De salvo donna m (24 risultati)

paperback. Condizione: Very Good.

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked. …

paperback. Condizione: As New. Used softcover like new. No spine creases, breaks, marginal notes, highlighting or underlining. Clean, sharp serviceable copy.

1st edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 128 pages: illustrations (some color); 23 cm. Notes: Catalog for the exhibition at the Parrish Art Museum, July 16-Sept. 3, 1995, Wexner Center for the Arts, Columbus, Ohio, Feb. 3-Apr. 21, 1996, and Tampa Museum of Art, Tampa, Fla., July 14-Sept. 8, 1996. Includes bibliographical references (pages 119-121). Contents: Facing both ways: some thoughts on portraiture today / Donna De Salvo -- In praise of the particular: American portraits / Kenneth E. Silver -- Making faces / Maurice Berger -- Portraiture and performance / Max Kozloff -- The Gap alternative / Michele Wallace. Subjects: 1900-1999. Portraits, American 20th century; Exhibitions. Portraits, American. Self-portraits, American. Art, Modern 20th century United States; Exhibitions. Portraits 19th century. Portrait photography, American 20th century; Exhibitions. Other names: Berger, Maurice 1956-. Berger, Maurice 1956-. Parrish Art Museum. Wexner Center for the Arts. Tampa Museum of Art. Genre: Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg. …

1st edition. Fine cloth copy in an equally fine dust wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 128 pages: illustrations (some color); 23 cm. Notes: Catalog for the exhibition at the Parrish Art Museum, July 16-Sept. 3, 1995, Wexner Center for the Arts, Columbus, Ohio, Feb. 3-Apr. 21, 1996, and Tampa Museum of Art, Tampa, Fla., July 14-Sept. 8, 1996. Includes bibliographical references (pages 119-121). Contents: Facing both ways: some thoughts on portraiture today / Donna De Salvo -- In praise of the particular: American portraits / Kenneth E. Silver -- Making faces / Maurice Berger -- Portraiture and performance / Max Kozloff -- The Gap alternative / Michele Wallace. Subjects: 1900-1999. Portraits, American 20th century; Exhibitions. Portraits, American. Self-portraits, American. Art, Modern 20th century United States; Exhibitions. Portraits 19th century. Portrait photography, American 20th century; Exhibitions. Other names: Berger, Maurice 1956-. Berger, Maurice 1956-. Parrish Art Museum. Wexner Center for the Arts. Tampa Museum of Art. Genre: Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg. …

Paperback. Condizione: Near Fine. 1st. 256 pages, illustrations (some colour); 30 cm. Accompanies the exhibition held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 to March 7, 1993; and other venues. Near fine. Firm binding, clean inside copy. Light edgewear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This important book revises our understanding of one of the key moments in American art: the beginnings of Pop art. A style celebrated for its use of mass-production, Pop art has conventionally been seen as constituting a complete break with the art movements that preceded it. Hand-Painted Pop: American Art in Transition, 1955-62 reevaluates this perception by considering Pop art's complex, layered period of evolution, focusing on its crucial seven years of development. Accompanying eight essays by distinguished art historians are 235 illustrations tracing Pop art's earliest beginnings. Many of the works shown have rarely been seen; others are among the most famous icons of our time. Hand-Painted Pop: American Art in Transition, 1955-62 places these works in the broader context of American culture. Among the topics covered are the formal links between New York School painting and early Pop art; the evolution of artists' choice of subject matter in the period; art education in the postwar era; the success and failure of the critical response to Pop; and gay iconography in the paintings of several Pop artists. This substantial revisionist history sheds considerable light on a central movement in art history." - Publisher. *** CONTENTS: Director's foreword, by Richard Koshalek; The faked gesture: pop art and the New York School, by Paul Schimmel; "Subjects of the artists": towards a painting without ideals, by Donna De Salvo; Unsentimental education: the professionalization of the American artist, by David Deitcher; Famous paintings seen and not looked at, not examined, by John Yau; Not necessarily pop: Cy Twombly and America, by Linda Norden; Early pop and the consumptive critic, by Stephen C. Foster; Modes of disclosure: the construction of gay identity and the rise of pop art, by Kenneth E. Silver; Fabulous confusion! Pop before pop?, by Dick Hebdige. Size: 4to. Collectible. …

paperback. Condizione: As New. First Paperback Edition. Publisher: MOCA/Rizzoli, L.A./New York, 1992. FINE in illustrated wraps with French flaps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Paperback. Condizione: Fine. 1st. 64 pages, illustrations (some colour); 27 cm. Text in English and Dutch. Firm binding, clean inside copy. Size: 4to.

