Delcy morelos (27 risultati)

Paperback or Softback. Condizione: New. Delcy Morelos: Madre. Book.

Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Made of clay, wood, tobacco, cinnamon, cloves, straw and more, Morelos' latest room-size installation is a staggering confrontation of humanity's detachment from Mother NatureColombian artist Delcy Morelos (born 1967) is renowned for her sensorially rich, immersive sculptures and installations made from materials such as soil, clay and grass. Her large-scale earth installation Madre, constructed in the Hamburger Bahnhof, directly engages with the museum's collection of work by Joseph Beuys. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condizione: Near Fine. Book has slight slant to spine, otherwise looks and feels as new, clean, bright and sharp with strong binding.

paperback. Condizione: New. Special order direct from the distributor.

Hardback or Cased Book. Condizione: New. Delcy Morelos. Book.

Hardback. Condizione: New. An overdue examination of the Colombian artist's decade-long, soil-based practice, evincing her contributions to the lineage of land art Published with Dia Art Foundation.For more than a decade, Colombian artist Delcy Morelos (born 1967) has worked primarily with earth, creating immersive environments of geometrically abstract forms. Drawing on Indigenous cosmologies, Morelos' work explores the sustaining power of mud in its many forms-as a source of life and sustenance.This bilingual monograph approaches Morelos' two soil-based installations-Cielo terrenal (2023) and El abrazo (2023)-to explore the artist's role in the history of land art. The texts consider the natural materials used in her Dia commission and their sensory, spatial and phenomenological impact. The volume also features a selection of stories sourced from Indigenous Colombian communities-Bará, Matapí, Tanimuca, M+n+ca, Uitoto N+pode and Yucuna Kamejeyá-that underscore Morelos' acute understanding of the sacred relationship between land and its inhabitants. …

Hardcover. Condizione: new. Hardcover. Morelos's immersive installations aim to cultivate moments of connection with what she describes as the intimate humidity of the Earth. This monograph, the first to be published in the United States, situates the Bogota-based artist's practice within a broader, more global history of Land art and abstraction. It also examines the aesthetic and environmental considerations of the natural materials used in her Dia commission as well as their unique sensory, spatial, and phenomenological impact on the viewer. The book will uncover the fascinating art-historical grounding of the commission through an introduction by Alexis Lowry, Dia curator. This overview will be supplemented by a meditation on peat, a singular and controversial material in Land art, by curator Camila Marambio and University of Queensland biology professor Renee Rossini, as well as an essay on scent and sculpture by Oswaldo Macia. The book will also feature a statement by the artist herself and a lively conversation between Morelos and the Chilean artist and poet Cecilia Vicuna. In a further exploration of one of Morelos's central creative and intellectual inspirations - Indigenous narratives about land and soil - this volume will publish for the first time a special section of stories from four communities - Barasana, Uitoto N+pode, and Yucuna - based in the Amazonian lands more commonly known as Colombia. SELLING POINTS: . Published on the occasion of a commission by Dia Art Foundation, the book is not only a retrospective of Morelos's work, but also, delves into the intricate relationships between Indigenous communities and their natural surroundings. . By examining the aesthetic and environmental considerations of the natural materials used in Morelos's installations, readers reflect on their own relationship with the environment and the materials that shape our world. . Includes a conversation between Morelos and Chilean artist and poet Cecilia Vicuna, as well as stories from Indigenous communities in Amazonian Colombia, providing firsthand insights into the cultural narratives that inform Morelos's practice. 76 images Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condizione: New.

Rústica. Condizione: Nuevo.

Paperback. Condizione: new. Paperback. Made of clay, wood, tobacco, cinnamon, cloves, straw and more, Morelos' latest room-size installation is a staggering confrontation of humanity's detachment from Mother NatureColombian artist Delcy Morelos (born 1967) is renowned for her sensorially rich, immersive sculptures and installations made from materials such as soil, clay and grass. Her large-scale earth installation Madre, constructed in the Hamburger Bahnhof, directly engages with the museum's collection of work by Joseph Beuys. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Paperback. Condizione: new. Paperback. Made of clay, wood, tobacco, cinnamon, cloves, straw and more, Morelos' latest room-size installation is a staggering confrontation of humanity's detachment from Mother NatureColombian artist Delcy Morelos (born 1967) is renowned for her sensorially rich, immersive sculptures and installations made from materials such as soil, clay and grass. Her large-scale earth installation Madre, constructed in the Hamburger Bahnhof, directly engages with the museum's collection of work by Joseph Beuys. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Condizione: Brand New. bilingual edition. 10.25x7.75x1.00 inches. In Stock.

