dean wolstenholme (25 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: Hertfordshire. 2. (View near Offley) / Village Scenery - Hounds Going to Cover German: [Fox-Jagd] Satz von vier: Hertfordshire. 2. (Ansicht in der Nähe von Offley) / Village Scenery - Hounds Going to Cover French: [Chasse-boîte] ensemble de quatre: Hertfordshire. 2. (Vue près de Offley) / Village Scenery - Hounds Going to Cover Spanish: Set de cuatro: Hertfordshire. 2. (Ver cerca de Offley) / Escenas del pueblo - Los perros van a cubrir High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: Hertfordshire. 4. (View near St. Albans) / Village Scenery - Death German: [Fox-Jagd] Satz von vier: Hertfordshire. 4. (Ansicht in der Nähe von St. Albans) / Village Scenery - Tod French: [Chasse-fuite] ensemble de quatre: Hertfordshire. 4. (Vue près de St. Albans) / Scènes du village - Mort Spanish: Set de cuatro: Hertfordshire. 4. (Ver cerca de St. Albans) / Escenas del pueblo - Muerte High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: Hertfordshire. 3. (View leading to Paul's Waldens Park) / Village Scenery - Full Cry German: [Fox-Jagd] Satz von vier: Hertfordshire. 3. (Ansicht, die zum Paul's Waldens Park führt) / Village Scenery - Full Cry French: [Fox-chasse] ensemble de quatre: Hertfordshire. 3. (Vue menant à Paul's Waldens Park) / Scènes de village - Full Cry Spanish: Set de cuatro: Hertfordshire. 3. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Racing] Set of Four: The High Mettled Racer German: [Racing] Vierer-Set: Der High metled Racer French: [Racing] Ensemble de quatre : le coureur à haute vitesse Spanish: Set de Cuatro: El Racer de Alto Mettled High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1817). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Racing] Set of Four: The High Mettled Racer German: [Racing] Vierer-Set: Der High metled Racer French: [Racing] Ensemble de quatre : le coureur à haute vitesse Spanish: Set de Cuatro: El Racer de Alto Mettled High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1817). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Racing] Set of four: The High Mettled Racer German: [Racing] Satz von vier: Der High metled Racer French: [Racing] Ensemble de quatre : Le coureur à haute vitesse Spanish: Set de cuatro: El Racer de Alto Mettled High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1817). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Racing] Set of Four: The High Mettled Racer German: [Racing] Vierer-Set: Der High metled Racer French: [Racing] Ensemble de quatre : le coureur à haute vitesse Spanish: Set de Cuatro: El Racer de Alto Mettled High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1817). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: (4) Fox run to Earth / View of Popes Pit, Near Walton Heath German: [Fox-Jagd] Satz von vier: (4) Fox laufen zur Erde / Ansicht der Päpste Pit, in der Nähe Walton Heath French: Ensemble de quatre : (4) Fox run to Earth / Vue de Popes Pit, Près de Walton Heath Spanish: Set de cuatro: (4) Fox corre a la Tierra / Vista de Popes Pit, cerca de Walton Heath High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: (2) Fox Breaking Cover / At Upper Gatton Seat of the Duke of St. Alban's German: [Fox-Jagd] Satz von vier: (2) Fox Breaking Cover / Am Oberen Gatton Sitz des Herzogs von St. Alban French: Ensemble de quatre : (2) Fox Breaking Cover / At Upper Gatton Seat of the Duke of St. Alban Spanish: Conjunto de cuatro: (2) Fox Breaking Cover / En el asiento superior de Gatton del duque de St. Alban High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: (1) Meeting / Colonel Jollyffe's Hounds Meeting of Chipstead Church German: [Fox-Jagd] Satz von vier: (1) Treffen / Colonel Jollyffe's Hounds Meeting der Chipstead Church French: Ensemble de quatre : (1) Rencontre / Rencontre des chiens du colonel Jollyffe de l'église Chipstead Spanish: Set de cuatro: (1) Encuentro / Encuentro de Hounds del Coronel Jollyffe de la Iglesia Chipstead High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting German: [Fox-Jagd] Satz von vier: Hertfordshire. 1. (Whitewell bei Welwyn) / Village Scenery - Hounds Meeting French: Ensemble de quatre : Hertfordshire. 1. (Whitewell près de Welwyn) / Village Scenery - Hounds Meeting Spanish: Set de cuatro: Hertfordshire. 1. (Whitewell cerca de Welwyn) / Escenas de pueblo - Encuentro de perros High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: [Fox-hunting] set of four: (3) Full Cry / Hounds Crossing the Brighton Road at Mersham German: [Fox-Jagd] Satz von vier: (3) Full Cry / Hounds Crossing the Brighton Road bei Mersham French: [Chasse-fuite] ensemble de quatre: (3) Pleines Cry / Hounds Traverser la route Brighton à Mersham Spanish: Set de cuatro: (3) Llorón completo / Hounds cruzando la carretera de Brighton en Mersham High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Leather. Condizione: Fine. Full blue morocco, gilt title and tooling to front and rear boards, gilt inner dentelles, moire silk pastedownes and endpapers, housed in quarter morocco over cloth clamshell box, (12 x 9.25 inches). Unpaginated; text appears to be hand calligraphy. Illustrated with a lithograph print. n.d. (no date, circa mid 20th century). A unique custom bound work commemorating the painting "Hunting the Hare" then found in the collection of Mr. & Mrs. Ellsworth Augustus. Ellsworth Augustus (1897-1964) was a Cleveland businessman who served as the tenth National President of the Boy Scouts of America. A unique well-preserved item in a custom binding, the clamshell box showing some light wear.

