Editore: Farrar & Rinehart Inc., 1945
Da: Bluff Park Rare Books, LONG BEACH, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hard Cover. Condizione sovraccoperta: Very Good. First Edition. HBDJ, 1st edition, 1st Printing, 1945, VG/VG-, AS-IS,with publisher's symbol and statement on copyright page, "This book has been manufactured in accordance with paper conservation orders of the War Production Board DJ light rub, wear, Scuff & tiny Chips Tears Edges BUT Titles Illustration INTACT, Interior nice tight Clean , FOX, light Wear, 248 pgs, NO ADS in Back, GreyBlue Cloth with Red Decoration on Spine with Titles. Cvr light rub, Wear, Spine ends DJ Tiny chips but Titles INTACT, Back DJ B/W Picture of the Author in Victorian dress with tiny bio, 7 3/4" x 5 1/2"; . Former Owner Bookplate Attached to Blue endpapers decorated with Murray Hill Mystery logo. Endpapers, Back inner Flap DJ small price sticker, . The ingredients are a Maine background, a big house, a bewildered and bedevilled girl, a helpful neighbor and, more importantly, the chef. For Mary Roberts Rinehart has cooked up another of her classics----this time in THE YELLOW ROOM! A Murray Hill Mystery.
Editore: Alfred Knopf, 1947
Da: Bluff Park Rare Books, LONG BEACH, CA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione
Hard Cover. Condizione sovraccoperta: Very Good. First Edition. HBDJ, Stated 1st edition On Copyright pg, 1947 on Title pg, 1st printing, Tiny chips extremities DJ, Back DJ small mended tears & slight Soil, Small Beige decorated cloth with Green Authors Monogram design front cvr & green Titles & Decoration on spine cvr, Interior light fox O/W Nice, Tight Clean, 165 pgs, NF-/ VG, AS-IS, DJ protected Clear Mylar, DJ small light thin Scuff mark spine edge. 5 X 7 1/4 in. 8 VO. . Story of Farmer & of Daughter who came back to him years after he had almost forgotten her & of the wife who had Deserted Him. & of the man who had Stolen his Wife. With ever increasing Violence right up to Dramatic End.
Editore: Simon and Schuster (A Venture Press Book), New York, 1947
Da: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good dj. Illustrated by (dj design) Sol Immerman (illustratore). First Edition. [modest shelfwear to top and bottom edges, old gift inscription (non-authorial) on front pastedown; jacket has some shallow chipping along top edge, split halfway up from bottom along front flapfold, various small nicks and closed tears]. The first book by this Georgia-born author, who worked at various times as a social worker, library assistant, clerk-typist, teacher, advertising copywriter, and book reviewer. She was later to gain a minor reputation as a mystery novelist, with six novels and dozens of short stories (mostly published in Ellery Queen's Mystery Magazine and similar digest pulps) to her credit. Her entry in "Twentieth Century Crime and Mystery Writers" notes the affinity and empathy she exhibited throughout her fiction to disadvantaged and socially isolated people, particularly elderly women, and ascribes it to her experiences as a social worker -- but from what's known of her life, it seems like she could just as well have seen herself in that class as well. (Critic Christopher Fowler, writing in The Independent in 2014, sketched this portrait of her: "She read avidly, stored books in her oven, and would only eat in restaurants with linen napkins. She lived austerely, took care of a sick mother, travelled alone and liked teddy bears" -- also noting that she had "abandoned writing after becoming completely deaf, and concentrated on charity work.") This particular book, which predates all her other published writing by about five years, both stands apart from it and yet is all of a piece with it -- it's "unclassifiable," per the publisher's blurb, "not a novel, not a book of short stories. It contains 26 chapters, each the autobiographical sketch of a human being, as he or she tells his story is his own words to a case worker." The author provides only the briefest sociological overlay, noting in a half-page introductory note that "the people in this book talk to someone called a case worker. Their confidence has been respected and they cannot be identified." (Note that she all but removes herself from the equation, too: although we learn from the author-bio jacket copy that the author "has been employed as a social worker since October 1939," she makes absolutely no attempt to position herself as the specific receptor for any of these narratives.) The book just plunges straight ahead with its 26 tales of "love and hate and human dignity and of the anguish caused when minds and hearts and bodies go unfed.".
Editore: Random House (c.1949), New York, 1949
Da: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good dj. Illustrated by (dj design) Sol Immerman (illustratore). 1st Edition (unstated). [very slight wear to spine ends, faint dust-soiling to top of text block, no other significant blemishes; jacket lightly worn at extremities, upper part of spine moderately faded (title still readable), a couple of tiny nicks at spine ends]. (B&W photographs by John Swope) Hit melodrama set in a New York City police station. Filmed by William Wyler in 1951, with the Broadway lead (Ralph Bellamy) replaced by Kirk Douglas. RESEARCHING THE PRINTING.
Editore: Simon and Schuster, New York, 1949, 1949
Da: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. 1st Edition. 1st ed., 1st printing ; [14], 273 pp, [1] ; 23 cm OCLC 568075 ; dustjacket shows BOMC (Book of the Month Cliub) ; red and back cloth with gold lettering in red black and white dustjacket ; price label on front endpaper ; Vannevar Bush was an American engineer, inventor and science administrator, who during World War II headed the U.S. Office of Scientific Research and Development, through which almost all wartime military, as well as the Advisory Committee on Uranium, out of which grew the Manhattan Project annd the atomic bomb, Robert Sherwood called him "an ideal leader of American scientists in time of war.his analysis of a tangled situation and his forceful presentation of a course of action produced results far removed from his official sphere of influence" ; Contents: Science, democracy and war -- The techniques of World War I -- Between the wars -- The technical war on land -- On the surface of the sea -- The guided missle -- The atomic bomb -- The nature of total war - Subversive war -- Cold War -- Threat and bulwark -- Ttalitarianism and dictatorship -- Democracy -- Education -- Planning -- Conclusion ; tiny edge chipping to dustjacket, else FINE/G. Book.
Editore: Simon and Schuster, New York, 1947
Da: Heartwood Books and Art, Fort Lauderdale, FL, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Alfred Hitchcock(Editor) Sol Immerman(Jacket Design) (illustratore). First Edition. Alfred Hitchcock's Fireside Book of Suspense (First Edition) A firm square copy. Very light tanning to pages. Not price-clipped. A bright jacket. In clear protective cover. Title page dated 1947. First Printing, stated. Burgundy cloth with gilt lettering and design. Includes 27 stories by various authors meeting Hitchcock's criteria for high-quality suspense. BOOK.
Editore: Random House, New York, 1948
Da: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Prima edizione
Hardcover with dust jacket. Condizione: Fine. Condizione sovraccoperta: Fine. Sol Immerman (dust jacket design) (illustratore). First Edition. 8vo. Pp. 231. Beige cloth, spine lettered in red, ruled in green on the spine and front board. Top edges stained gray. Tiny spot on bottom edge of rear board else Fine in Fine dust jacket with price of $2.75 intact on the front flap. The author's first book, and second appearance in print following the 1945 publication of his story "Miriam" in Mademoiselle.A notably fresh copy, with the Sol Immerman-designed dust jacket - featuring the insouciant Halma photo of the louche Capote, hand on crotch - now housed in a removable, clear archival sleeve.