david kinloch (141 risultati)

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New. From a quick-tempered singing grandmother to a performance of The Mikado in an African village: David Kinloch's exploration of his relationship with his father is both unexpected and affectionate. An extended sequence of poems moves from personal memory to reflections on the values embodied in such cultural father-figures as the explorer David Livingstone and the Irish patriot Roger Casement. Translations of poems by Paul Celan and others into vivid Scots weave through the sequence, illuminating the disturbing connections between patriarchy and twentieth-century violence. In contrast, moving and humorous 'dissections' of adult relationships evoke images of the body both scientific and spiritual, culminating in a long narrative poem that celebrates the loving relationship between two seventeenth-century diplomats and doctors, against the background of the bustling city of Constantinople.

Condizione: New.

Paperback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Fair. Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond them, at what is depicted and what is hidden in shadow, at how a transient chemistry of light may be fixed in colour and words. Kinloch's poems are portraits of artists and reflections on art through five centuries of the artistic bond between Scotland and France. John Acheson, Master of the Scottish Mint, takes Mary, Queen of Scots' portrait for the Scottish coinage; Esther Inglis paints the first self-portrait by a Scottish artist; Jean-Jacques Rousseau ticks off his portrait painter, Allan Ramsay, and Eugene Delacroix offers David Wilkie a brace of partridge for tea in Kensington. The Glasgow Boys, the Scottish Colourists and Charles Rennie Mackintosh bring the gallery into the twentieth century, where Kinloch considers the hybrid art of figures such as Ian Hamilton Finlay, Alison Watt and Douglas Gordon in analytical prose-poems. In the book's second part, a mini-epic of a seventeenth-century priest's Grand Tour offers a reflection on the nature of Collection itself, whether of paintings or poems, the composing of fragments into a whole. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condizione: Very Good. Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond them, at what is depicted and what is hidden in shadow, at how a transient chemistry of light may be fixed in colour and words. Kinloch's poems are portraits of artists and reflections on art through five centuries of the artistic bond between Scotland and France. John Acheson, Master of the Scottish Mint, takes Mary, Queen of Scots' portrait for the Scottish coinage; Esther Inglis paints the first self-portrait by a Scottish artist; Jean-Jacques Rousseau ticks off his portrait painter, Allan Ramsay, and Eugene Delacroix offers David Wilkie a brace of partridge for tea in Kensington. The Glasgow Boys, the Scottish Colourists and Charles Rennie Mackintosh bring the gallery into the twentieth century, where Kinloch considers the hybrid art of figures such as Ian Hamilton Finlay, Alison Watt and Douglas Gordon in analytical prose-poems. In the book's second part, a mini-epic of a seventeenth-century priest's Grand Tour offers a reflection on the nature of Collection itself, whether of paintings or poems, the composing of fragments into a whole. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: Very Good. "Un Tour d'Ecosse" provides a vision of Scotland from the handlebars of the ecologically friendly machine the French call "la petite reine". Here are poems of loss and desire, poems in Scots and English and poetry in English about Scots. There is an ode addressed to a poet by a cockroach, and a hippopotamus migrates from a New York Hotel to the Venetian lagoon. Burns, Frank O'Hara, Apollinaire and Mel Gibson have parts to play and there are elegies for the film-maker Derek Jarman and the French writer Herve Guibert. An extended sequence features a fantasy bicycle race around Scotland modelled on the famous Tour de France with Walt Whitman and Federico Garcia Lorca in the yellow jersey. From sauchiehall Street to Carradale, Dunkeld to the Orkneys, this is Scotland as it has never been seen before. David Kinlock deploys a variety of styles, voices and languages, suggesting provocative overlaps between areas of sexual, linguistic and national marginality. "Un Tour d'Ecosse" places "crossover" at the heart of Scottish cultural identity. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Shortlisted for the 2017 Saltire Society Poetry Book of the Year Award. Who is Dustie-Fute? A vagrant, a hawker, a poet. A dustyfooted Scottish Orpheus. A stranger, a migrant, a ghost. In his search for Dustie-Fute, David Kinloch begins amid the Parisian floods of 1910: with the waters rising, a lonely giraffe speaks from the abandoned zoo, witness to what seems the end of the world. Other animals chime in, Dustie-Futes all, a hooved and humped chorus of watery sages. Elsewhere, two young college dudes quote Rilke at each other. Cain's wife, the Virgin Mary and that eternal stepdad St Joseph draw on memories they didn't know they had. In a series of feminist monologues, feisty biblical women seek revenge on their husbands and oppressors, before Dustie-Fute's final incarnation as a Cavafy-reading Syrian refugee.Who is Dustie-Fute? Many are, and many have been. A fellowship of strangers across time: free spirits, survivors. Kinloch's bestiary of forgotten voices spans apocalypse and salvage, elegy and humour. Mythic and erotic, his poems engage ecological disaster, LGBT art and politics, and that great resistance movement, love.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. A quick-tempered grandmother is singing; The Mikado is performed in an African village: David Kinloch explores his relationship with his father in unexpected and affectionate terms. An extended sequence of poems moves from personal memory to reflect on the values embodied in such cultural father figures as the explorer David Livingstone and the Irish patriot Roger Casement. Translations of poems by Paul Celan and others into vivid Scots weave through the sequence, illuminating the disturbing connections between patriarchy and twentieth-century violence. In contrast, moving and humorous 'dissections' of adult relationships evoke images of the body both scientific and spiritual. As the punning title of the book might suggest, there is much about fathers and sons, including the moving simplicity of a walk with a dead father "and then/I let him go,/but this moment/which is far the hardest pain/remains". But Kinloch unrolls a convincing set of unexpected scenarios: outspoken excerpts from Roger Casement's diaries intercut with the horrors of the Belgian oppression in Africa; [.] and a most impressive long poem, 'Baines His Dissection', where a medical man is seen embalming the body of his friend and lover, against the background of a brilliantly evoked Middle East of the seventeenth century.' A touching and humorous collection of poems about fathers and father figures, from one of the most exciting Scottish poets writing today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. Who is Dustie-Fute? A vagrant, a hawker, a poet. A dustyfooted Scottish Orpheus. A stranger, a migrant, a ghost. In his search for Dustie-Fute, David Kinloch begins amid the Parisian floods of 1910: with the waters rising, a lonely giraffe speaks from the abandoned zoo, witness to what seems the end of the world. Other animals chime in, Dustie-Futes all, a hooved and humped chorus of watery sages. Elsewhere, two young college dudes quote Rilke at each other. Cains wife, the Virgin Mary and that eternal stepdad St Joseph draw on memories they didnt know they had. In a series of feminist monologues, feisty biblical women seek revenge on their husbands and oppressors, before Dustie-Futes final incarnation as a Cavafy-reading Syrian refugee. Who is Dustie-Fute? Many are, and many have been. A fellowship of strangers across time: free spirits, survivors. Kinlochs bestiary of forgotten voices spans apocalypse and salvage, elegy and humour. Mythic and erotic, his poems engage ecological disaster, LGBT art and politics, and that great resistance movement, love. The award-winning Glasgow-born poet explores the ancient myth of the Scottish Orpheus in a humourous new collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. "Un Tour d'Ecosse" provides a vision of Scotland from the handlebars of the ecologically friendly machine the French call "la petite reine". Here are poems of loss and desire, poems in Scots and English and poetry in English about Scots. There is an ode addressed to a poet by a cockroach, and a hippopotamus migrates from a New York Hotel to the Venetian lagoon. Burns, Frank O'Hara, Apollinaire and Mel Gibson have parts to play and there are elegies for the film-maker Derek Jarman and the French writer Herve Guibert. An extended sequence features a fantasy bicycle race around Scotland modelled on the famous Tour de France with Walt Whitman and Federico Garcia Lorca in the yellow jersey. From sauchiehall Street to Carradale, Dunkeld to the Orkneys, this is Scotland as it has never been seen before. David Kinlock deploys a variety of styles, voices and languages, suggesting provocative overlaps between areas of sexual, linguistic and national marginality. "Un Tour d'Ecosse" places "crossover" at the heart of Scottish cultural identity. Poems of loss and desire, poems in Scots and English and poetry in English about Scots. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Paperback. Condizione: New. Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond them, at what is depicted and what is hidden in shadow, at how a transient chemistry of light may be fixed in colour and words. Kinloch's poems are portraits of artists and reflections on art through five centuries of the artistic bond between Scotland and France. John Acheson, Master of the Scottish Mint, takes Mary, Queen of Scots' portrait for the Scottish coinage; Esther Inglis paints the first self-portrait by a Scottish artist; Jean-Jacques Rousseau ticks off his portrait painter, Allan Ramsay, and Eugene Delacroix offers David Wilkie a brace of partridge for tea in Kensington. The Glasgow Boys, the Scottish Colourists and Charles Rennie Mackintosh bring the gallery into the twentieth century, where Kinloch considers the hybrid art of figures such as Ian Hamilton Finlay, Alison Watt and Douglas Gordon in analytical prose-poems. In the book's second part, a mini-epic of a seventeenth-century priest's Grand Tour offers a reflection on the nature of Collection itself, whether of paintings or poems, the composing of fragments into a whole.