Recent elaborate tan half calf with marbled boards. Top board has morocco label with gilt text and border. , A collection of four aquatints on the subject of Beagles, Harriers and Hounds from the early 19th century. Dean Wolstenholme, the elder (1757?1837), was an animal painter from Yorkshire. His early life was rather that of an enthusiastic sportsman than of an artist, though he occasionally produced representations of a few sporting subjects with such success that Sir Joshua Reynolds is said to have predicted that he would be a painter in earnest before he died. In about 1800 he came to London and settled in East Street, Red Lion Square. In 1803 he exhibited his first picture (?Coursing?) at the Royal Academy. From this year to 1824 a long series of animal pictures from his hand appeared at the academy and his fame grew. Bookplate on verso of top cover showing that this was from the Joel Spitz collection and was purchased from Button, Chicago, in 1952., Size : Large Oblong Folio (506x6, Illustrated with 4 large aquatint plates by R.G . Reeve, after D. Wolstenholme, in original hand colour., References : Siltzer p. 310. (4), P. blank (2), 1-4, blank (2). A handsome and fine example of this work.

Aquatint with hand-colouring, some spotting and marking, laid down on card, A hunt, with hounds, and other mourners, gathered around an open grave, calling out 'Hollow' over his grave in obedience to the dead man's wishes, waving their hats in the air; church in the background to right, with a pointed spire.

Bildmaß der Darstellung ca. 17 x 30,5 cm ( Höhe x Breite ), Rahmenmaß ca. 37 x 50 cm, Das Blatt von guter Erhaltung, der Rahmen leicht bestoßen. Der Rahmen verso mit altem Etikett *Florich & Leisering, Vergolderei/Bildereinrahmungen, Hamburg 1, Lilienstraße 30*. ( Lagerort Regal 7 )( Bitte beachten: Hier wegen Bruchgefahr nur ausgerahmter Versand möglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache // please notice: shipment only possible outframed ) ( Weitere Bilder auf Anfrage / further pics at request ).

