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darsie alexander (111 risultati)
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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Slideshow: Projected Images in Contemporary Art
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Da: PlumCircle, West Mifflin, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
paperback. Condizione: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.
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Slideshow
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Pennsylvania State Univ Pr Pub Date: 4/30/2005 Binding: Paperback Pages: 166 First edition.
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Condizione: Like New. Never used! Light wear to corners/edges from shelving.Never used! Light wear to corners/edges from shelving.
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The Spectacular of Vernacular
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Slideshow: Projected Images in Contemporary Art
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Spectacular Of Vernacular
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Valutazione del venditore 5 su 5 stelle
paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
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Afterlives: Recovering the Lost Stories of Looted Art
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
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The Spectacular of Vernacular
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.
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Body Language
Da: BoundlessBookstore, Wallingford, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 3,58
Spedizione EUR 8,09
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Good condition paperback with light wear, some edge scuffs. Contents are clean and bright throughout with no markings. Light age tone to page ends.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, New York, NY, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: Saucony Book Shop, Kutztown, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Prima edizione
Soft cover. Condizione: Near Fine. First Edition. Stiff illus. wraps, French flaps. Slight shelf wear. 144 pp., illus. in color, b&w. Size: 4to - over 9¾" - 12" tall. Book.
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Body Language
Lingua: Inglese
Editore: Harry N. Abrams, Inc. ; Et Al (edition ), 1999
ISBN 10: 0810962055 ISBN 13: 9780810962057
Da: BooksRun, Philadelphia, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, United States, New York, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 8,60
Spedizione EUR 6,49
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, New York,, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: Dan Pope Books, West Hartford, CT, U.S.A.
Valutazione del venditore 5 su 5 stelle
Prima edizione
Soft cover. Condizione: New. 1st Edition. First edition, still in publisher's original shrink-wrap. 144 pp., illus. (some color), ports., bib. notes; 26 cm. Published on the occasion of the exhibition, ModernStarts: people, places, things at the Museum of Modern Art, New York, October 7, 1999 to March 14, 2000. The exhibition was part of three cycles of exhibitions known as MoMA2000. CONTENTS: Introduction, by John Elderfield; Faces, by Mary Chan; Gesture, by Starr Figura; Posture, by Sarah Ganz; Pairs, by Maria del Carmen González; Groups, by M. Darsie Alexander.
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Body Language
Da: Quiet Companion, Tacoma, WA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Prima edizione
Soft cover. Condizione: As New. No Jacket. 1st Edition. Pictorial cover, corners sharp, binding strong, pages clean and unmarked. Apparent first edition. You will notice that my book descriptions are not generic, saying "may have." certain conditions. All descriptions are written with actual book in hand.
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BODY LANGUAGE
Lingua: Inglese
Editore: THE MUSEUM OF MODERN ART, NY, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: Gian Luigi Fine Books, Albany, NY, U.S.A.
Valutazione del venditore 5 su 5 stelle
PAPERBACK. Condizione: Fine.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, New York, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: Near Fine. 144 pages, illustrations (some colour), portraits; 26 cm. Published on the occasion of the exhibition, ModernStarts: people, places, things at the Museum of Modern Art, New York, October 7, 1999 to March 14, 2000. Tight, clean copy. Top right corner lightly bumped. The exhibition is part of three cycles of exhibitions known as MoMA2000. *** "One hundred works of modern art are presented here in five sections: Faces, Gestures, Postures, Pairs, and Groups. Works from 1880 to 1920 are contrasted with more recent examples to crate an eclectic and provocative examination of figurative art." - Publisher. *** CONTENTS: Introduction, by John Elderfield; Faces, by Mary Chan; Gesture, by Starr Figura; Posture, by Sarah Ganz; Pairs, by Maria del Carmen Gonzalez; Groups, by M. Darsie Alexander. Size: 4to.
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Softcover. Condizione: Very Good. Solid VG/near fine softcover. Clean, spine not broken.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, New York, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Membro dell'associazione: ABAA ILAB MWABA
Valutazione del venditore 5 su 5 stelle
Prima edizione
First Edition. First edition. Softcover. A profusely illustrated catalog. Introduction by John Elderfield. A fine copy in wrappers.
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Body Language
Lingua: Inglese
Editore: Museum of Modern Art, New York, NY, 1999
ISBN 10: 087070026X ISBN 13: 9780870700262
Prima edizione
Soft cover. Condizione: New. No Jacket. 1st Edition. First edition 1999. Published on occasion of the exhibition by Museum of Modern Art. Large softcover in pictorial French wraps, no DJ as issued. Condition new, square tight and crisp book, spine not creased, sharp corners, No markings of any kind, no names no underlinings no highlights no bent pages. Not a reminder. Small 4to, 144 pages, 115 illustrations including 51 in color and 64 in duotone.