paperback, Condizione: Very Good, Verse, St. Andrews & Williamsburg, c.1995, trade paperbk., 229pp., NF $.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. David Kinloch is one of the notable Scottish poets of his generation. Edwin Morgan admired his 'sparkling poems full of sensuous richness and linguistic inventiveness'; and Douglas Messerli declared, 'David Kinloch is surely one of the most innovative poets ever to come out of Scotland. [his] readers must be prepared to take a long voyage through language, imagination, and space. While it isn't always easy, it's always worth the trip.'This is his fifth Carcanet collection. It includes a distillation of his earlier work, and new poems that delight and challenge. Morgan praised his success in the 'impossible genre', the prose poem, his elegies, his flytings. He has been an activist as well as a poet, helping to set up The Edwin Morgan Trust and the first Scottish Writers' Centre.

Paperback. Condizione: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Condizione: New. David Kinloch is one of the notable Scottish poets of his generation. Edwin Morgan admired his 'sparkling poems full of sensuous richness and linguistic inventiveness'; and Douglas Messerli declared, 'David Kinloch is surely one of the most innovative poets ever to come out of Scotland. [his] readers must be prepared to take a long voyage through language, imagination, and space. While it isn't always easy, it's always worth the trip.'This is his fifth Carcanet collection. It includes a distillation of his earlier work, and new poems that delight and challenge. Morgan praised his success in the 'impossible genre', the prose poem, his elegies, his flytings. He has been an activist as well as a poet, helping to set up The Edwin Morgan Trust and the first Scottish Writers' Centre.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. From a quick-tempered singing grandmother to a performance of The Mikado in an African village: David Kinloch's exploration of his relationship with his father is both unexpected and affectionate. An extended sequence of poems moves from personal memory to reflections on the values embodied in such cultural father-figures as the explorer David Livingstone and the Irish patriot Roger Casement. Translations of poems by Paul Celan and others into vivid Scots weave through the sequence, illuminating the disturbing connections between patriarchy and twentieth-century violence. In contrast, moving and humorous 'dissections' of adult relationships evoke images of the body both scientific and spiritual, culminating in a long narrative poem that celebrates the loving relationship between two seventeenth-century diplomats and doctors, against the background of the bustling city of Constantinople.