didihuberman georges (9 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Alberto Giacometti's 1934 Cube stands apart for many as a typical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional - a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait - or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Nuevo. COLECCIÓN: BIBLIOTECA DEL PRESENTE BIBLIOTECA DEL PRESENTE - ENSAYOS LITERARIOS | FILOSOFIA | FILOSOFIA: ESTETICA | HISTORIA REGIONAL Y NACIONAL | SOCIEDAD Y CULTURA: GENERAL.

Condizione: New. &Uumlber den AutorPhilippe-Alain Michaud Foreword by Georges Didi-Huberman Translated by Sophie Hawkes.

Condizione: New. These outspoken intellectuals seek to reclaim people as an effective political concept by revisiting its uses and abuses over time. By engaging this topic linguistically, ethnically, culturally, and ontologically, these scholars help separate people fro.

Condizione: New. Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg s ideas, addressing broader questions regarding art historians conceptions of time, memory, symbols, and .

Condizione: New.

Paperback. Condizione: New. Alberto Giacometti's 1934 Cube stands apart for many as a typical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional - a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait - or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.