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Body language
Da: Cotswold Internet Books, Cheltenham, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 5,91
Spedizione EUR 16,22
Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Used - Very Good. VG paperback. 1st edition, published on the occasion of an exhibition at MOMA. A very nice clean, bright copy.
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Softcover, 126 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
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EUR 23,35
Spedizione gratuita
Spedito in U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
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Body Language
Editore: Museum of Modern Art, New York, 1999
Da: Abacus Bookshop, Pittsford, NY, U.S.A.
Valutazione del venditore 5 su 5 stelle
Prima edizione
softcover. Condizione: Fine copy. Profusely illustrated (illustratore). 1st. Small 4to, 144 pp., Introduction by John Elderfield.
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EUR 25,22
Spedizione gratuita
Spedito in U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand new.New.
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Slideshow: Projected Images in Contemporary Art
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Da: California Books, Miami, FL, U.S.A.
Valutazione del venditore 4 su 5 stelle
Condizione: New.
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International Pop
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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Slideshow
Lingua: Inglese
Editore: Penn State University Press, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Da: GreatBookPrices, Columbia, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
Condizione: New.
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SlideShow (Paperback)
Lingua: Inglese
Editore: Pennsylvania State University Press, University Park, 2005
ISBN 10: 0271025417 ISBN 13: 9780271025414
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. Since the Renaissance, most art has been prized because of the prodigious skills that went into its making. Why would any artist choose to work with slides? It's tempting to see slide projection as quick and easy. Indeed, many artists cite these qualities when explaining their initial attraction to the medium. But the process can be complicated, involving not only the creation of the transparency itself but also its arrangement, projected scale, and timing. A single carousel may contain as many as eighty images that must be numbered and ordered, a task that grows all the more complicated with the addition of each new slide grouping. When we rediscovered a piece by one of the performance artists in the exhibition, I thought he was going to cry. The prospect of putting the whole complex thing back together was painful, even though he was delighted to see his work again. Of course, slide projection is low-tech and notoriously accident-prone. But I think the medium owes a lot of its immediacy to its tendency as an apparatus to jam, to burn out a bulb, to turn a well-planned show into a logistical nightmare. Good art often courts disaster.Is the development of slide art connected to the ferment of the 60s? Important question. During the 1960s and 1970s, public projection of slides became a vehicle for social and political activism. Slide projection's portability made this possible, enabling artists (Krzysztof Wodiczko, for example) to project powerful, challenging content onto public buildings. When Lucy Lippard wanted to publicize the exclusion of women from the Whitney Annual of 1970, she projected slides against the surface of the museum to protest its curatorial policies. This application of slides as critical commentary had historical precedents: in the 1880s, the photographer Jacob Riis used slides of the urban poor to arouse the concern of people who might have been able to help. Did the strong associations of slides with family entertainment have any impact on the ways artists adapted the medium? The fact that the medium promotes a collective viewing experience is important for both artists and popular users.The act of looking at images, especially still photographs, generally involves a single spectator and a stationary object, but with slides you are often sitting in the same room with someone, sharing the experience with them. People who watch Nan Goldin's Ballad of Sexual Dependency, for example, find themselves on the same emotional rollercoaster. It's like the family slide show in a way; people participate in a joint emotional response to images of past events. Of course, the memories and feelings such a work stimulates are different for everyone, which is why The Balla is such a great piece. Marcel Proust as well as Ingmar Bergman have called attention to the mesmerizing power of the magic lantern shows they saw as children. Is there any connection between those shows and slide shows by such artists as Dennis Oppenheim or James Coleman? Projection is a mysterious process that evokes all kinds of fantasies. The ancient meaning of the term 'to project' is related to the alchemical process for changing base metal into gold.Nearly every artist I interviewed remembers being fascinated by shadows on the wall as a kid, or lying in the dark using the beam of a flashlight to make patterns in the darkness. An artist like James Coleman extends this magical experience to viewers by manipulating the transformative properties of slides as images that are not quite real; indeed, the projections themselves are totally intangible. But all the works in the exhibition invite viewers to read meaning into translucent pictures. Is slide technology a thing of the past? Over the past five years, at least, PowerPoint presentations have supplanted slide shows. PowerPoint facilitates overlays, dissolves, syncopated fades, and collage. A Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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International Pop
Da: ThriftBooksVintage, Tukwila, WA, U.S.A.
Valutazione del venditore 5 su 5 stelle
Hardcover. Condizione: Good. No Jacket. Moderate loosening to binding. This could have light cosmetic flaws, but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.
