David h mulligan (20 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. T.H. Robinson (illustratore).

Soft cover. Condizione: Good. 132 numbered pages; medium bump to edges of closed pages; light wear to corners and edges of white softcover; a few minor dings/ minor marks to cover; weighs 15 ounces; measures 10.8 by 8.4 by .44 inches; 041123.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New. New copy - Usually dispatched within 4 working days.

Dust jacket. Condizione: New. Condizione sovraccoperta: New. Original bdg. Dust wrapper. Demy 8vo. (20 x 15 cm). In English. 768 p., ills. A history of photography: From 1839 to the present. George Eastman's career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history. Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives - among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams. Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history. Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight - never bore, always excite.…

Condizione: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Condizione: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Condizione: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Condizione: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Mulligan's collection of lantern slides is now part of the St Andrew's collections, and information about him is to be gleaned from its web pages. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. A total of ten pages of closely and neatly written text. In fair condition, lightly ruckled, and with slight loss to the edge of one page, and the ink of one leaf having slightly run on removal from mount. ONE (8 September 1939): 2pp, 8vo. Begins by discussing the 'laboratory work' which 'Colonel Mitchell' said he would probably get 'when he first suggested my entering the R.A.M.C. T.A.' He hopes that Waterston will not need him 'at the Bute' until the war is over, and sends his regards to his family. TWO (9 February 1940): 4pp, 4to. While on duty in France he gives news of his activities: 'Our work is at present to form hospitals and turn in a hospital for German measles. I expect I shall get it myself and when I look in the mirror I shall see what my former hero has done for me - another attack of German measles! I confess that every new record of German atrocity comes as a shock to me still, for Germany and the Germans were once surrounded by romance for me - as you know. In spite of the unhappiness of my last visit to Germany I have happy memories of my work at Bonn and the people whom I met there. Now they are all enemies.' THREE (28 April 1940): 4pp, 4to. He begins with personal and professional news, before commenting: 'It is very difficult to think about research work here. The Royal Society of Medicine will not send me the books - barring text-books - for one thing. However, I am settling down to read for the final F.R.C.S. again and will keep up my Anatomy. I may never have the opportunity to sit the examination or to get into a surgical ward to prepare for it, but at any rate I shall be able to return to St. Andrews with ideas of value for teaching purposes [.] Of course if war breaks out in France these plans for reading will break down, but I am making them because I am afraid of losing touch with the academic work, and growing stale especially if the war lasts.'.…