Diels ann (14 risultati)

Softcover, 140 p. : ill. ; 30 cm. ISBN 2870931670. 27 novembre 2009 - 15 fevrier 2010. 0 g.

Softcover, 140 p. : ill. ; 30 cm ISBN 9789066371507. 27 november 2009 - 15 februari 2010. 0 g.

140pp., met zw/w ills., 30cm., gebroch., goede staat, S108248.

hardcover. Condizione: New. 1st.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. KlappentextThis book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quick.

Buch. Condizione: Neu. Neuware - This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.…

Bruxelles, Bibliothèque Royale, 2005, format in-8°, 164 pp, couverture souple d'origine; Text en français, publié lors d'une exposition.

Condizione: gut. Frans Francken and his milieu Old paths, new roads In deutscher Sprache. pages.

London, Harvey Miller Publ. in collaboration with the Royal Library of Belgium, 2009. 271 pp. B./w. ills. Hardcover (black cloth, gilt lettering on spine), d./j. Contents: 1. Print production in Europe in the seventeenth century : engravers operating in local, regional and international markets; 2. 'Painting has but one original, while the art of engraving has hundreds' : prints between reproduction and invention; 3. The history painters Abraham van Diepenbeeck, Cornelis Schut, and Erasmus Quellinus II and their professional relationships with engravers and print publishers; 4. 'In addition to painting [he] also wielded the etching needle' : seventeenth-century Antwerp history painters as etchers. …

Rilegato. Condizione: nuovo. Pages: 271 p. Illustrations:279 b/w Language(s):English Publication Year:2009. Brepols. ISBN: 978-1-905375-50-9. Hardback -- Summary This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.…