Condizione: New.

Paperback. Condizione: Brand New. not indicated edition. 160 pages. 11.75x10.25x1.00 inches. In Stock.

Oblong paperback. Many ills in color and b/w. 89 p. -(Soem signs of use, slight dog's ears in the cover, but otherwise the book is in good condition.). ISBN 0934349053.

Condizione: As New. Unread book in perfect condition.

Paperback. Black Wraps with silver lettering and design; 89 pp.; richly illustrated (some color). Created on the occasion of exhibitions held at Grey Art Gallery & Study Center at NYU from March 14th through April 29th, 1989; at Carnegie Museum of Art in Pittsburgh, PA from June 24th through August 13th, 1989; and at the Institute of Contemporary Art at the University of Pennsylvania from October 12th through November 25th, 1989. Good (Ex art library with sticker on the front cover and inside the rear cover; wraps are edgeworn/scuffed/smudged; textblock edges are lightly scuffed; interior is clean with some light toninig at the periphery; binding is solid.).…

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Catalog published in association with the exhibition, "Ray Johnson: Correspondences," curated by Donna M. De Salvo and organized by the Wexner Center for the Arts, The Ohio State University, Columbus, Ohio. Sticker residue around barcode on jacket back cover. Covers are clean. Binding is tight. Page margins are lightly tanned, but pages are otherwise clean and unmarked.…

Soft Cover. Condizione: Fine. This is a fine softcover copy with no wear at all. Completely clean and free of marks. This catalog was prepared to accompany the exhibition at the Wexner Center for the Arts, and for the Whitney Museum of American Art from January 14 to March 21, 1999. Organized by Donna De Salvo. Essays by De Salvo, Mason Klein, Wendy Steiner, Jonathan Weinberg, Sharla Sava, Lucy Lippard, William S. Wilson, and Henri Martin. Illustrated mostly in color. Chronology. Exhibition history. Bibliography. 11" high X 8" wide, 224 pages.…

Softcover. Quarto. Softcover. Matte illustrated wraps. 224 pages : color illustrations ; 28 cm. In 1995, the resolutely reclusive Ray Johnson reemerged into the spotlight when he died in a mysterious and spectacular way, leading to the discovery of thousands of works of art in his house. Drawing upon this vast trove, Donna De Salvo, the Wexner Center's Curator at Large, has organized Ray Johnson: Correspondences, the first comprehensive exhibition to be mounted (with the complete cooperation of the artist's estate). Like Rauschenberg, Cy Twombly, Jasper Johns, and later Andy Warhol and Jim Rosenquist, Johnson combined the signs and symbols of contemporary culture with the lessons of abstraction to develop a new lexicon of forms. A pioneer in the use of 'found' images and techniques of mechanical reproduction, Johnson created in 1955 what may have been the first informal happening. Johnson first created 'mail art' in the fifties. These were part collage, part manifesto, part parody; he often instructed recipients to 'add to', 'return to', or 'send to', spawning an interactive art form, a continuous happening, that pre-figured electronic mail. Johnson was the nerve center of this pre-digital netscape that spread around the nation and, eventually, the world, which continues to flourish today. By the eighties, Johnson was a legend in the artistic community. Ray Johnson: correspondences, offers the first opportunity for in-depth examination of the work of an artist who reflected and dissected many of the aesthetic, cultural, and theoretical preoccupations of the last forty years; a figure whose impact and influence will finally be made known. VG. Museum sticker inside front end paper, otherwise clean and unmarked.…

Soft cover. Condizione: As New. Edition not stated. Probable first. Large 4to. Glued soft covers. 256 pages. Illustrated. Checklist of the Exhibition. Selected Bibliography. No signs of previous ownership. Not a library discard. A bright, crisp copy in as-new condition.

