Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 8,69
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Hardcover. Condizione: Good. Satisfaction 100% guaranteed.
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
EUR 8,77
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
EUR 16,52
Quantità: 5 disponibili
Aggiungi al carrelloHardcover. Condizione: New. What did it mean to produce Ben Jonson's Pan's Anniversary, a masque written for the court of James I in 1625, for an audience in 1905? Attempting to answer this question, Heckert raises issues of the musical and ideological stances of English composers, 'invented tradition', and English identity in the period 1860 to 1920.
Hardcover. Condizione: As New. Text clean and tight; no dust jacket; Music In Britain, 1600-2000; 8vo 8" - 9" tall; 250 pages.
Lingua: Inglese
Editore: Boydell Press, Woodbridge., 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: R.D.HOOKER, Christchurch, Regno Unito
Prima edizione
EUR 15,35
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: New. Plates and musical notation (illustratore). 1st Edition. New. Pictorial covers , no jacket as published.
Lingua: Inglese
Editore: Boydell Press., Woodbridge., 2018
Da: judith stinton, Dorchester, Regno Unito
Prima edizione
EUR 21,26
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: New. 1st Edition.
Lingua: Inglese
Editore: The Boydell Press, Woodbridge, Suffolk, 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: Broad Street Book Centre, Hereford, Regno Unito
Prima edizione
EUR 16,53
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: As New. 1st Edition. 250pp. b/w illus. As New.
Da: suffolkbooks, Center moriches, NY, U.S.A.
paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 84,86
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: new.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 90,03
Quantità: 5 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 90,02
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 121,83
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periodsThis study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century. DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY.
Lingua: Inglese
Editore: Boydell & Brewer Ltd, Woodbridge, 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periodsThis study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Majestic Books, Hounslow, Regno Unito
EUR 117,97
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 113,67
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. 2018. Hardcover. . . . . .
Condizione: New.
Da: Revaluation Books, Exeter, Regno Unito
EUR 118,22
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 224 pages. 9.25x6.25x1.00 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 121,44
Quantità: 5 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 117,15
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: Rarewaves.com UK, London, Regno Unito
EUR 114,07
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periodsThis study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century. DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY.
Lingua: Inglese
Editore: Boydell & Brewer Ltd, Woodbridge, 2018
ISBN 10: 1783272074 ISBN 13: 9781783272075
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 187,57
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periodsThis study explores the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods. Its focus is on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically inflected popular entertainments. The masque operated as an "invented tradition", in the sense theorized by EricHobsbawm, and was used to connect the modern nation of Britain to its historical past. As conceptions of national identity became increasingly dependent on the image of "Merrie England" located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.DEBORAH HECKERT is a Lecturer at Stony Brook University and has taughtat the University of Virginia, Utah State University, and Brooklyn College-CUNY. A study of the ways in which topics of English history were central to conceptions of English identity, musical and otherwise, during the Victorian and Edwardian periods Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.