David platzker (154 risultati)

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. Published in conjunction with MoMA's retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation Conceptual art; the turning point in her work, in the early 1970s, from Conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them.…

Paperback. Condizione: Good. Published in conjunction with MoMA's retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation Conceptual art; the turning point in her work, in the early 1970s, from Conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them.…

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Condizione: Near Fine. First Edition. W14.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: As New. David Platzker and Elizabeth Wyckoff. 128 pages, 156 illustrations (84 color), bibliography, index, quarto (4to), soft cover. 1st edition. Very good condition, unsold inventory of an old bookstore. Inventory #40500-1.

hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. Ex-library with typical library markings/labels. Otherwise unmarked, and in good condition. Dust jacket is covered in plastic. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condizione: Fine. illustrated edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condizione: Very Good. Small previous owner's name/date on front free endpaper; Signed by author (Platzker). Paperback. 126 pp. Color & B&W illustrations. Biblio, index; 4to; 126 pages; Signed by Author.

Condizione: very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Ex-library with the usual library markings (if not for the library markings this copy would be graded in fine condition); overall a nice used copy! Gray boards with black lettering on the spine. 454 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "The printmaking career of a leading Pop artist, influential creator of public monuments, and bravura draftsman. More than 250 limited-edition graphics.".…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. exshos. DJ is slightly soiled.

Hardback. Condizione: Good. Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological, and spiritual potential of Conceptual art have had an incalculable influence on artists working today.Published in conjunction with the most comprehensive exhibition of her work to date, this catalogue presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound, and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being-her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the Conceptual and post-Conceptual art movements and Piper's pivotal position among her peers and for later generations. …

Condizione: good. This book is in good condition, with minimal signs of wear and tear.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. This book is hard-bound in gray boards in a nice Dust Jacket. This book is X-Museum Library with modest markings. The binding is solid and tight. The contents are bright and clean. Overall VG/VG ; 454 pages.

Hardcover with dustjacket, 352 pages, very good condition, except bumps to top and bottom of spine with small tears to dj; no internal marks. Foreign shipping may be extra.

Hardcover with price-clipped dustjacket, 126 pages; good condition; museum library sticker and stamp on first couple pages; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: Good. Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological, and spiritual potential of Conceptual art have had an incalculable influence on artists working today.Published in conjunction with the most comprehensive exhibition of her work to date, this catalogue presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound, and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness; the introduction of the Mythic Being-her subversive masculine alter-ego; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the Conceptual and post-Conceptual art movements and Piper's pivotal position among her peers and for later generations. …

Condizione: as new. Condizione sovraccoperta: as new. Hbk 4to, 128pp, profusely ilustr throughout in color and b+w, and excellent clean tight and unmarked copy in fine, unclipped and sleeve-protected dj, as new.

Hardcover. Condizione: As New. 1st Edition. As new copy of the first printing of the Oldenburg anthology. No marks or scratches; over 2kg doorstop of a book may require extra postage in UK and RoTW.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condizione: VG. Light shelf wear. Octavo. Softcover. Illustrated wraps. 276 pages : illustrations (some color) ; 25 cm. "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them".…