Dart richard (189 risultati)

Paperback. Condizione: Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses. …

Paperback. Condizione: Very Good. Best known as a founding member of the New York School of painting, Richard Pousette-Dart (1916-1992) initially pursued a career as a sculptor. The son of Nathaniel Pousette, a painter, art director, educator and art writer, and Flora Louise Dart, a poet and musician, Pousette-Dart was raised in an environment surrounded by music, poetry and the visual arts, and began drawing and painting by the age of eight. Introduced to African, Oceanic and Native American art by his father, Pousette-Dart made frequent visits to the Museum of Natural History as a young man. In 1938, he forged a close friendship with John Graham, whose writings were closely aligned with his own interests in spiritual concerns and so-called primitive art. Throughout the 1930s, Pousette-Dart was most entranced by the work of Henri Gaudier-Brzeska, whose abstract sculptures, drawings and forms in brass greatly informed the orientation of the young American artist. Published to accompany an exhibition at The Drawing Center, this volume is the first in-depth consideration of Richard Pousette-Dart's drawings from the 1930s, a period when the artist pursued directly-carved sculpture, yet also painted, experimented with photography and created numerous works on paper. These early drawings explore Pousette-Dart's concerns about sculpture and working three-dimensionally, and many reference the figure through full-frontal or profile views as they consider space, orientation and volume. Additionally, numerous studies allude to dance, animal forms, masks and heads, and many examples offer an accumulation of abstract and geometric forms, particularly for his brasses--small sculptures meant to be "held in the hand." The exhibition includes approximately 80 works from the 1930s including drawings, notebooks and brasses.…

paperback. Condizione: New.

Soft cover. Condizione: Very Good. No Jacket.

Paperback. Condizione: Good. minor wear and creasing.

Paperback. Condizione: New. Paperback copy published on the occasion of the 2006 exhibition. Some minor wear to wrappers, otherwise fine. 10 full page color plates & 1 double page fold-out. "Though routinely associated with Abstract Expressionists, Pousette-Dart had metaphysical and symbolist interests that distinguished him from better-known members of that group. In the 1960's and 70's, he turned to what you could call Pointillist Color Field Painting, and though the sensuous impact of light, color and thickly stippled paint is strongly asserted, the works are also animated by intimations of cosmic mysticism.".…

Paperback. Condizione: Fine. No Jacket. Produced in conjunction with exhibits at the Los Angeles, San Francisco and Cincinnati Museums of Art. Size: 4to - over 9¾" - 12" Tall.

Paper. Condizione: Good. Paper.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fine. 1st. 1 volume (unpaged), illustrations (some colour); 26 cm. Published on the occasion of an exhibition held at the Knoedler & Co., New York, October 4 to November 11, 2000, and other venues. Firm binding, clean inside copy. *** Exhibition featuring the all-over Abstract Expressionist works of Richard Pousette-Dart (1916-1992). A first generation member of The New York School, he attended the Subjects of the Artist school and exhibited at the Betty Parsons Gallery, but avoided the boozy downtown bar scene frequented by the likes of Pollock and De Kooning. His abstract paintings are often heavily impastoed, with crust-like surfaces. Size: 4to. Collectible.…

Condizione: Very Good. A bright, square, and overall a nice copy.

Soft cover. Condizione: Very Good. Nice very clean copy. Lots of full-page plates. Covers have some light shelfwear mostly to the rear. 66 pages. Richard Pousette-Dart (illustratore).

Softcover, 32 pages, very good condition, clean and crisp; no internal marks.

Softcover, 58 pages; very good condition,tiny crease to upper right corner of pages, no internal marks.

Soft cover. Condizione: Very Good. 1st Edition. Paperback. Wrappers shows minor wear, otherwise in very good condition. Catalog published on the occasion of the exhibit at the Knoedler Gallery on October 4 - November 11, 2000.

Softcover exhibition catalog, 30 pages, very good condition; clean and crisp; no internal marks.

Paper. Condizione: Good. Paper.

64 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book)/ no dust jacket. Oversize 4to.

Soft cover. Condizione: Good. ORIGINAL 1990 PUBLICATION; softcover; ex-library; spine reinforced with tape; otherwise contents are in very good condition. Book.

Paperback. The Fall 1996 issue of Aperture magazine, No. 145, with ten portfolios and essays by artists not necessarily thought of as photographers, including Constantin Brancusi and Kiki Smith, Petah Coyne, Louise Lawler, Edvard Munch, Pablo Picasso, Sigmar Polke, Gerhard Richter, Richard Pousette-Dart, Chris Marker, and Wim Wenders; essays by Anne Baldassari, Charles Hagen, David Frankel, Paul Schimmel, Rosalind Krauss, and Jan-Christopher Horak; and texts by Richter, Coyne, Pousette-Dart, and Wenders. Also in the issue: reviews by Nick Waplington of Glen E. Friedman; Mark Muro on William Christenberry; and an in memoriam for Helen Chadwick by Mark Haworth-Booth. Edited by Michael Sand. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of handling/shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Condizione: Very good. light shelf wear. 1 [46] p. : col. ill.; 23 x 27 cm. Includes Illustrations. Bibliography: p. [7]-[12].

First Edition. First edition. Oblong softcover. 31 pages. Exhibition catalog for a show that ran April 29 through June 12, 2004. Features text by Joan Pachner. Includes 14 illustrations, list of selected museum and public collections, checklist, and list of previous exhibitions. A near fine copy in wrappers with some minor wear.…

dj. First Edition. First edition. Hardcover. 38 pages. A collection of poems by Rosenthal with a tipped in illustration by Richard Pousette-Dart. A near fine copy in a very good plus dust jacket with some minor wear.

paperback. Condizione: Acceptable. Ex-library with usual stamps, stickers and markings This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

Soft cover. Condizione: Near Fine. Tight staple-bound catalogue from the Richard Pousette-Dart exhibit at The Arts Club of Chicago, May 15 - June 21, 1978. Slight edgewear, very slight rippling to text and previous owner's name written inside.

Paperback. Condizione: Fine. 1st. 30 pages, illustrations (chiefly colour), portrait; 23 cm. Published on the occasion of an exhibition held at Knoedler & Company, New York, September 11 to November 5, 2003. Firm binding, clean inside copy. *** Abstract Expressionist Richard Pousette-Dart (1916-1992) was a first generation member of The New York School and attended the Subjects of the Artist school in New York. This enlightening exhibtion focuses on the mythic quality of his early works from 1935 to 1942, showing similar preoccupation as contemporaries like Rothlo, Gottlieb, and Pollock. Size: 8vo. Collectible.…

paperback. Condizione: fine. Illustrated primarily with color images. 31 pages. Slim, square 8vo, pictorial wrappers. New York: Knoedler & Company, 2003. A fine copy. Richard Pousette-Dart (illustratore).

Stapled Wraps. Condizione: Near Fine. No Jacket. ink number to front end paper.