Bildmaß der Darstellung ca. 17 x 30,5 cm ( Höhe x Breite ), Rahmenmaß ca. 37 x 50 cm ( ungeöffnet ), Das Blatt von guter Erhaltung, der Rahmen leicht bestoßen. Der Rahmen verso mit altem Etikett *Florich & Leisering, Vergolderei/Bildereinrahmungen, Hamburg 1, Lilienstraße 30* sowie längere gelöschte handschriftliche Notiz. ( Lagerort Regal 7 )( Bitte beachten: Hier wegen Bruchgefahr nur ein ausgerahmter Versand ohne Rahmen und Glasmöglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache ) ( Weitere Bilder auf Anfrage ) / Artikel 23454 /// Image dimensions approx. 17 x 30.5 cm (height x width), frame dimensions approx. 37 x 50 cm (unopened). The print is in good condition, the frame slightly damaged. The reverse of the frame bears an old label *Florich & Leisering, Gilding/Picture Framing, Hamburg 1, Lilienstraße 30* as well as a longer, erased handwritten note. (Storage location: Shelf 7) (Please note: Due to the risk of breakage, shipping is only possible unframed, without frame and glass. If the frame is desired, please arrange for collection in person.) (Further images available upon request) / Item 23454 /// Dimensions de l'image: env. 17 x 30,5 cm (hauteur x largeur); dimensions du cadre: env. 37 x 50 cm (non ouvert). L'estampe est en bon état, le cadre légèrement abîmé. Au dos du cadre figure une ancienne étiquette: *Florich & Leisering, Gilding/Picture Framing, Hamburg 1, Lilienstraße 30*, ainsi qu'une inscription manuscrite plus longue, effacée. (Emplacement: Étagère 7) (Attention: en raison du risque de casse, l'expédition se fera uniquement sans cadre ni vitre. Si vous souhaitez recevoir le cadre, veuillez venir le retirer sur place.) (Photos supplémentaires disponibles sur demande) / Article 23454.

Bildmaß der Darstellung ca. 17 x 30,5 cm ( Höhe x Breite ), Rahmenmaß ca. 37 x 50 cm ( ungeöffnet ), Das Blatt von guter Erhaltung, der Rahmen leicht bestoßen. Der Rahmen verso mit altem Etikett *Florich & Leisering, Vergolderei/Bildereinrahmungen, Hamburg 1, Lilienstraße ( Lagerort Regal 7 )( Bitte beachten: Hier ist wegen Bruchgefahr nur ein ausgerahmter Versand ohne Rahmen und Glas möglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache ) ( Weitere Bilder auf Anfrage ) / Artikel 24355 /// Image dimensions approx. 17 x 30.5 cm (height x width), frame dimensions approx. 37 x 50 cm (unopened). The print is in good condition, the frame has minor wear. The frame has an old label on the reverse: *Florich & Leisering, Gilding/Picture Framing, Hamburg 1, Lilienstraße (storage location shelf 7). (Please note: Due to the risk of breakage, shipping is only possible unframed, without frame and glass. If the frame is desired, please arrange for collection in person.) (Further images available upon request.) / Item 24355 /// Dimensions de l'image: env. 17 x 30,5 cm (hauteur x largeur); dimensions du cadre: env. 37 x 50 cm (non ouvert). L'estampe est en bon état, le cadre présente de légères traces d'usure. Une ancienne étiquette figure au dos du cadre: *Florich & Leisering, Dorure/Encadrement, Hambourg 1, Lilienstraße (emplacement: étagère 7). (Attention: en raison du risque de casse, l'expédition se fera uniquement sans cadre ni vitre. Si vous souhaitez recevoir l'encadrement, veuillez venir le retirer sur place.) (Photos supplémentaires disponibles sur demande.) / Article 24355.

