divo cavicchioli (8 risultati)

Collection of 6 vintage black-and-white still photographs from the 1961 Italian film. Marcello Mastroianni is a bored man, bored with life and his wife. He falls in love with a younger woman, and since divorce is illegal in Italy unless there is just cause (like catching your spouse committing adultery), he decides to find his wife another lover. That way he wont need to kill her. 8 x 10 inches. Very Good plus, with light creases and toning overall. Several pinholes to a few; one with a small chip and corresponding closed tears.

Condizione: Good. 18 x 24 cm. B&W Photo. Very Good.

Condizione: Good. 20.5 x 25.5 cm. B&W Photo. Very Good.

Condizione: Good. 17 x 23 cm. B&W Photo. Very Good.

Collection of 4 original black-and-white single weight still photographs from the 1961 Italian film. Two stills with brief annotations on the versos, in manuscript ink and pencil. Ferdinando (Mastroianni) is bored with life and his wife (Rocca). He falls in love with his cousin (Sandrelli), and since divorce is illegal in Italy unless there is just cause (like catching your spouse committing adultery), he decides to find his wife another lover instead of killing her. Seems simple enough. The first of Mastoianni's four "Italian Style" films, and winner of an Academy Award for Best Writing, a BAFTA, three Golden Globes, and nominated for a host of others. 7 x 9.25 inches. Very Good plus overall, with moderate curling, a few with slight discoloration. Criterion Collection 286.

Original Italian program for the 1961 film, here under the original Italian title, "Divorzio all'italiana." Illustrated throughout with black-and-white still photos from the film, full-color front wrapper fold-out art, and the program details a synopsis and cast and crew credits. Notations throughout in manuscript ink, mostly amending certain words of the synopsis. Ferdinando (Mastroianni) is bored with life and his wife (Rocca). He falls in love with his cousin (Sandrelli), and since divorce is illegal in Italy unless there is just cause (like catching your spouse committing adultery), he decides to find his wife another lover instead of killing her. Seems simple enough. The first of Mastoianni's four "Italian Style" films, and winner of an Academy Award for Best Writing, a BAFTA, three Golden Globes, and nominated for a host of others. 9.5 x 13.25 inches, 9 leaves, saddle-stapled. Very Good overall, lacking staples, with creases, brief tears and foxing. Criterion Collection 286.

Vintage borderless reference photograph of Pier Paolo Pasolini talking with actors Toto and Ninetto Davoli on the set of the 1966 film. Stamp of photographer Divo Cavicchioli on the verso, along with a printed Photofest label. A neorealist film dealing with Marxism and class conflict, wherein an old man and his son are joined by a talking philosopher crow on their walk down the road. Nominated for the Palme d'Or. Set and shot on location in Assisi, Fiumicino, Rome, Tuscania, and Viterbo, Italy. 7.25 x 9.5 inches. Very Good plus, with light wear on the left edge. Godard, Histoire(s) du Cinema. Rosenbaum 1000.

Vintage borderless reference photograph of Pier Paolo Pasolini, along with his script supervisor, on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp, photographer "Divo Cavicchioli" stamp, and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man (played by the famous Italian performer Toto) and his son (Ninetto Davoli) are walking along the road and are joined by a talking philosopher crow, whom we are told in an intertitle, is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi, Fiumicino, Rome, Tuscania, and Viterbo, Italy. 7.25 x 9.5 inches. Near Fine. Godard, Histoire(s) du Cinema. Rosenbaum 1000.