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: Nuevo. Arte, arquitectura, cine y fotografía.

Condizione: Nuevo. Publicado por encargo de Dia Art Foundation, el libro no es sólo una retrospectiva de la obra de Morelos, sino que también profundiza en las complejas relaciones entre las comunidades indígenas y su entorno natural.Al examinar las consideraciones estéticas y medioambientales de los materiales naturales utilizados en las instalaciones de Morelos, los lectores reflexionan sobre su propia relación con el medio ambiente y los materiales que conforman nuestro mundo.Incluye una conversación entre Morelos y la artista y poetisa chilena Cecilia Vicuña, así como relatos de comunidades indígenas de la Colombia amazónica, que permiten conocer de primera mano las narrativas culturales que informan la práctica de Morelos.Sus instalaciones inmersivas pretenden cultivar momentos de conexión con lo que la artista describe como la "humedad íntima de la Tierra". Esta monografía, la primera que se publica en Estados Unidos, sitúa la práctica de la artista bogotana dentro de una historia más amplia y global del Land art y la abstracción. A su vez examina las consideraciones estéticas y medioambientales de los materiales naturales utilizados en el encargo por parte de Dia, así como su singular impacto sensorial, espacial y fenomenológico en el espectador.El libro desvelará los fascinantes fundamentos histórico-artísticos del encargo a través de una introducción de Alexis Lowry, conservador de Dia. Esta visión general se complementará con una meditación sobre la turba, un material singular y controvertido en el Land art, a cargo de la comisaria Camila Marambio y la profesora de biología de la Universidad de Queensland Renee Rossini, así como un ensayo sobre el olor y la escultura de Oswaldo Macía. El libro también incluirá una declaración de la propia artista y una animada conversación entre Morelos y la artista y poeta chilena Cecilia Vicuña. Para profundizar en una de las principales inspiraciones creativas e intelectuales de Morelos -las narrativas indígenas sobre la tierra y el suelo.…

Tapa blanda. Condizione: Nuevo.

Encuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Nuevo. Sus instalaciones inmersivas pretenden cultivar momentos de conexión con lo que la artista describe como la «humedad íntima de la Tierra». Esta monografía, la primera que se publica en Estados Unidos, sitúa la práctica de la artista bogotana dentro de una historia más amplia y global del Land art y la abstracción. A su vez examina las consideraciones estéticas y medioambientales de los materiales naturales utilizados en el encargo por parte de Dia, así como su singular impacto sensorial, espacial y fenomenológico en el espectador.…

Hardcover. Condizione: Brand New. bilingual edition. 10.25x7.75x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. bilingual edition. 10.25x7.75x1.00 inches. In Stock.

Paperback. Condizione: New.

Hardcover. Condizione: new. Hardcover. Morelos's immersive installations aim to cultivate moments of connection with what she describes as the intimate humidity of the Earth. This monograph, the first to be published in the United States, situates the Bogota-based artist's practice within a broader, more global history of Land art and abstraction. It also examines the aesthetic and environmental considerations of the natural materials used in her Dia commission as well as their unique sensory, spatial, and phenomenological impact on the viewer. The book will uncover the fascinating art-historical grounding of the commission through an introduction by Alexis Lowry, Dia curator. This overview will be supplemented by a meditation on peat, a singular and controversial material in Land art, by curator Camila Marambio and University of Queensland biology professor Renee Rossini, as well as an essay on scent and sculpture by Oswaldo Macia. The book will also feature a statement by the artist herself and a lively conversation between Morelos and the Chilean artist and poet Cecilia Vicuna. In a further exploration of one of Morelos's central creative and intellectual inspirations - Indigenous narratives about land and soil - this volume will publish for the first time a special section of stories from four communities - Barasana, Uitoto N+pode, and Yucuna - based in the Amazonian lands more commonly known as Colombia. SELLING POINTS: . Published on the occasion of a commission by Dia Art Foundation, the book is not only a retrospective of Morelos's work, but also, delves into the intricate relationships between Indigenous communities and their natural surroundings. . By examining the aesthetic and environmental considerations of the natural materials used in Morelos's installations, readers reflect on their own relationship with the environment and the materials that shape our world. . Includes a conversation between Morelos and Chilean artist and poet Cecilia Vicuna, as well as stories from Indigenous communities in Amazonian Colombia, providing firsthand insights into the cultural narratives that inform Morelos's practice. 76 images Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Rústica. Condizione: NUEVO. 95 pages/páginas.

