david thomas bowers (21 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condizione sovraccoperta: Very good. xix, 522 pp. LCC: 00-053358 Very good condition; previous owner's name on inside of front cover.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

Paperback. Condizione: New. Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

Condizione: New. In.

Condizione: New.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

Kartoniert / Broschiert. Condizione: New. Written by two leading oceanographers, Introducing Oceanography has rapidly established itself as a key introductory overview of its subject.&Uumlber den AutorProfessor David N. Thomas works at the Faculty of Biological an.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. Two thirds of our planet is covered by oceans and seas. Over recent decades developments in ocean science have dramatically improved our understanding of the key role oceans play in the Earth System, and how vital they are for regulating global climate. Humans depend on the oceans for many resources, but at the same time their impacts on the marine systems around the world are of increasing concern. Introducing Oceanography has been written by two leading oceanographers to provide a succinct overview of the science of the study of the seas for students and for the interested adult wanting a topical guide to this enormous and complex subject. The initial chapters describe the oceans and the forces at work within them. The authors then discuss the effects of light, the chemistry of the seas and the food web before surveying biological oceanography in the main oceanic regions. The final chapter looks at the methodology of ocean study. Copiously illustrated, this book is intended for those whose interest in oceanography has been stimulated, perhaps by media coverage of declining resources or climate change and who want to know more. Technical terms are kept to a minimum and are explained in a glossary.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condizione: New.

Magazine. Forty-six issue broken run, various paginations, 8.5x11 inches, illustrations, tables, figures, stapled newsletters/magazines, very good condition. Published 4 times a year until the late 1990s then bi-annually, issues included are: June & November 1988 & 1989, April 1990, May 1991, August 1992, March , June, September & December 1993, March & December 1994, March, June, September, October & December 1995, March, June, July, September & December, 1996, March, June & September, 1997, January, April, July & October, 1998, January, April, Summer & Year End Special 1999, Summer 2000, Spring, Summer/Autumn 2001, Winter 2002,Winter 2003, Winter & Summer, 2004, Summer & Winter 2005, Summer 2006, Summer & Winter 2007 and Winter 2008.