david alexander novel (4 risultati)

Original French program for the 1962 French-Italian film, here under the original French title, "Le diable et les 10 commandements." Illustrated wrappers featuring esoteric cartoons by Vaissier, with original glassine. Contents of the program include film credits, synopsis, actor biographies, and advertisement campaigns; often these programs are illustrated throughout with still photographs from the film, this production seems to have invested the visual element entirely in the wrapper art. An epic comedy on the Book of Exodu's most epic tale, with elements based on David Alexander's novel, "Murder Points a Finger" (1953). Over a series of 8 episodes, various commandments are portrayed by prominent European actors, including Alain Delon, Mel Ferrer, Louis de Funés, Danielle Darrieux, Charles Azvanour, Fernandel, and Dany Saval. 9.25 x 11.75 inches, 18 leaves. Very Good plus, with light dampstaining and foxing, most reserved to the wrapper and glassine.

Original black-and-white borderless still photograph from the 1962 French-Italian film. Costarring actors Alain Delon, Georges Wilson, and Madeleine Robinson share a drink in the segment, "Tes pere et mere honoreras" (Honor they Father and Mother). Rubber-stamped "Photo LIMOT," and numerical notation in manuscript pencil, on the verso. An epic comedy on the Book of Exodu's most epic tale, with elements based on David Alexander's novel, "Murder Points a Finger" (1953). Over a series of 8 episodes, various commandments are portrayed by prominent European actors, including Mel Ferrer, Louis de Funés, Danielle Darrieux, Charles Azvanour, Fernandel, and Dany Saval. Photographer Limot's debut film was "They Were Five" (1936), another Duvivier film, followed by work with notable directors like Sascha Guitry, Christian-Jaque, Henri Verneuil, and Marcel Carné. 7 x 9.25 inches. Near Fine.

Vintage one sheet poster for the 1967 film. Based on the 1963 novel "The Hunter" by Donald E. Westlake. An unapologetic, nihilistic work, one of the gems of early neo-noir and a foundational late 1960s crime film, setting the stage for the New Hollywood era. Viewers and critics have often questioned whether or not the film is really a dream that its protagonist has after he is shot in the very beginning. Director John Boorman claims to not have an opinion on the matter, and has said that the film is about the lead character's dehumanizing experiences during World War II. Shot on location in Los Angeles, Santa Monica, and San Francisco, California. 27 x 41.25 inches. Folded as issued. Very Good plus, with center folds starting. National Film Registry. Nilsen, Warped and Faded. Grant US. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Silver and Ward Neo-Noir US. Spicer Neo-Noir US.

Early Draft typescript for the 1957 British film. Copy belonging to an unknown cast or crew member, with their annotations in manuscript ink throughout, noting substantive and editorial revisions and deletions. Based on the 1888 novel by Thomas Alexander Browne writing as Rolf Boldrewood, about two Australian brothers who are drawn into a life of crime by their father and his friend, a famed cattle thief. Set and shot on location in England and Australia. Housed in a blue untitled spring binder. Title page integral with the first page of text. dated 24th August, 1956, with credits for novelist Rolf Boldrewood. 106 leaves, with last page of text numbered 106. Typescript on onionskin stock, rectos only. Pages and binder Near Fine.