Hardcover. Condizione: As New. 1st Edition. This is a fine, as new, hardcover first edition, second printing copy, in a fine as new DJ, black spine. 240 pages, MEDIA SHIPPING, extra for airmail or international shipping. Photos on request. Profusely Illustrated (illustratore).

Hardcover. Condizione: VG+. Quarto. Hardcover. Black and white paper boards in red tinted lucite jacket with stamped titles. 527 pages : color illustrations ; 29 cm. This volume serves as a record of Anish Kapoor's installation for Tate Modern, documenting the creative process through conversations with the artist and photographs of his sketches, maquettes and studio.…

Cloth. Condizione: New. Condizione sovraccoperta: No Jacket, As Issued. 476 pages. Hardcover. Texts in English. Still in the publisher's original shrinkwrap, so the binding is tight, the edges and corners on the boards are sharp, the interior is presumed clean and unmarked. Bound in cloth covered boards and issued without a dustjacket. "The first comprehensive survey of the artist's entire, exceptionally diverse oeuvre. Exploring both his creative career and his personal life, the volume reveals the interconnected and influential nature of De Maria's practice." Handsomely designed and beautifully photographed. Book.…

Condizione: Very Good.

Hardbound. Blue cloth with color illustrated dustjacket. 383 pp., 200 bw and 1500 color illustrations. In the 40 years since he first appeared on the New York art scene, Andy Warhol has become synonymous with Pop Aart--and with the wry definition of fame as something that never lasts more than 15 minutes. But Warhol spent his career working so prodigiously as to assure long lasting renown. In the printmaking field alone, his output was prolific, and his appropriation of silkscreen as a fine art medium forever altered the way prints look. This thoroughly revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne: 1962-1987 traces Warhol's complete graphic oeuvre from his first unique works on paper in 1962 through his final published portfolio in 1987. More than 1,700 works are illustrated, an increase of 500 from the previous edition of the catalogue raisonn , and complete documentation is provided for each. New additions include a section focusing on Warhol's popular portraits, with documentation of prints that were related to paintings commissioned during the 1970s and 1980s and a new supplement featuring prints and illustrated books from the 1950s, including the beloved 25 Cats Named Sam and One Blue Pussy. There is also an eight-page essay by Donna De Salvo addressing Warhol's self-published books and portfolios from the same era. An extensive chronology of printmaking activity, a complete exhibition history, a selected bibliography, and a greatly expanded appendix to published prints, complete the book. Andy Warhol Prints: A Catalogue Raisonne: 1962-1987, in its fourth edition, will continue to be the critical reference tool for scholars, collectors, auction houses, libraries, curators and art dealers. VG+/VG+, ex archival art library never used.…

Condizione: Good. 4to. 388 pp. Brand New. Hard Cover. Cased in an orange cloth-covered Slipcase. Color plates throughout. ISBN: 9780300171082 0300171080.In May 2010, New York philanthropist Emily Fisher Landau promised 370 works by more than 85 artists to the Whitney Museum of American Art. This handsome volume highlights each of the artists in the gift, including Carl Andre, Jasper Johns, Willem de Kooning, Ed Ruscha, Lorna Simpson, Kiki Smith, Andy Warhol, and other seminal figures. Much more than simply a record of the pledge, Legacy: The Emily Fisher Landau Collection showcases the best of the art made in the United States during the past five decades. Informative entries, written by the museum's curators and other scholars, cover all works in the gift and are accompanied by 125 stunning color plates. Also included are an essay on the nature of collecting by Donna De Salvo and a full-color checklist of the entire gift.…

First Edition. Oblong quarto. Thick, glossy card wrappers; 89pp; illus. Mild signs of use, with faint creases to wrapper edges; still a tight, clean copy, Very Good or better. Catalogue for the 1989 traveling exhibition of Warhol's early commercial work, co-curated by the Grey Gallery at New York University and the Carnegie Museum of Art (Pittsburgh). Well-illustrated, extensively documented and long out of print.…