david hlynsky (73 risultati)

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

hardcover. Condizione: Good. Somewhat damaged. May have bumped corner, torn dust cover, folded pages, light dust soil, remainder mark, price sticker, other damage, or be bent. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Condizione: very_good.

Hardcover. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: None. First Edition; First Printing. Signed and inscribed by the author. Covers creased and lightly shelfworn. ; 0.3 x 8.5 x 5.7 Inches; Signed by Author. Signed By Author.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Fine.

Hardcover. Condizione: New. New, unmarked. // Shipped carefully packed in a sturdy box.

Paperback. Condizione: Fine. 58 pp. Softcover in glossy illustrated wraps. First printing. Fine condition. Book is a photographically illustrated work of fiction. Laid in are two typed sheets from the publisher explaining who Hlynsky is and why his book should be noticed.

Soft cover. Condizione: Good. 1st Edition. Former library book, contains typical markings. Great reading copy.

Card Wraps / Integral Jacket. Condizione: Very Good. David Hlynsky (illustratore). 96pp. Text printed onto Hlynsky's blue cloud paper. Errata slip present. Slightly bumped at head fore edge & small closed tear at head of dust jacket's front panel.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Near Fine. 1st Edition. Near Fine- in very lightly rubbed and edgeworn wraps. Inscribed by author to Canadian curator Doris Shadbolt. Signed by Author(s).

Hardback. Condizione: New. The book presents 170 images, mainly shop window displays, shot by artist David Hlynsky during the final years of the collapsing Soviet empire in Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany and Moscow, using a Hasselblad camera to capture the slow, undramatic moments of daily life on the streets. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky's own account of his time as a flâneur in the shopping plazas behind the Iron Curtain.

Soft cover. Condizione: Near Fine. Side-stapled softcover, 60 pgs. 8.25 x 8 in. Color and b&w images, by Alex Nicol, Catharine MacTavish, Retta Grayson, Michael Snow, Fletcher Starbuck, Eugene Fedorenko, Terry Richardson, Jennie Lee, Andy Christopher, Stephen Cruise, Barbara Astman, Michael Snowdon, Lisa Steele, Anne Wordsworth, Flavio Belli, John Chalmers, and others. Near fine, with very light corner wear.

Hardcover. Condizione: new. Hardcover. Communist shop windows may long have passed from history into irony, but their distinctive style, handmade charm and implicit critique of modern commercial culture have won them a new generation of fans. This is a wonderfully deadpan celebration of a unique commercial aesthetic that flourished under the crumbling totalitarian Communist regimes of 20th-century Europe.More than 170 images, mainly shop window displays, shot by artist David Hlynsky during the final years of the collapsing Soviet empire in Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany and Russia, using a Hasselblad camera to capture the slow, undramatic moments of daily life on the streets.The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky's own account of his time as a flaneur in the shopping plazas of the collapsing Soviet empire, 'a vast ad-hoc museum of a failing utopia' that in 1989 began to close for ever. Presents 170 images, mainly shop window displays, shot by the author during the final years of the collapsing Soviet empire in Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany and Moscow, using a Hasselblad camera to capture the slow, undramatic moments of daily life on the streets. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

softcover. Condizione: Nearly fine copy. Profusely illustrated (illustratore). magazine. Square 8vo, 24 pp.

Condizione: Very Good. Hardcover, 208 pages, 174 color plates. Window-Shopping through the Iron Curtain presents a selection of more than 100 images of shop windows shot by David Hlynsky during four trips taken between 1986 and 1990 to Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany, and Moscow. Using a Hasselblad camera, Hlynsky captured the slow, routine moments of daily life on the streets and in the shop windows of crumbling Communist countries.The resulting images could be still-lifes representing the intersection of a Communist ideology and a consumerist, Capitalist tool?the shop window?with the consumer stuck in the middle. Devoid of overt branding or calculated seduction, the shop windows were typically adorned with traditional yet incongruous symbols of cheer: homey lace curtains, paper flowers, painted butterflies, and pictures of happy children. Some windows were humble in their simple offerings of loaves and tinned fishes; others were zanily artistic, as in the modular display of military shirts in a Moscow storefront; and some illustrated intense professional pride, such as a sign in a Prague beauty salon depicting a pedicurist smiling fiendishly over an imperfect sole. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky?s own account of his time as a flâneur in the shopping plazas of the collapsing Soviet empire??a vast ad-hoc museum of a failing utopia? that in 1989 began to close forever. No dj issued. Record # 371750.

Condizione: Very Good. Hardcover, 208 pages, 174 color plates. Window-Shopping through the Iron Curtain presents a selection of more than 100 images of shop windows shot by David Hlynsky during four trips taken between 1986 and 1990 to Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany, and Moscow. Using a Hasselblad camera, Hlynsky captured the slow, routine moments of daily life on the streets and in the shop windows of crumbling Communist countries.The resulting images could be still-lifes representing the intersection of a Communist ideology and a consumerist, Capitalist tool?the shop window?with the consumer stuck in the middle. Devoid of overt branding or calculated seduction, the shop windows were typically adorned with traditional yet incongruous symbols of cheer: homey lace curtains, paper flowers, painted butterflies, and pictures of happy children. Some windows were humble in their simple offerings of loaves and tinned fishes; others were zanily artistic, as in the modular display of military shirts in a Moscow storefront; and some illustrated intense professional pride, such as a sign in a Prague beauty salon depicting a pedicurist smiling fiendishly over an imperfect sole. The photographs are accompanied by essays by art historian Martha Langford and cultural studies specialist Jody Berland, as well as Hlynsky?s own account of his time as a flâneur in the shopping plazas of the collapsing Soviet empire??a vast ad-hoc museum of a failing utopia? that in 1989 began to close forever. No dj issued. Record # 371749.

Condizione: New. 208.

Condizione: new.

Soft Cover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Paper. Very Good. 8vo - over 7¾" - 9¾" tall. 12pp. Gallery program of photographer's show on Nov. 9 to Dec. 8, 1985. Artist's business card enclosed. Size: 8vo - over 7¾" - 9¾" tall.

Condizione: New. Presents 170 images, mainly shop window displays, shot by the author during the final years of the collapsing Soviet empire in Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, East Germany and Moscow, using a Hasselblad camera to capture the slow, undramatic moments of daily life on the streets. Num Pages: 208 pages, 176 illustrations, 174 in colour. BIC Classification: 1DF; 1DVU; AJB; AJC. Category: (G) General (US: Trade). Dimension: 248 x 170 x 22. Weight in Grams: 856. . 2015. 1st Edition. Hardcover. . . . .

Softcover staple bound exhibition catalog, 12 pages, very good condition, 1-inch crease to upper left corner of all pages; no internal marks.

Hardcover. Condizione: Brand New. 208 pages. 10.00x7.00x1.25 inches. In Stock.

Soft cover. Condizione: Fine. Stapled into printed wraps, 3D photographic image pasted to front. Issue features Eldon Garnet's "Cultural Connection.".

paperback. Condizione: Very Good. U.S. orders are shipped from N.Y. state.

Wrappers. Condizione: Near Fine. 1st Edition. Cover photo of Jeremiah Chechik. Punk and fashion issue. Stapled black wraps. Moderate rubbing to covers. Contents fine.