Aquatint engraving, printed in colours and finished by hand, by Thomas Sutherland (some small marginal tears, occasionally just affecting image area). A very fine series from one of the greatest British sporting artists of his time "Dean Wolstenholme Snr became an artist in middle life after losing his then not inconsiderable wealth in a property deal which went wrong. Before moving to London in about 1800 he had lived in Herfordshire and Essex, pursuing a happy life devoted to foxhunting and coursing, painting a little for his own pleasure. In London he had to paint in earnest, bringing to the city memories of his earlier years. He exhibited a painting of coursing at the Royal Academy in 1803; fox hunting in 1804. and so on until shortly before his death in 1837. A large number of his hunting, coursing and shooting pictures were engraved. [His son, Charles Dean Wolstenholme Jnr. (1793-1883) also became an animal painter of note.] Both father and son populated their landscapes with horses and horsemen rather than painting commissioned equestrian portraits; and the pleasure of their work is their skill in depicting the English (Home Counties) countryside." (Chales Lane British Racing Prints p.184) Siltzer p.311.

Aquatint engraving, printed in colours and finished by hand, by Thomas Sutherland, except plate III which was engraved by J. Stewart. (All skillfully restored, mostly marginal repairs). Images:9 7/8 x 12 3/4 inches approx.; sheets: 11 7/8 x 13 3/4 inches. A very fine series from one of the greatest British sporting artists of his time. "Dean Wolstenholme Snr became an artist in middle life after losing his then not inconsiderable wealth in a property deal which went wrong. Before moving to London in about 1800 he had lived in Herfordshire and Essex, pursuing a happy life devoted to foxhunting and coursing, painting a little for his own pleasure. In London he had to paint in earnest, bringing to the city memories of his earlier years. He exhibited a painting of coursing at the Royal Academy in 1803; fox hunting in 1804. and so on until shortly before his death in 1837. A large number of his hunting, coursing and shooting pictures were engraved. [His son, Charles Dean Wolstenholme Jnr. (1793-1883) also became an animal painter of note.] Both father and son populated their landscapes with horses and horsemen rather than painting commissioned equestrian portraits; and the pleasure of their work is their skill in depicting the English (Home Counties) countryside." (Chales Lane British Racing Prints p.184) This series was published at the same time as a matching set of four prints after Wolstenholme called "Hunting". The sport of coursing involves greyhounds and hares, rather than hounds and foxes. The greyhounds follow their prey by sight rather than by scent.

gravure originale coloriee a la main, 60 x 48 cm , quelques rousseurs sur marges ,

