Davidson susan white david (40 risultati)

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover without dustjacket as issued, 120 pages; in English; good condition: ex-gallery library copy with call number taped around bottom of spine; sticker and stamps and call number on first page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

hardcover. Condizione: near fine. Condizione sovraccoperta: near fine. 9 3/4 x 11 1/4" 232 pages. with an introduction by Nicholas Cullinan "This volume gathers and surveys Rauschenberg's numerous uses of photography for the first time." small bumps to leading edges of book. shipping will be extra, please inquire. …

Flexi-bound. Condizione: Fine Condition. No Jacket, As Issued. 119 pages with 81 illustrations in color. Illustrated boards. Oblong. Preface by Richard Armstrong and Philip Rylands. Published on the occasion of the exhibition from the Peggy Guggenheim Collection, Venice May 30-September 20, 2009. Exhibition History. …

Hardcover. Condizione: Very Good. Hardcover, oblong. Clean copy. Text and images unmarked. Text is in German. Light shelf wear, corners bumped, small tears at top of spine from a hard bump. tbrc/Art.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Hardcover. Book Condition: Fine. Jacket Condition: Very Good. D.A.P./Schirmer/Mosel, New York, NY 2011. 232 pages. Nice Firm Clean copy ! Size: L 4to. Art::Photography by Artist Art::Collections/Exhibitions 5952L.

Condizione: Very Good. Hardcover, 232 pages. Like new in publisher's shrink-wrap. Offers a look at selected photographs of American artist Robert Rauschenberg (1925-2008). "Gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. Record # 352678.…

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: Brand New. 120 pages. 10.00x11.50x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: VG- light corner bumping. White and color-illustrated flexible boards with black and orange lettering. 118 pp. Color and BW illustrations. Issued in connection with an exhibition held May 30-Sept. 20, 2009, Peggy Guggenheim Collection, Venice.

Davidson, Susan, David White et al. . ROBERT RAUSCHENBERG: Gluts. 120 pages, illustrated in color and b&w. Oblong 4to, wraps. Venice, Peggy Guggenheim Collection, 2009. Forty pieces constructed of metal from old traffic signs,automobiles, awnings and exhaust pipes. Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.…

Hardcover. Condizione: Gut bis sehr gut. Condizione sovraccoperta: Gut bis sehr gut. 1. Auflage. Z : 232 Seiten, 167 Abbildungen, davon 132 Tafeln in Duotone und Farbe. - Robert Rauschenberg (1925-2008) zählt zu den Vätern der amerikanischen Pop Art. Photographien sind ein elementarer Bestandteil seiner Arbeit. Sie tauchen bei Rauschenberg unter anderem in großformatigen Collagen gefundener Objekte auf, in die er Zeitungsausschnitte, Photographien und Ausschnitte abstrakter Gemälde integrierte. Aber Rauschenberg hat zeitlebens auch selbst photographiert: seine Familie, das Atelier, auf Reisen durch Europa, Künstlerfreunde wie Cy Twombly, Jasper Johns, Willem de Kooning und John Cage, das Spiel von Licht und Schatten auf Gesichtern, den menschlichen Körper und Alltagsgegenstände. Photos zu machen war für ihn Aneignung der realen Welt, die sein Leben und seine Kunst prägte und deren Reichtum man, wie er einmal sagte, nur einsammeln müsse. Unser Band zu Rauschenbergs Photographien ist ein wichtiges Dokument der Genie-Epoche in der amerikanischen Kunst des vergangenen Jahrhunderts. Den einleitenden Essay hat Nicholas Cullinan, Kurator an der Tate Modern, geschrieben.…

N. PAG. 261 - CARTONATO ILL. - OTTIMO.

kartoniert. Condizione: gut. 1. Einband Lagerspuren, Rückseite Kratzspuren, Ecken leicht angestossen, durchgestrichener Namensstempel auf zwei Seiten, nur erstes Kapitel gelesen In deutscher Sprache. 118 pages. ca. 28,5 x 25 cm.

hardcover. Condizione: Like New. Brand new gift quality hardcover in jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Davidson, Susan, and David White (editors), with introduction by Nicholas Cullinan. ROBERT RAUSCHENBERG: Photographs 1949-1962. 232 pages, including 162 color and duotone plates. 4to, boards. New York, D.A.P., 2011.

Condizione: Neuf.

Kartoniert / Broschiert. Condizione: New. KlappentextEdited by Susan Davidson. Text by Trisha Brown, Mimi Thompson. Preface by Philip Rylands.

Hardcover (with Dust Jacket). Condizione: Very Good. First Edition. First American Edition. As-new in dust jacket, and still in the publisher's original shrink-wrap. 4to (232 pages, illustrated with 162 color and black & white photographs).

Rilegato. Condizione: nuovo. A cura di Susan Davidson e David White. Con testi di Susan Davidson, Julia Blaut e un'esclusiva intervista all`artista di Mario Codognato e Mirta d'Argenzio. Ill. colori: 181, di cui 99 tavole, 264.

hardcover. Condizione: As New.

Condizione: new. Expédition le jour même. Libraire depuis 23 ans. Envoi soigné avec suivi.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: New. Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. As Walter Hopps wrote, "The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist." The artist himself affirmed, "I've never stopped being a photographer." This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.Painter, sculptor, printmaker and photographer Robert Rauschenberg (1925-2008) provided a crucial bridge between Abstract Expressionism and Pop art. After studying at Black Mountain College under Josef Albers, Rauschenberg moved to New York where he formed close allegiances with Jasper Johns and Cy Twombly, began his groundbreaking Combines, collaborated with the Merce Cunningham Dance Company and co-launched the non-profit Experiments in Art and Technology. Considered one of the most innovative artists of his era, he died in 2008. (20120101).…

Hardcover. Condizione: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.…