Davison j a (160 risultati)

paperback. Condizione: Good.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. 7. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: Good. 7th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. 4th. Sorry, No international shipping on this item.Ex-library paperback in very nice condition with the usual markings and attachments. Text block clean and unmarked. Tight binding.

Paperback. Condizione: Good+. 2nd Edn. 8vo. ex lib. Book.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780813536132.

Condizione: New.

gebundene Ausgabe. Condizione: Gut. 150 S. : graph. Darst. Das Buch ist in einem neuwertigen Zustand. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 350.

Broschiert. Condizione: Gut. 126 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Schnitt und Einband sind etwas staubschmutzig; leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 250.…

Softcover. Condizione: Good with no dust jacket. Sound binding. Clean, off-white pages with light reading wear. Wrappers are soiled with handling wear. Contents: Hildebrand, Machines come to Mississippi. Roberts, Magnolia state mosaic. Critchell, Crossroads of the Caribbean. Wisherd, Tropic color in Trinidad. Davison, Platinum in the world's work. Mitchell, Nature's most dramatic spectacle. Hellweg, Eclipse adventures on a desert isle. Many advertisements. 10.0" tall.…

Paperback. Condizione: Near Fine. Prestel, March 1999. Paperback. Near Fine. Unmarked. Interior pristine. Spine straight, tight and uncreased. Light rubbing to covers. Light reading wear to corners with a curl to bottom corner. A book that clearly has been used, but remains in very nice condition. Not from a library. No remainder mark. Not clipped. More than 600 photographs, nine detailed maps, bibliography, index of ethnic groups. 620 pages. 9.75 x 11.75 x 1.75 inches Heavy item (7 pounds): extra charges for expedited or international shipping. First published on the occasion of an exhibition held October 4, 1995 - January 21, 1996 at the Royal Academy of Arts, London. This magnificent celebration of the world's oldest and most diverse artistic traditions is the definitive book on African art. Ranging from the oldest known human artifact, circa 1.6 million BC, to pieces made within living memory, the objects collected in this extraordinary volume reflect a continent of enormous cultural and historical scope. Arranged chronologically within seven geographical sections, it offers an astonishing array of sculptures in wood, bronze, stone, and gold, as well as mural paintings, ceremonial pieces, ceramics, jewelry, and textiles culled from private and public collections around the world. Commentary by renowned scholars illuminates the cultural and historical significance of these pieces, and in-depth authoritative texts highlight critical aspects of each region. Together these words and images take readers on an artistic grand tour through a continent of unparalleled diversity, and towards the thrilling discovery of not one Africa, but many. Contents: Preface by Cornel West; Why Africa? Why Art? by Kwame Anthony Appiah; Europe, African Art, and the Uncanny by Henry Louis Gates, Jr.; The African Past by Peter Garlake; Ancient Egypt and Nubia (89 objects) by Edna R. Russmann and Laslo Torok; Eastern Africa (67 objects) by John Mack; Southern Africa (48 objects) by Patricia Davison; Central Africa (140 objects) by Daniel Biebuyck and Frank Herreman; West Africa and the Guinea Coast (142 objects) by John Picton; Sahel and Savanna (60 objects) by René A. Bravmann; Northern Africa (67 objects) by Timothy A. Insoll, M. Rachel MacLean, R. J. A. Wilson, Nadia Erzini and Rachel Ward. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Minor shelf wear to green cloth hardcover. Owner name on front end paper. Dust jacket is worn and chipped. Otherwise a tight, unmarked book. Index. xxvii, 347 pp.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN.

Hardcover. Condizione: Very Good +. First edition. 6 x 9 in. Cloth boards. Condition is VERY GOOD+ ; minor edge wear, covers very clean. Binding tight and text unmarked. Classics. RGR.

Paperback. Condizione: G-. various. 8vo. Home-made booklet with 10 extracts from The Mining Magazine neatly pasted to pages which are sewn together in fading pink card covers. Articles incl: Gases and Solutions of Igneous origin; Some Cornish Veinstones; Extractions of tin from Ores; Granite and Ore; Research in Metal Mining. Immediate despatch from the UK. Book.…

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. 4ª Edición. El servicio contrareembolso tiene un coste adicional de 3 euros. Todos nuestros libros son de segunda mano. La fotografía del libro que aparece en la pantalla puede ser distinta a la real. Medicina y Salud (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 96 pages : color illustrations ; 27 cm ; ISBN: 1859678785; 9781859678787 ; Dewey: 635.9312; 635.9/32 ; OCLC: 44153145 ; OCLC: 44153145 ; "Richard Bird is Professor, Department of Economics, University of Toronto." ; color photographic boards in similar dustjacket ; features the gardens of Richard and Hillary Bird, Mavis Seeney, Davis Seeney, and Merriments Gardens, Kent ; FINE/FINE. Book.…

Hardcover. Condizione: Very Good. 1st ed. Very good/DJ good+: some sun-fading on spine.

Ex-library copy. 619 pages. Large paperback: H 30cm x L 24.5cm. Black stiff paper covers rubbed with slight curling and wear at fore-edge corners, light impression from removed library sticker near top of front cover, slight residue from removed shelf sticker near spine heel, mild scuffing and wear at spine heel with glue repair to short tear at head, some vertical creasing to spine. Some soiling to edges; library stamp and two stickers on half-title page; stamp on title page. No other library marks readily apparent upon a quick perusal and interior pages are otherwise clean. Binding is still firm. Originally published as the catalog for an exhibition "Africa: The Art of a Continent" held at the Royal Academy of Arts in London from October 4 1995 to January 21, 1996. With Preface by Cornel West, Introduction by editor Tom Phillips, Appendix (with Bibliography, Index of Ethnic Groups, Lenders to the Exhibition, and Photographic Credits), and three introductory essays: "Why Africa, Why Art?" by Kwame Anthony Appiah, "Europe, African Art and the Uncanny" by Henry Louis Gates, Jr., and "The African Past" by Peter Garlake. Features seven chapters titled as: "Ancient Egypt and Nubia" by Edna R. Russmann and Laslo Torok; "Eastern Africa" by John Mack; "Southern Africa" by Patricia Davison; "Central Africa" by Daniel Biebuyck and Frank Herreman; "West Africa and the Guinea coast" by John Picton; "Sahel and Savanna" by Rene A. Bravmann; "Northern Africa" by Timothy A. Insoll, M. Rachel MacLean, R.J.A. Wilson, Nadia Erzini, and Rachel Ward. Please note that this thick book has an approximate shipping weight of 7.5 pounds (3.4 kg) and will require additional postage for any postal class other than domestic Media Mail (parcel airmail to most European countries will be US$58). ISBN 3791320041.…

Hardcover. Condizione: Good. No Dust Jacket. Ex-library copy with usual stamps, call numbers and pocket.; Reviews and essays on the subject of early Greek literature.; 8vo; 347 pages.

Softcover. Condizione: Near Fine. Magazine. Octavo. 17pp. Stapled wrappers. Fading along the spine with light rubbing and owner's mailing stamp on the rear panel, near fine. Subscription slip tipped in. Original printing from the University of South Carolina before reprints. Contributors include Norman Silverstein, Arthur L. Lewis, Anne McNamara, Muriel Davison, William Howard, Robert A. Pratt, Alexander S. Liddie, Robert J. Griffin, Gerald Smith, and Yeaton Wagener.…