Rústica. Condizione: New. Condizione sovraccoperta: Nuevo. 01. Delcy Morelos (Tierralta, Colombia, 1967) investiga en las cosmovisiones mitológicas universales, y particularmente en las precolombinas, para insistir en la interdependencia entre los seres humanos, los animales, las plantas y los espíritus, nacidos todos de la misma semilla, la de la Pachamama de las culturas incaicas, la de la Bachué de los chibchas de su tierra natal, la de la Madre Tierra , término recogido por las Naciones Unidas para referirse a nuestro planeta (2009). Para ello, utiliza desde la acuarela de gran formato hasta grandes instalaciones hechas con tierra que transforman el espacio que las acoge. Delcy Morelos estudió en la Escuela de Bellas Artes de Cartagena y comenzó su carrera como pintora que trabajaba sobre superficies tradicionales con preferencia hacia los rojos ? Sentía que el rojo no era un simple color, lo percibía como una sustancia en sí misma que emanaba de mis dedos ?, pero, desde que empezó a trabajar con tierra, su investigación del color la llevó por otros derroteros: La tierra puede ser de muchos colores: azul, gris verde, café claro, café oscuro, amarilla, ocre, nara. LIBRO.…

Rústica. Condizione: New. Condizione sovraccoperta: Nuevo. 1. Publicado por encargo de Dia Art Foundation, el libro no es sólo una retrospectiva de la obra de Morelos, sino que también profundiza en las complejas relaciones entre las comunidades indígenas y su entorno natural.Al examinar las consideraciones estéticas y medioambientales de los materiales naturales utilizados en las instalaciones de Morelos, los lectores reflexionan sobre su propia relación con el medio ambiente y los materiales que conforman nuestro mundo.Incluye una conversación entre Morelos y la artista y poetisa chilena Cecilia Vicuña, así como relatos de comunidades indígenas de la Colombia amazónica, que permiten conocer de primera mano las narrativas culturales que informan la práctica de Morelos.Sus instalaciones inmersivas pretenden cultivar momentos de conexión con lo que la artista describe como la humedad íntima de la Tierra. Esta monografía, la primera que se publica en Estados Unidos, sitúa la práctica de la artista bogotana dentro de una historia más amplia y global del Land art y la abstracción. A su vez examina las consideraciones estéticas y medioambientales de los materiales natural. LIBRO.…

Hardback. Condizione: New. An overdue examination of the Colombian artist's decade-long, soil-based practice, evincing her contributions to the lineage of land art Published with Dia Art Foundation.For more than a decade, Colombian artist Delcy Morelos (born 1967) has worked primarily with earth, creating immersive environments of geometrically abstract forms. Drawing on Indigenous cosmologies, Morelos' work explores the sustaining power of mud in its many forms-as a source of life and sustenance.This bilingual monograph approaches Morelos' two soil-based installations-Cielo terrenal (2023) and El abrazo (2023)-to explore the artist's role in the history of land art. The texts consider the natural materials used in her Dia commission and their sensory, spatial and phenomenological impact. The volume also features a selection of stories sourced from Indigenous Colombian communities-Bará, Matapí, Tanimuca, M+n+ca, Uitoto N+pode and Yucuna Kamejeyá-that underscore Morelos' acute understanding of the sacred relationship between land and its inhabitants. …