Dean Wolstenholme Sr. (illustratore). 'DRAWN BY DEAN WOLSTENHOLME / ENGRAVED BY REEVE'Riders gather with a full pack of hounds outside a country cottage. One huntsman speaks with a woman at the doorway. A fox may have been sighted as the dogs begin to stir.Made by Richard Gilson Reeve after Dean Wolstenholme Sr.Medium: Aquatint etching with hand colouring on wove (vellin) paper.Sheet size: 55.8 x 41.5 cm (21.97 x 16.34 inch).FOX HUNTING, EQUESTRIAN, HOUNDS, SPORTING ART, ENGLISH COUNTRYSIDE, WOLSTENHOLME, REEVE, 19TH-CENTURY, GEORGIAN | PCO-B8-35BACKGROUND INFORMATIONPublished by Reeve, London, 1806.Biography engraver: Richard Gilson Reeve (1803-1889) was a British engraver and aquatint specialist best known for sporting and animal subjects. His finely colored prints captured the rural life and equestrian pursuits of 19th-century England.Biography artist: Dean Wolstenholme Sr. (1757-1837) was an English painter and printmaker specializing in hunting, shooting, and sporting scenes. His detailed works helped define the visual vocabulary of Georgian country pursuits. Condition: fair, given age. Noticeable hole in image area, additional tears, backed, minor foxing and staining, margins somewhat worn. Still strong colour. Sold waf. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Dean Wolstenholme Sr. (illustratore). 'DRAWN BY DEAN WOLSTENHOLME / ENGRAVED BY REEVE'Three riders on horseback accompanied by a pack of hounds in a wooded landscape. One man opens a gate as the dogs leap through, with riders in pursuit. Early stage of a fox hunt.Made by Richard Gilson Reeve after Dean Wolstenholme Sr.Medium: Aquatint etching with hand colouring on wove (vellin) paper.Sheet size: 55.8 x 41.5 cm (21.97 x 16.34 inch). Image size: 55.8 x 41.5 cm. (21.97 x 16.34 inch).FOX HUNTING, ENGLISH COUNTRYSIDE, HOUNDS, HORSES, EQUESTRIAN, GEORGIAN ERA, WOLSTENHOLME, REEVE, SPORTING PRINT | PCO-B8-35BACKGROUND INFORMATIONPublished by Reeve, London, 1806.Biography engraver: Richard Gilson Reeve (1803-1889) was a British engraver and aquatint specialist best known for sporting and animal subjects. His finely colored prints captured the rural life and equestrian pursuits of 19th-century England.Biography artist: Dean Wolstenholme Sr. (1757-1837) was an English painter and printmaker specializing in hunting, shooting, and sporting scenes. His detailed works helped define the visual vocabulary of Georgian country pursuits. Condition: good, given age. Light foxing, creasing and soiling. Trimmed to image. Some paper loss in margins, margin a bit irregular. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Colour printed aquatint heightened with gum arabic. Printed on wove paper. In excellent condition with the exception of being trimmed within the platemark on the bottom margin. Four puncture holes on left margin where it was bound. Image size: 9 5/8 x 12 3/4 inches. A handsome aquatint of three gentlemen setting off to course a hare, by S. Himley after a painting by the celebrated sporting artist Dean Wolstenholme. Around 1820, S. Himley produced two sets of hunting aquatints after skilled paintings by Wolstenholme. These sets, expertly engraved in aquatint, were comprised of four plates illustrating shooting, and four plates depicting coursing. As with many of the prints after Wolstenholme's paintings it is difficult to decipher whether Himley's works reproduced paintings by Dean Wolstenhome Snr. or by his son Dean Wolstenholme Jnr. The Wolstenholme's were both talented sporting artists who earned a reputation as skilled animal painters. Both father and son exhibited regularly at the Royal Academy and garnered countless commissions from eager enthusiasts. They specialized in fine hunting scenes and had a natural flare for depicting movement, which lends their work an animation and life, which is truly compelling. This stunning print is lovely example of Himley's skilled hand and a wonderful example of English sporting art at its best. Siltzer, The Story of British Sporting Prints 286-313, 364.

Colour printed aquatints heightened with gum arabic. Printed on wove paper. In excellent condition with the exception of being trimmed within the platemark on the bottom margin. Four puncture holes on left margin where it was bound together. Plate 1, has some very minor foxing in margins. Image size: 9 3/4 x 12 5/8 inches. A handsome set of four shooting prints aquatinted by S. Himley after paintings by the celebrated sporting artist Dean Wolstenholme. Around 1820, S. Himley produced two sets of hunting aquatints after skilled paintings by Wolstenholme. These sets, expertly engraved in aquatint, were comprised of four plates illustrating shooting, and four plates depicting coursing. As with many of the prints after Wolstenholme's paintings it is difficult to decipher whether Himley's works reproduced paintings by Dean Wolstenhome Snr. or by his son Dean Wolstenholme Jnr. The Wolstenholme's were both talented sporting artists who earned a reputation as skilled animal painters. Both father and son exhibited regularly at the Royal Academy and garnered countless commissions from eager enthusiasts. They specialized in fine hunting scenes and had a natural flare for depicting movement, which lends their work an animation and life, which is truly compelling. This stunning set of four shooting prints is rarely found as a complete set and is a wonderful example of English sporting art at its best. Siltzer, The Story of British Sporting Prints 286-313, 364.