david medalla ed (8 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. 1st Edition. David Medalla (ed.), Signals / Newsbulletin of Signals London, Vol.1, Nos. 3-4, Oct-Nov 1964. 507 x 342mm. 24pp.'Special Twin Issue'. Takis featured on cover. Contents include: 'Magnetic Manifesto' by Takis; 'The Takis Dialogues'; 'Robot Art and Architecture' by P.K.Hoenich; 'Victor Musgrave on Art No.2'; 'Electron Notes, 1964' Liliane Lijn. Also includes contributions by Marcello Salvadori, Walter Gropius, Alan Ansen, William Burroughs, Marcel Duchamp, Brion Gysin and others. Signals magazine was named in hommage to the work of Takis. This issue is presently (July 2019) shown as part of the Takis exhibition at Tate Modern. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Condition: Folded as issued and folded on centre, some wear to the centre of spine on outside page, some wear to folds on outer page and edges of pages, light toning. Some evidence of 2 vertical creases/fold, with light surface wear to the folded edge. Overall VG. Large format item, requires extra postage.

Condizione: Very Good +. David Medalla (ed.), Signals / Newsbulletin of Signals London, Vol.1, No.5, Dec-Jan 1965. 507 x 342mm. 12pp. An issue devoted to the work of the Brazilian sculpture Cammargo. Including various essays and poems illustrations on his work. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Condition: Folded twice, slight ruffle top edge, paper wear to cover, internal pages and back cover VG++, cover VG. Overal VG+.

Condizione: Very Good +. 1st Edition. Signals London was a short-lived yet highly influential British venue dedicated to 1960s avant-garde artists from Europe and Latin America. Through their exhibitions, events and publications, they established fruitful cross-border networks between these regions and introduced early manifestations of Fluxus, Kinetic and Op art to Britain. Having evolved from the Centre for Advanced Creative Study, Signals London was situated in London's West End between 19641966. Very rare set of 1960s newsbulletins. Facsimile editions have been produced - this listing is for the original 1st edition newsbulletins. We also have a signals archive complete with brochures, ephemera, and related publications. Please enquire for further information. Vol.1, No.1, Aug 1964. 507 x 342mm. 4pp. Featuring: Takis, Yves Klein, Marcello Salvadori, Camargo. Condition: Folded as issued. 85 mm nibble to bottom edge (not affecting text), 5mm nibble to top left corner, slight toning, no writing or tears. Overall VG. Vol.1, No.2, Sep 1964. 507 x 342mm. 16pp. Featuring: Alejandro Otero, Mathias Goeritz, Victor Vasarely, David Medalla et.al. Condition: Folded as issued. Echo of one horizontal and one vertical fold, slight edge wear. Overall clean and fresh, VG+.Vol.1, Nos. 3-4, Oct-Nov 1964. 507 x 342mm. 24pp. Special Takis Issue. Condition: No chipping to edges, a fresh copy, NFVol.1, No.5, Dec-Jan 1965. 507 x 342mm. 12pp. Special Sergio de Camargo Issue. Condition: Folded as issued. 35mm loss to top left margin/corner of outer page, some wear to fold of outer page, but intact. Otherwise VG++. Overall VG.Vol.1, No.6, Feb-Mar 1965. 507 x 342mm. 12pp. Featuring: Marcello Salvadori, Lygia Clark, Condition: Folded as issued. With a vertical fold. Some light handling marks, no chipping to edges. VG+.Vol.1, No.7, April May 1965. Special Lygia Clark Issue. Screenprint cover, lithograph on newsprint. 507 x 342mm. 12pp. Condition: Folded as issued. NF/F.Vol.1, No.8, Jun-Jul 1965. 507 x 342mm. 16pp. Featuring: Takis, Carlos Cruz-Diez, Sergio de Camargo, Eduardo Chillida, Alberto Guzman. Condition: Folded as issued. Vertical fold. A fresh copy, no chips or edge wear. VG++.Vol.1, No.9, April Aug-Sep-Oct 1965. 507 x 342mm. 16pp. Special Carlos Cruz-Diez Issue. Condition: Folded as issued. Minor handling, no chips. NF.Vol.1, No.10, April Nov-Dec 1965. 507 x 342mm. 24pp. Special Maximo Soto issue. Condition: Folded as issued. Some wear to folded edge of outer cover, minor wear to some edges, an echo of a vertical fold. Overall VG++.Vol.2, No.11, Jan-Feb-March 1966. 507 x 342mm. 24pp. Special Alejandro Otero Issue. Condition: Folded as issued. Some slight paper separation to the main fold of the outer cover, but intact. General toning and minor edge wear. VG.Overall condition of this complete run: Very good+/Near fine. Large format item, requires extra postage.

Condizione: very good. Rosetta Brooks, ed. A Survey of the Avant-Garde in Britain, Vol. I, 18th August 8th September, 1972. Gallery House Press, London. 291 x 210mm. 42pp. Perfect bound book, printed black on white stock, featuring 'three independent exhibitions and a small series of lectures' from Stephen Willats, Ian Parkinson, Michael Dye, David Medalla, John Dugger, Graham Stevens, Michael Upton, Jun Terra, Bill Lundberg, Roderick Coyne, and Stuart Brisley. Listings include photographs of exhibitions with image descriptions, printed lectures, and artist biographies printed as timelines. In her introduction, Rosetta Brooks posits, 'In presenting exhibitions under the title of 'avant-garde' it might suggest that I am affirming the usefulness of the concept and it might even be interpreted that there is a characteristic, common in all such work, which makes it avant-garde. This however is not my intention; much of the work in the exhibition is attempting to redefine the basis of art activity along less paradoxical lines and in accordance with a variety of conventions which have previously been alien to the activity.' Condition: foxing to covers, coffee ring stain to back cover and red biro note to back cover, internally near fine. No tears, poor cover, contents very good +/near fine. Overall very good.