Lingua: Inglese
Editore: Princeton University Press, 2025
ISBN 10: 0691273111 ISBN 13: 9780691273112
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: Heidelberg : Universitätsverlag Winter, 2015
ISBN 10: 3825363708 ISBN 13: 9783825363703
Prima edizione
EUR 20,00
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Aggiungi al carrello8° Festeinband. Condizione: Wie neu. 1. Aufl. 271 Seiten : Illustrationen ; 22 cm Buch ist in einem sehr guten Zustand Papier in sehr gutem Zustand. B12-02-06Cb Sprache: Englisch Gewicht in Gramm: 400.
Lingua: Inglese
Editore: Princeton University Press, 2025
ISBN 10: 0691273111 ISBN 13: 9780691273112
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
EUR 42,82
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Aggiungi al carrelloPaperback. Condizione: New. In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
hardcover. Condizione: New. 1st.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 41,60
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Princeton University Press, 2025
ISBN 10: 0691273111 ISBN 13: 9780691273112
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 35,75
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Aggiungi al carrelloCondizione: New.
EUR 52,05
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Princeton University Press, 2025
ISBN 10: 0691273111 ISBN 13: 9780691273112
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 41,07
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloCondizione: New.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Hardcover. Condizione: new. Hardcover. In the 20th and 21st centuries, American media have been continually received, adapted, and transformed by European cultures. Initially based on the competition among the early film industries and continuing with today's global dominance of American web-based companies, these productive exchanges entail complex economic, aesthetic, and cultural negotiations. The dynamic and scope of these negotiations has been ambiguous, ranging from instances of cultural imperialism to the subversion of social and cultural hierarchies. More often than not, they have furthered the exchange of creative ideas and the cross-fertilization of media and art productions. This publication highlights core arenas of transnational cultural encounters including photography, film, fashion, advertising, television, and the new media. It asks not merely how American media productions were received in different European cultural contexts but how they shaped the idea of distinct yet interconnected European identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 49,05
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.
EUR 50,88
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Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.
EUR 50,88
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Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 10.25x8.25x0.75 inches. In Stock.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 68,70
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Aggiungi al carrelloCondizione: New. 2015. Hardcover. . . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 68,79
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Aggiungi al carrelloPaperback. Condizione: Brand New. 157 pages. 8.75x6.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: transcript|transcript Verlag, 2022
ISBN 10: 3837662020 ISBN 13: 9783837662023
Da: moluna, Greven, Germania
EUR 31,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artist.
Condizione: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Princeton University Press, 2025
ISBN 10: 0691273111 ISBN 13: 9780691273112
Da: moluna, Greven, Germania
EUR 47,49
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Aggiungi al carrelloCondizione: New.
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Aggiungi al carrelloPaperback. Condizione: New. New Book, Direct from Publisher.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 38,00
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.
EUR 9,90
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: Wie Neu. Das soziale Melodrama in der amerikanischen Kultur 1840-1950. Christof Decker spannt den Bogen von der sozialkritischen, amerikanischen Literatur des 19. Jahrhunderts zum sozialen Kinomelodrama in der ersten Hälfte des 20. Jahrhunderts. Er zeigt, dass Hollywood nicht nur um Profite, sondern auch um kulturelles Prestige bemüht war. Das soziale Melodrama ermöglichte eine kritische Auseinandersetzung mit der amerikanischen Gesellschaft und brachte avancierte künstlerische Formen hervor. 516 Seiten mit 30 Abb., broschiert (Nordamerikastudien; Band 21/Campus Verlag 2003). Früher EUR 49,90. Gewicht: 648 g - Softcover/Taschenbuch.
Da: preigu, Osnabrück, Germania
EUR 35,40
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Imaging the Scenes of War | Aesthetic Crossovers in American Visual Culture | Christof Decker | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 160 S. | Englisch | 2022 | transcript | EAN 9783837662023 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.