david mirvish (16 risultati)

Hardcover. Condizione: Very Good. Photo-Illustrated (illustratore). First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: Good. No Jacket. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; corners are gently bumped and rubbed; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Full-color pictorial boards with silver and red lettering. Decorative endpapers. 128 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "In the 1950s Tim Scott studied architecture, and simultaneously, attended the St. Martin's School of Art studying sculpture part-time. His early work was heavily influenced by his teacher, Anthony Caro. Scott moved to Paris to work aAtelier Le Corbusier-Wogenscky, an architectural firm and while there, he discovered photographs of the work of American sculptor David Smith. Smith was to have a strong influence on a generation of British sculptors in the 1960s. Scott returned to London in 1961. Encouraged by Anthony Caro, he, along with other students at the St. Martin's school, rejected traditional methods and began to work abstractly. For an exhibition at the Whitechapel Art Gallery in 1965, they were dubbed the 'New Generation'. While Caro and a few other students began using industrial steel, Scott chose instead to work with fibre-glass, a relatively new material for sculpture. By the mid-sixties, Scott was experimenting with different kinds of plastics and bold volumetric shapes of bright colour. The sculptural works in the book and in the current exhibition at Pacart are from this period. From the foreword: The roots of abstract painting and sculpture reach back to the beginning of the 20th Century. In those roots was the start of a new language. At times painting seemed to spill into sculpture. In the decade between 1910 and 1920 Jacques Lipchitz, Henri Laurens, Elie Nadelman, Pablo Picasso and the Russian Constructivists all made coloured sculpture. By the early 1960s, the optimism that pervaded the Art World once more supercharged the dialogue between painting and sculpture. It was thought that sculpture could take the lead from painting and that colour would become three dimensional. Tim Scott introduced colour and new materials and was very much part of what animated this idea. Kenneth Noland's circle paintings were transformed by David Smith into painted steel sculpture, while Anthony Caro took weight away from sculpture and floated colour space.".

Hard Cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Photo-Illustrated (illustratore). First Edition. Part of the "Urban Tapestry" series; color photos; 320pp. A tight, clean copy in bright dust jacket. Size: 4to - over 9¾" - 12" tall.

hardcover. Condizione: Used; Very Good. Photo-Illustrated (illustratore). Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Hardcover. Condizione: VG. Hot pink boards. 45 pp. Numerous color plates. Catalogue produced for the 80th birthday celebration of the artist. Includes several essays and an introduction to the work by the artist himself.

Paperback. Condizione: Good. 36 page center stapled oblong softcover exhibition with color examples of the art. Artists are Milton Avery, Walter Darby Bannard, Jack Bush, Anthony Caro, Ron Davis, Helen Frankenthaler, Hans Hofmann, Morris Louis, Robert Motherwell, Robert Murray, Kenneth Noland, Jules Olitski, Larry Poons, Michael Steiner, and Frank Stella. Exhibition was Saturday, September 19, 1970 to Saturday, October 10, 1970. Whit outer wrap is lightly soiled or toned,

Hardcover. Condizione: As New. Good cover, good glossy dust jacket, tight binding, clean text Prompt, reliable service, shipped next business day. Int'l mailed via first class or priority.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Photo-Illustrated (illustratore). 1st Edition. The book is near fine with slight edge wear in a near fine dust jacket with light edge wear. This large and heavy book may incur extra postage charges.

Softcover. Condizione: Very good. 24 x 32 cm leaflet. One colour illustration. One side blank. Light spotting.

Hardcover. Condizione: VG-. Color-illustrated boards with irridescent lettering. 128 pp. Mainly color illustrations. Published in conjunction with the exhibitions, "The 60s, when colour was sculpture," held at David Mirvish Warehouse at Pacart, Toronto, Nov. 2, 2008-Apr. 19, 2009 and, "House of clay 2008", held at Corkin Gallery, Toronto, Nov. 2-Dec. 20, 2008.

Paperback. Condizione: Very Good. June 9-July 10, 1990; 'library' is written on front cover at top; some of the page corners are turned; o/w Good, no other marks, binding good; there is a price on one painting's info page and the word Sold on another.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. Commemorative volume celebrating the Mirvish production of "Miss Saigon" in the newly-built Princess of Wales Theatre. This elegant playhouse was the first privately-built theatre in Canada since the 1900s. The book was a fundraiser for Toronto's Hospital for Sick Children. Black, square (9 3/4" X 9 3/4") cloth, hardcover with golden, pictorial DJ. 72 pages. Beautiful, colour interior and exterior photographs as well as stills from the Miss Saigon production. Minor edgewear and corner/spine edge wear. Several short, closed tears on back jacket edge ond one 1/2" tear at spine edge.

Soft cover. Condizione: Very Good. Opening exhibition of the David Mirvish Gallery in Toronto. Fifteen artists represented by full page color reproductions, including Milton Avery, Jack Bush, Anthony Caro, Helen Frankenthaler, Hans Hofmann, Morris Louis, Robert Motherwell, Kenneth Noland, Jules Olitski, Larry Poons and Frank Stella. Age toning and wear to covers. Two paperclip impressions visible on front and back cover. Inside pages are clear and bright. s13.

Encuadernación de tapa blanda. Condizione: Muy Bien. 59 pp, 29x22, encuadernación tapa blanda con solapas ilustrada, en muy buen estado el interior y el exterior, con numerosas ilustraciones a color. Libro.

[no date]. (Square small 4to hardcover) Very good plus in very good plus dust jacket. 72pp. Color photographs. The spine is faded and the back panel of the dust jacket is lightly rubbed with a 1 / 2-inch closed tear to the bottom edge. "The Princess of Wales is the first privately built legitimate theatre to be seen in Canada since the turn of the century - and one of the most spectacular to be seen anywhere, at any time. David Mirvish, producer and theatre-owner, in partnership with his father, the legendary Ed Mirvish, has given the world a stunning new playhouse that brilliantly combines the comfort, elegance and coustic excellence of the great theatres of the nineteenth century with today's state-of-the-art stage technology and the best in contemporary interior design". Book about Fundraiser, Interior Design, Ed Mirvish, Miss Saigon--Musical, Playhouses & Princess of Wales Theatre. Contributors include David Mirvish. Published for The Hospital for Sick Children. (Theater, Drama, Musicals, Theatre--Canada).

Cloth DW 72pp colour illus (inc many of the theatre architecture) + 1-sheet, double sided, with information about the theatre + similar sheet "Toronto's Historic the Royal Alexandra Theatre".Fine.