefly b./w.). Siftcover. 4to. Published in an edition of 1000 copies. - This publication contains material created and collected by the American artist Christopher D'Arcangelo (1955-1979) throughout his career as an artist. The material is now housed in the Fales Library & Special Collections at New York University and includes photographs, notes, correspondence, police reports, receipts, floor plans, and sketches, arranged chronologically. Previously unpublished material regarding his unauthorized performances, which took place in major public museums in New York, demonstrates his progressive engagement with conceptual art and institutional critique.

64 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin "Painting: Back to Back," by Melinda Wortz. Cover by Ed Ruscha. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. 2.3 cm. dog-ear to bottom right corner of recto. 5.1 cm. of light yellowing along top edge of recto. Additional light rubbing of covers and yellowing of pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

Soft cover. Condizione: Good. 1st Edition. New York: Artists Space, 1978. Staple-bound softcover. 20 Pages. Good. Edge wear, heavier to spine. Just over 1/2" split bottom spine. Top staple has slipped loose of wrappers, but interior is secure. All visually unobtrusive. This exhibition was the first to include work from Sherman's Untitled Film Stills series as well as an important exhibition in Christopher D'Arcangelo's short four-year career. Introduction by Janelle Reiring. Includes cover design by Louise Lawler, Aspects of the Liberal Dilemma (detail) by Adrian Piper, and four film stills by Cindy Sherman. Uncredited contribution by Christopher D'Arcangelo consisting of blank pages. Rare late-seventies Artists Space catalog published to accompany an exhibition organized by future Metro Pictures co-founder Janelle Reiring, featuring Christopher D'Arcangelo, Louise Lawler, Adrian Piper and Cindy Sherman. D'Arcangelo's name and the pages that were allotted for his contribution have been replaced by white space. The exhibition's press release explains that "the fourth is concerned only with the immediate exhibition situation and wants the viewer to have information about the piece only as it exists in itself. Consequently, this artist has asked to remain unnamed except in the work at Artists Space.".