Diane pelrine (67 risultati)

Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Used; good. Ex-library, with expected library markings. Contents are crisp, clean, complete and undamaged. Book was donated to Friends of Omaha Public Library.

Paperback. Condizione: Very Good. Exhibition brochure (October, 1993 through February,1994) for Indiana University Art Museum. Stapled wraps as issued. 20 pages (unpaginated).

Softcover, 160 pages, very good condition; light crease to spine; owner's name on first page; no other internal marks. Foreign shipping may be extra.

Softcover staple-bound, 20 pages; very good condition; light rubbing to covers no internal marks.

First Edition. First edition. Softcover. 64 pages. Exhibition catalog for a show that ran July 8 through September 7, 1986 at Indianapolis Museum of Art and then October 12 through November 23, 1986 at Indianapolis Museum of Art at Columbus. Introduction by Theodore Celenko. Essays by Diane Pelrine, Catherine Ricciardelli Davis, and Douglas E. Bradley. Includes 59 black and white illustrations. A near fine copy in stapled wrappers. …

paperback. Condizione: New. **PAPERBACK**.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. First edition. Softcover. First printing. 362 pages. Edited by Linda J. Baden. Text contributions by Adelheid M. Gealt, Diane M. Pelrine, Adriana Calinescu, Judith A. Stubbs, and Jennifer A. McComas. Includes numerous color plates. A very near fine copy. Signed and inscribed by author Judith A. Stubbs and uncommon thus.…

Soft cover. Condizione: Very Good+. Book has mild cornerwear, else clean and tight with no marks or stamps. 231 p. Book.

Condizione: New.

Softcover. Glossy, color-illus. black wraps with white lettering. 159 pp. with 67 bw catalogue entries. Catalogue from the exhibition held at 5 university museums in the US between September 1988 and December 1990. Includes a collectors' statement, essay on viewing African art, a map and key to ethnic African groups, the catalogue and more. Each work well-annotated. Fine internally but with art museum sticker on upper front cover and museum donation book plate inside front cover.…

paperback. Condizione: Good. Good paperback. We use quality packaging materials (including boxes!) for shipping.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. 1st Edition. 159pp paperback, full page plates oposite descriptive text, very good, colour card wrappers.

Soft cover. Condizione: Fine. 1st Edition. Published for the eponymous exhibition held at the Indiana University Art Museum (September 27 - December 16 1988); Kent State University Art Gallery (February 22 - March 17 1989); Mint Museum of Art (August 25 - November 19 1989); Samuel P. Harn Museum of Art, University of Florida (February 18 - April 28 1990); and The Snite Museum of Art, University of Notre Dame (October 28 - December 30, 1990). Absolute lightest of wear.…

Paperback. Condizione: Brand New. 72 pages. 9.00x6.00x0.25 inches. In Stock.

231 SS. mit zahlr. farb Abb. 4°. OBroschur. Aeußerlich ein wenig berieben. Block an einer Ecke gering gestaucht. Eher gutes Studienexemplar! Aufgrund der von der Europäischen Union erlassenen EPR-Handels-Erschwernisse kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Polen, Österreich, Rumänien, Dänemark, Schweden, Slowakei, Spanien. Sollte eine deutsche Lieferadresse möglich sein, kann an diese aber problemlos geliefert werden! * * * due to EPR-Restrictions NO SHIPPING to Austria, Bulgaria, Denmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * * Sprache: Deutsch 1249 gr. …

paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine in VG+ dust jacket. First Edition, First Printing. Heavy oversize dark red cloth binding - dent to outer hinge, else like new. Dust jacket shows light edgewear and one tear. 362 pages, illustrated, mostly color. A heavy volume, ships Media Mail with not extra shipping fees.…

Hardcover. dj. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. A few bumps to jacket, volume slightly bowed. Text is clean and unmarked, illustrated throughout. ; 10.60 X 8.40 X 0.70 inches; 231 pages.

Condizione: New. 2023. Illustrated. hardcover. . . . . .

Hardcover. Condizione: New. Condizione sovraccoperta: New. 231 pages : illustrations (some colour), colour maps ; 30 cm. Published in conjunction with the exhibition organized by the Indiana University Art Museum; held April 13-June 9, 1996 at the Portland Museum of Art, Portland, Maine, and at three other museums at later dates. Summary:"Affinities of Form: Arts of Africa, Oceania, and the Americas examines the motives that led Raymond Wielgus to become a collector and that guided him to his chosen field. Wielgus originally made his name as a maker of high-quality prototype models for potential new products in the manufacturing industry, and the book shows how the very special experience gained in this profession molded his view of the art of collecting. It lists the criteria that he applied to the objects to be included in the collection and assesses the importance of the skill with which they were eventually displayed. The collection spans in excess of three thousand years of ethnographic art and contains exquisite masterpieces produced by the indigenous peoples of Africa, the islands of the Pacific, and the Americas."--BOOK JACKET.…